Shirley Bassey - I Am What I Am (1984, later reissue, Ariola # 610234)

Posted By: luckburz

Shirley Bassey - I Am What I Am
EAC+LOG+CUE | FLAC: 287 MB | Full Artwork: 30 MB | 5% Recovery Info
Label/Cat#: Ariola # 610234 | Country/Year: Germany 198_, 1984
Genre: Pop, R'n'B | Style: Soul, Disco

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip [ ]



Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 19. July 2013, 16:50

Shirley Bassey / I Am What I Am

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.33 | 3:00.30 | 33 | 13562
2 | 3:00.63 | 3:31.60 | 13563 | 29447
3 | 6:32.48 | 3:52.12 | 29448 | 46859
4 | 10:24.60 | 3:41.08 | 46860 | 63442
5 | 14:05.68 | 3:04.62 | 63443 | 77304
6 | 17:10.55 | 2:04.18 | 77305 | 86622
7 | 19:14.73 | 3:56.60 | 86623 | 104382
8 | 23:11.58 | 3:14.20 | 104383 | 118952
9 | 26:26.03 | 2:51.60 | 118953 | 131837
10 | 29:17.63 | 2:54.62 | 131838 | 144949
11 | 32:12.50 | 4:15.28 | 144950 | 164102
12 | 36:28.03 | 4:35.42 | 164103 | 184769
13 | 41:03.45 | 4:30.58 | 184770 | 205077
14 | 45:34.28 | 2:36.62 | 205078 | 216839
15 | 48:11.15 | 3:53.10 | 216840 | 234324
16 | 52:04.25 | 4:09.00 | 234325 | 252999


Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Shirley Bassey - I Am What I Am.wav

Peak level 90.2 %
Extraction speed 1.1 X
Range quality 100.0 %
Test CRC 32B73BE0
Copy CRC 32B73BE0
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 4) [C7D4AF2C] (AR v2)
Track 2 accurately ripped (confidence 4) [A5269DE2] (AR v2)
Track 3 accurately ripped (confidence 3) [8889D3BB] (AR v2)
Track 4 accurately ripped (confidence 4) [8379394B] (AR v2)
Track 5 accurately ripped (confidence 4) [B91DF95F] (AR v2)
Track 6 accurately ripped (confidence 4) [44A7AF31] (AR v2)
Track 7 accurately ripped (confidence 3) [857BB8BE] (AR v2)
Track 8 accurately ripped (confidence 4) [D95711F4] (AR v2)
Track 9 accurately ripped (confidence 4) [E19C3738] (AR v2)
Track 10 accurately ripped (confidence 3) [3A40872C] (AR v2)
Track 11 accurately ripped (confidence 4) [7F4AB9B8] (AR v2)
Track 12 accurately ripped (confidence 4) [04A04403] (AR v2)
Track 13 accurately ripped (confidence 4) [E1673D43] (AR v2)
Track 14 accurately ripped (confidence 4) [3C63DEB8] (AR v2)
Track 15 accurately ripped (confidence 3) [67C92DE0] (AR v2)
Track 16 accurately ripped (confidence 3) [C9D416F1] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: rz1m1g9hjaqXbTA5nioM_M1g9TY-] disk not present in database, Submit result: discs with pregaps not supported in this protocol version


==== Log checksum BB2D6D684FA384ABF00336088FFB5A929F689575F9C1978007CDC9501E3FA279 ====

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-07-19 21:16:59

––––––––––––––––––––––––––––––––––––––––
Analyzed: Shirley Bassey / I Am What I Am
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -4.54 dB -20.09 dB 3:00 01-What Now My Love
DR9 -3.48 dB -19.12 dB 3:32 02-Something
DR13 -4.07 dB -23.48 dB 3:52 03-As Long As He Needs Me
DR13 -5.56 dB -26.53 dB 3:41 04-Kiss Me Honey Honey
DR11 -5.54 dB -22.29 dB 3:05 05-As I Love You
DR14 -0.89 dB -21.39 dB 2:04 06-Big Spender
DR11 -11.18 dB -28.13 dB 3:57 07-Send In The Clowns
DR12 -3.58 dB -20.14 dB 3:14 08-I Am What I Am
DR9 -2.74 dB -17.59 dB 2:52 09-Goldfinger
DR10 -5.25 dB -21.50 dB 2:55 10-I ( Who Have Nothing)
DR13 -2.96 dB -21.71 dB 4:15 11-Natalie
DR11 -4.67 dB -21.86 dB 4:36 12-And I Love You So
DR12 -3.92 dB -20.93 dB 4:31 13-Never Never Never
DR10 -6.83 dB -22.49 dB 2:37 14-For All We Know
DR13 -1.25 dB -18.51 dB 3:53 15-This Is My Life
DR13 -3.64 dB -22.14 dB 4:09 16-If You Don´t Understand
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 16
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 680 kbps
Codec: FLAC
================================================================================



