The Early Music Consort of London - Music Of The Gothic Era (1976, CD Issue 1985)

Posted By: luckburz

The Early Music Consort of London - Music Of The Gothic Era
works by Petrus De Cruce, Philippe De Vitry, Guillaume De Machaut & others
EAC+LOG+CUE | FLAC: 252 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Archiv Produktionen # 415 292-2 | Country/Year: Germany 1985, 1976
Genre: Classical | Style: Medieval

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Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 30. April 2013, 14:15

Early Music Consort; Munrow / Music Of The Gothic Era

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 9:05.38 | 32 | 40944
2 | 9:05.70 | 11:47.50 | 40945 | 94019
3 | 20:53.45 | 1:07.12 | 94020 | 99056
4 | 22:00.57 | 1:00.50 | 99057 | 103606
5 | 23:01.32 | 2:23.45 | 103607 | 114376
6 | 25:25.02 | 1:50.20 | 114377 | 122646
7 | 27:15.22 | 1:27.23 | 122647 | 129194
8 | 28:42.45 | 3:11.07 | 129195 | 143526
9 | 31:53.52 | 2:24.55 | 143527 | 154381
10 | 34:18.32 | 1:53.05 | 154382 | 162861
11 | 36:11.37 | 1:16.28 | 162862 | 168589
12 | 37:27.65 | 3:09.22 | 168590 | 182786
13 | 40:37.12 | 2:26.40 | 182787 | 193776
14 | 43:03.52 | 1:29.15 | 193777 | 200466
15 | 44:32.67 | 3:28.30 | 200467 | 216096
16 | 48:01.22 | 1:53.20 | 216097 | 224591
17 | 49:54.42 | 4:04.00 | 224592 | 242891
18 | 53:58.42 | 3:16.65 | 242892 | 257656
19 | 57:15.32 | 3:16.15 | 257657 | 272371


Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Early Music Consort; Munrow - Music Of The Gothic Era.wav

Peak level 82.0 %
Extraction speed 1.8 X
Range quality 99.9 %
Copy CRC 1886412B
Copy OK

No errors occurred


AccurateRip summary

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Track 2 accurately ripped (confidence 3) [345000D4] (AR v2)
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Track 19 accurately ripped (confidence 4) [F4E90487] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

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==== Log checksum FBE45550B87539EF2328D08A7C28D642C0E8F35CD27C30F00E2C7EAE9B2E0C4B ====

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-04-30 19:28:13

––––––––––––––––––––––––––––––––––––––––
Analyzed: Early Music Consort; Munrow / Music Of The Gothic Era
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -6.89 dB -26.54 dB 9:06 01-Leonin: Organum Viderunt Omnes Fines Terre
DR15 -1.72 dB -23.72 dB 11:48 02-Perotin: Organum Viderunt Omnes
DR13 -3.75 dB -18.90 dB 1:07 03-Anonimo: Alle Psallite Cum Luya
DR11 -5.26 dB -19.46 dB 1:01 04-Anonimo: Amor Potest
DR13 -8.24 dB -25.23 dB 2:24 05-Anonimo: S'on Me Regarde
DR12 -10.15 dB -26.18 dB 1:50 06-Anonimo: In Mari Miserie
DR12 -3.53 dB -18.30 dB 1:27 07-Anonimo: O Mitissima
DR12 -8.75 dB -26.95 dB 3:11 08-Cruce, Petrus De: Aucun Ont Trouve
DR13 -4.18 dB -21.64 dB 2:25 09-Halle, Adam De La: De Me Dame Vient
DR12 -5.56 dB -21.66 dB 1:53 10-Halle, Adam De La: J'os Bien A M'amie Parler
DR13 -10.31 dB -26.19 dB 1:16 11-Anonimo: Le Mesnie Fauveline
DR13 -5.84 dB -22.25 dB 3:09 12-Vitry, Philippe De: Impudentur Circumivi
DR11 -7.56 dB -22.23 dB 2:27 13-Vitry, Philippe De: Cum Statua
DR14 -5.17 dB -23.68 dB 1:29 14-Anonimo: Clap, Clap, Par Un Matin
DR12 -10.99 dB -27.60 dB 3:28 15-Anonimo: Febus Mundo Oriens
DR12 -11.00 dB -26.03 dB 1:53 16-Machaut, Guillaume De: Qui Es Promesses De Fortune
DR14 -4.91 dB -25.40 dB 4:04 17-Machaut, Guillaume De: Lasse! Comment Oublieray
DR14 -5.29 dB -25.19 dB 3:17 18-Anonimo: Inter Densas Deserti Meditans
DR11 -3.92 dB -19.40 dB 3:16 19-Machaut, Guillaume De: Hoquetus David
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 19
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 555 kbps
Codec: FLAC
================================================================================



CD Info:

The Early Music Consort of London - Music Of The Gothic Era

works by Petrus De Cruce, Philippe De Vitry, Guillaume De Machaut & others

Label: Archiv Produktionen
Catalog#: 415 292-2
Format: CD, Album
Country: Germany
Released: 1985, 1976
Genre: Classical
Style: Medieval

Tracklist:

1 Leonin: Organum Viderunt Omnes Fines Terre 9:06
2 Perotin: Organum Viderunt Omnes 11:48
3 Anonimo: Alle Psallite Cum Luya 1:07
4 Anonimo: Amor Potest 1:01
5 Anonimo: S'on Me Regarde 2:24
6 Anonimo: In Mari Miserie 1:50
7 Anonimo: O Mitissima 1:27
8 Cruce, Petrus De: Aucun Ont Trouve 3:11
9 Halle, Adam De La: De Me Dame Vient 2:25
10 Halle, Adam De La: J'os Bien A M'amie Parler 1:53
11 Anonimo: Le Mesnie Fauveline 1:16
12 Vitry, Philippe De: Impudentur Circumivi 3:09
13 Vitry, Philippe De: Cum Statua 2:27
14 Anonimo: Clap, Clap, Par Un Matin 1:29
15 Anonimo: Febus Mundo Oriens 3:28
16 Machaut, Guillaume De: Qui Es Promesses De Fortune 1:53
17 Machaut, Guillaume De: Lasse! Comment Oublieray 4:04
18 Anonimo: Inter Densas Deserti Meditans 3:17
19 Machaut, Guillaume De: Hoquetus David 3:16

Review by John Keillor

Some scholars believe that the music of the Notre Dame period, the Ars Antiqua and Ars Nova movements (approximately 1250-1320 and 1320-1380 respectively) are the foundations of the Western classical music tradition. This is music worth investigating, and The Early Music Consort of London, under the direction of David Munrow, do a superb job of presenting this material in as appealing a manner as one could ask. From the Notre Dame period, examples of Leonin and Perotin's polyphonic work are presented with delicacy and generate a timeless wonder in anyone even just half listening. From the Ars Antiqua are motets by Adam de la Halle and the Bamberg and Montpellier Codices. The Ars Nova music features motets by Guillaume de Machaut and other assorted sources. The clarity of the singing is haunting, compelling in the solo material, polyphonic selections, and the choral work, which is perfectly blended. There are no shortcomings to this recording, and it is assembled to both respect a valuable historical timeline and entertain listeners. Even the pre-digital, 1976 recording quality is beyond reproach. For those even mildly interested learning the early works of Western European music, this is an essential find. allmusicguide

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