Oliver Knussen - London Sinfonietta - Higglety Pigglety Pop! & Where the Wild Things Are (2001)

Posted By: luckburz
Date: Oct. 27, 2013

Oliver Knussen - London Sinfonietta - Higglety Pigglety Pop! & Where the Wild Things Are
A double bill of fantasy operas based on the books by Maurice Sendak
EAC+LOG+CUE | 2x FLAC: 452 MB | Artwork | 5% Recovery Info
Label/Cat#: Deutsche Grammophon "20-21" # 469 556-2 | Country/Year: Europe 2001
Genre: Classical, Children's Music | Style: Opera, Contemporary

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [] not my rip [X]

EAC extrae el archivo del registro desde 30. Septiembre 2006, 0:29 para el CD
Oliver Knussen & Maurice Sendak / Higgelty Piggelty Pop

Unidad Usada: TSSTcorpCD/DVDW SH-W162L Adapter: 2 ID: 0
Modo de Lectura: Seguro sin C2, con Flujo Preciso, desactivando Cache
Corrección Combinada de Lectura/Escritura del Balance: 0
Leer por encima de la sesión inicial y final del CD : No

Usar Formato de Salida: C:\flac.exe (Usar Compresor definido)
320 kBit/s
Opciones adicionales de la Linea de comandos: -5 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s

Otras Opciones:
Rellenar muestras pérdidas del balance con silencios : Si
Eliminar bloques de silencios al principio y final : No
Interfaz Win32 para Windows (NT/2000/XP)


Límite erroneo
Seleccionar Límite
Nombre de archivo E:\CD 1.flac.wav

Nivel de pico 100.0 %
Calidad de límite 100.0 %
CRC 074AD9AC
Copia realizada

No existen errores

Fin de la información de estado

EAC extrae el archivo del registro desde 30. Septiembre 2006, 1:01 para el CD
Oliver Knussen & Maurice Sendak / Where The Wild Things Are

Unidad Usada: TSSTcorpCD/DVDW SH-W162L Adapter: 2 ID: 0
Modo de Lectura: Seguro sin C2, con Flujo Preciso, desactivando Cache
Corrección Combinada de Lectura/Escritura del Balance: 0
Leer por encima de la sesión inicial y final del CD : No

Usar Formato de Salida: C:\flac.exe (Usar Compresor definido)
320 kBit/s
Opciones adicionales de la Linea de comandos: -5 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s

Otras Opciones:
Rellenar muestras pérdidas del balance con silencios : Si
Eliminar bloques de silencios al principio y final : No
Interfaz Win32 para Windows (NT/2000/XP)


Límite erroneo
Seleccionar Límite
Nombre de archivo E:\Higgelty Piggelty Pop\CD 2\CD 2.flac.wav

Nivel de pico 100.0 %
Calidad de límite 100.0 %
CRC 60711C7D
Copia realizada

No existen errores

Fin de la información de estado

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)


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[Oliver Knussen & Maurice Sendak - Higgelty Piggelty Pop.wav]
Detected average hi-boundary frequency: 2.008242e+004 Hz
Detected average lo-boundary frequency: 1.289181e+004 Hz
Detected average hi-cut frequency: 2.196269e+004 Hz
Detected average lo-cut frequency: 1.164848e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 6.177601e-001
First order smothness: 4.324569e-001
Second order smothness: 6.953762e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

––––––––––––––––––––––––––––––
[Oliver Knussen & Maurice Sendak - Where The Wild Things Are.wav]
Detected average hi-boundary frequency: 2.020493e+004 Hz
Detected average lo-boundary frequency: 1.368637e+004 Hz
Detected average hi-cut frequency: 2.195853e+004 Hz
Detected average lo-cut frequency: 1.187884e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 8.552662e-001
First order smothness: 3.982487e-001
Second order smothness: 6.945709e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-08-13 18:19:27