CD Info:

Shirley Bassey - I Am What I Am

Label: Ariola
Catalog#: 610234
Format: CD, Album
Country: Germany
Released: 198_, 1984
Genre: Pop
Style: Soul, Disco, Classical Crossover

Tracklist:

1 What Now My Love 3:00
2 Something 3:32
3 As Long As He Needs Me 3:52
4 Kiss Me Honey Honey 3:41
5 As I Love You 3:05
6 Big Spender 2:04
7 Send In The Clowns 3:57
8 I Am What I Am 3:14
9 Goldfinger 2:52
10 I ( Who Have Nothing) 2:55
11 Natalie 4:15
12 And I Love You So 4:36
13 Never Never Never 4:31
14 For All We Know 2:37
15 This Is My Life 3:53
16 If You Don´t Understand 4:09

Artist Biography by John Bush

Known to Americans most for her belting rendition of the theme to Goldfinger, the 1964 edition in the James Bond series (as well as 1971's Diamonds Are Forever and 1979's Moonraker), Shirley Bassey was one of the most popular female vocalists in Britain during the last half of the 20th century. Known as Bassey the Belter and also the Tigress of Tiger Bay, her early career in touring shows and cabaret brought her a recording contract with Philips by the late '50s. After reaching the top of the British charts in 1959 with "As I Love You" and later "Reach for the Stars/Climb Every Mountain," Bassey was tapped to swing the theme song to the third James Bond vehicle. Her voice, brassy and sexy, conveyed the James Bond myth perfectly and became a big hit in America. Though later chart placings in the U.S. were few, she continued to do well in Great Britain, France and the Netherlands into the mid-'70s.

Born in January 1937 in Tiger Bay, Cardiff, Wales, Shirley Bassey was the youngest of seven children. Her parents, a Nigerian sailor and an English woman, divorced before she was three years old, but they kept the family together for the most part, and Shirley was able to sing duets with her brother at family get-togethers. After finishing school, she found a job at a local factory, and earned extra money singing at men's clubs after-hours. Bassey traveled around the country in revues during the early '50s, and made her big breakout in 1955 at a London Christmas show given by comedian Al Read (though it was promoted by bandleader Jack Hylton, who had caught Bassey's act at the nearby Albany Club). Soon after, Shirley Bassey began appearing in Read's revue, Such Is Life. The show ran for over a year, and gained her a recording contract for Philips Records. "Banana Boat Song" hit the British Top Ten in early 1957, followed by her number one hits, 1959's "As I Love You" and 1961's "Reach for the Stars/Climb Every Mountain." A 1962 pairing with arranger Nelson Riddle increased her prestige in America, and a vaunted live show gained her headlining spots in both New York and Las Vegas during the early '60s. Popular recognition in the United States came in early 1965, when "Goldfinger" hit number eight in the American charts, instantly becoming her signature song across the Atlantic. (Strangely though, it missed even the Top 20 in Great Britain.)

Bassey's hits in the U.K. continued into the mid-'70s, led by Top Ten entries such as "Something," "For All We Know" and "Never Never Never." After the crowning achievement of her career, a 1977 Britannia Award for Best Female Solo Singer in the Last 50 Years, Shirley Bassey gained her own highly rated BBC-TV show in the late '70s, but gradually slowed down her busy schedule during the next decade. Semi-retired to Switzerland by 1981, she nevertheless emerged quite frequently, spurred by the recording of several television specials and LPs, including a 1987 date with the synth-pop group Yello. Bassey became much more visible during the '90s, opening a nightclub in Cardiff, and touring the world several times. allmusicguide

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