––––––––––––––––––––––––––––––––––––––––
Analyzed: Oliver Knussen & Maurice Sendak / Higgelty Piggelty Pop
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -5.47 dB -24.89 dB 3:12 01-Scene 1: Jennie - Why am I longing to be away somewhere?
DR16 -2.22 dB -25.55 dB 5:14 02-Scene 1: Jennie - You have two windows
DR18 -0.14 dB -25.80 dB 4:01 03-Scene 2: Pig - Hello little lady
DR12 -9.07 dB -27.12 dB 0:54 04-Scene 2: Pig - If I could eat experience
DR15 0.00 dB -24.57 dB 3:04 05-Scene 3: Cat - You must be going to a very terrific place
DR14 -2.23 dB -22.87 dB 2:26 06-Orchestral Interlude: The Journey to the Big White Jouse
DR12 -0.46 dB -20.13 dB 1:16 07-Scene 4: Rhoda - Thank you very much for the ride
DR16 -3.90 dB -26.02 dB 4:44 08-Scene 4: Rhoda - Are you all right, Miss?
DR18 -0.50 dB -29.81 dB 2:25 09-Scene 5: Baby - Baby, here is Nurse
DR16 0.00 dB -22.14 dB 5:15 10-Scene 5: Baby - Yum, yum!
DR17 -1.47 dB -31.45 dB 3:09 11-Scene 5: Who can help me?
DR14 -7.09 dB -28.40 dB 1:52 12-Scene 6: Lion - Jennie's descent into the cellar
DR14 0.00 dB -20.16 dB 3:42 13-Scene 6: Quiet in there!
DR14 -9.98 dB -30.76 dB 5:10 14-Scene 7: The Ash-tree - Now I have nothing
DR11 -9.51 dB -27.97 dB 1:08 15-Scene 7: The Ash-tree - Kleine Trauermusik
DR16 0.00 dB -23.63 dB 3:48 16-Scene 8: Recognition - Jennie!
DR15 0.00 dB -20.70 dB 2:42 17-Orchestral Interlude: The Ride to Castle Wonder
DR15 -12.50 dB -35.24 dB 0:53 18-Hello. as you probably noticed
DR14 0.00 dB -20.85 dB 3:03 19-Scene 9: Higgelty Piggelty Pop - Fanfare 1: Overture
DR13 0.00 dB -20.12 dB 2:36 20-Scene 9: Higgelty Piggelty Pop - Fanfare 2
DR14 -13.84 dB -37.58 dB 1:16 21-Scene 9: Higgelty Piggelty Pop - Coda
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 21
Official DR value: DR15

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 580 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Oliver Knussen & Maurice Sendak / Where The Wild Things Are
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -7.17 dB -26.69 dB 1:33 01-Overture
DR15 0.00 dB -20.42 dB 3:42 02-Scene 1: Max
DR14 0.00 dB -19.36 dB 3:06 03-Scene 2: Mama
DR13 -4.35 dB -22.37 dB 0:55 04-Change of Scene
DR16 -6.45 dB -29.50 dB 2:00 05-Scene 3: Max's Room - Pantomime and Arietta 1
DR13 -11.43 dB -28.03 dB 2:43 06-Scene 3: Max's Room - Pantomime and Arietta 2
DR14 -0.12 dB -20.65 dB 3:17 07-First Sea Interlude
DR13 0.00 dB -18.20 dB 4:15 08-Scene 4: The Wild Things
DR13 0.00 dB -18.15 dB 3:04 09-Scene 5: Coronation
DR13 0.00 dB -18.09 dB 5:16 10-Scene 6: The Wild Rumpus
DR16 -0.85 dB -29.58 dB 3:35 11-Scene 7: Max alone
DR13 0.00 dB -19.14 dB 2:41 12-Scene 8: Parting
DR14 -10.70 dB -30.87 dB 2:23 13-Second Sea Interlude
DR12 -18.00 dB -36.43 dB 1:16 14-Scene 9: Max's Room
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 14
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 613 kbps
Codec: FLAC
================================================================================



CD Info:

Oliver Knussen - Higglety Pigglety Pop! & Where the Wild Things Are

A double bill of fantasy operas based on the books by Maurice Sendak

London Sinfonietta - Oliver Knussen, cond.

Label: Deutsche Grammophon
Series: 20-21
Catalog#: 469 556-2
Format: 2xCD, Album
Country: Europe
Released: 2001
Genre: Classical
Style: Opera, Contemporary

Tracklist:

Disc: 1

Higglety Pigglety Pop or There Must Be More To Life (1984-1985, new version 1999)

Scene 1:
1. Why Am I Longing To Be Away Somewhere
2. You Have Two Windows
Scene 2:
3. Hello Little Lady
4. If I Could Eat Experience
5. Scene 3: You Must Be Going To A Very Terrific Place
6. Orchestral Interlude: The Journey To The Big White House
Scene 4:
7. Thank You Very Much For The Ride
8. Are You All Right, Miss?
Scene 5:
9. Baby, Here Is Nurse
10. Yum, Yum!
11. Who Can Help Me?
Scene 6:
12. How Black It Is!
13. Quiet In There!
Scene 7:
14. Now I Have Nothing
15. Kleine Trauermusik
Scene 8:
16. Jennie!
17. Orchestral Interlude: The Ride To Castle Yonder
18. Hello, As You Probably Noticed
Scene 9:
19. Fanfare
20. Fanfare II
21. Coda

Disc: 2

Where The Wild Things Are Op. 20 (1979-1983)

1. Overture
2. Scene 1: Max
Scene 2:
3. Mama
4. Change Of Scene
Scene 3:
5. Max's Room: Pantomime And Arietta 1
6. Max's Room: Transformation And Arietta 2
7. First Sea-Interlude
8. Scene 4: The Wild Things
9. Scene 5: Coronation
10. Scene 6: The Wild Rumpus
11. Scene 7: Max Alone
12. Scene 8: Parting
13. Second Sea-Interlude
14. Scene 9: Max's Room

Composed by Oliver Knussen
Performed by London Sinfonietta
with Lisa Saffer, David Wilson-Johnson, Cynthia Buchan, Stephen Richardson, Christopher Gillett, Rosemary Hardy, Quentin Hayes, Mary King
Conducted by Oliver Knussen

A Deutsche Grammophon / BBC 3 Co-Production
Recording: London, Abbey Road Studios, 3/1999

(P) & (C) 2001 Deutsche Grammophon

Oliver Knussen is one of British music’s great originals, and a rare example of a contemporary composer who has succeeded in writing music that is at once thoroughly modern but also shamelessly enjoyable. Knussen’s combination of artfulness and accessibility informs every aspect of his music. It is technically complex and often fiendishly challenging for performers, but also vivid and direct in its appeal. It is painstakingly crafted (Knussen is a notorious perfectionist, and a famously slow composer) but in performance sounds captivatingly effortless and spontaneous. His pieces are typically short (few movements exceed five minutes), and yet Knussen generally packs so much musical incident into even the briefest timespans that one hardly thinks of him as a miniaturist. And although some of his works have a childlike quality and a certain undersized, toy-box charm, they conceal, like the children’s books of his operatic collaborator Maurice Sendak, complex and very adult depths.

Born in 1952 into a musical family (his father, Stuart, was principal double bassist of the London Symphony Orchestra for many years), Knussen was something of a prodigy as both composer and performer, conducting the London Symphony Orchestra in the premiere of his first symphony at the age of just fifteen. Two further symphonies followed during the 1970s, along with a sequence of beautifully crafted pieces for smaller ensembles such as Ophelia Dances (1975), Cantata (1975) and Coursing (1979). Most of the 1980s were occupied by work on a pair of chamber operas, Where the Wild Things Are and Higglety Pigglety Pop!, which confirmed Knussen’s stature as one of the brightest talents of his generation. The operas also saw a new playfulness creeping into his musical style, along with an increasing opening up to past influences (such as when, in Wild Things, Max is crowned King of the Wild Things to a famous phrase borrowed from the coronation music in Boris Godunov – a small but wonderfully apt comic touch).

Following the completion of the two operas, Knussen returned to mainly instrumental formats in the 1990s, often writing for relatively modest forces and crafting works that were small in scale, but not in effect. The results included the Horn Concerto, Two Organa, Songs Without Voices (1992), and, most recently, the Violin Concerto (2002) Although entirely of their time, these works often cast loving backward glances towards past masters such as PÈrotin, Mussorgsky, Mahler, Debussy and Britten – reflecting Knussen’s desire to establish “an active relationship with music that attracts me from afar”, and his instinct “that a whiff of something recognizable can help the first-time listener find some bearings in what is sometimes a profusion of activity – a sense that while the settings of some of these fairy tales may be forests, and quite dense ones at that, they are neither necessarily forbidding nor unwelcoming ones.” compositiontoday.com

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