Klezmofobia - Tantz! (Tiger Records 20020833) (DK 2006)

Posted By: luckburz

Klezmofobia - Tantz!
FLAC | EAC, LOG & CUE | Artwork | Size: 342 MB
Cat#: Tiger Records 20020833 | Country/Year: Denmark 2006

MD5 [] FFP [] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

webfind [] selfrip [X]

Extraction Log:

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 2. October 2010, 15:54

Klezmofobia / Tantz!

Used drive : HL-DT-STDVDRAM GSA-H12L Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Programme\FLAC\flac.exe
Additional command line options : -6 -T "Artist=%a" -T "Title=%t" -T "Album=%g" -T "Date=%y" -T "Tracknumber=%n" -T "Genre=%m" %s -o %d


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:33.22 | 0 | 11496
2 | 2:33.22 | 2:58.65 | 11497 | 24911
3 | 5:32.12 | 4:22.48 | 24912 | 44609
4 | 9:54.60 | 2:50.47 | 44610 | 57406
5 | 12:45.32 | 5:55.04 | 57407 | 84035
6 | 18:40.36 | 3:41.22 | 84036 | 100632
7 | 22:21.58 | 2:52.29 | 100633 | 113561
8 | 25:14.12 | 4:14.45 | 113562 | 132656
9 | 29:28.57 | 3:04.22 | 132657 | 146478
10 | 32:33.04 | 4:24.13 | 146479 | 166291
11 | 36:57.17 | 1:43.05 | 166292 | 174021
12 | 38:40.22 | 2:45.13 | 174022 | 186409
13 | 41:25.35 | 4:42.13 | 186410 | 207572


Track 1

Filename F:\=== VINYL RIPS ===\=== EAC===\01 Tantst Yidelekh.wav

Pre-gap length 0:00:02.00

Peak level 100.0 %
Track quality 100.0 %
Test CRC D4AD75A9
Copy CRC D4AD75A9
Accurately ripped (confidence 8) [151BE355]
Copy OK

Track 2

Filename F:\=== VINYL RIPS ===\=== EAC===\02 Freit sich, Yiddelach.wav

Pre-gap length 0:00:01.16

Peak level 100.0 %
Track quality 100.0 %
Test CRC 3B44E193
Copy CRC 3B44E193
Accurately ripped (confidence 8) [F4363CEA]
Copy OK

Track 3

Filename F:\=== VINYL RIPS ===\=== EAC===\03 Don Pedro.wav

Pre-gap length 0:00:04.00

Peak level 100.0 %
Track quality 99.9 %
Test CRC 69280CBD
Copy CRC 69280CBD
Accurately ripped (confidence 8) [42B7B6E5]
Copy OK

Track 4

Filename F:\=== VINYL RIPS ===\=== EAC===\04 Freilach iber Nacht.wav

Pre-gap length 0:00:01.10

Peak level 100.0 %
Track quality 100.0 %
Test CRC 5B9727DF
Copy CRC 5B9727DF
Accurately ripped (confidence 8) [37D743AF]
Copy OK

Track 5

Filename F:\=== VINYL RIPS ===\=== EAC===\05 A Terk in America.wav

Pre-gap length 0:00:01.23

Peak level 100.0 %
Track quality 100.0 %
Test CRC 9F2D734B
Copy CRC 9F2D734B
Accurately ripped (confidence 8) [7C7BB5F1]
Copy OK

Track 6

Filename F:\=== VINYL RIPS ===\=== EAC===\06 VI ahin zol ich gehn .wav

Pre-gap length 0:00:00.60

Peak level 100.0 %
Track quality 100.0 %
Test CRC ED0E17D0
Copy CRC ED0E17D0
Accurately ripped (confidence 8) [99DC1349]
Copy OK

Track 7

Filename F:\=== VINYL RIPS ===\=== EAC===\07 Wie bist die gewesen vor Prohibition .wav

Pre-gap length 0:00:04.02

Peak level 100.0 %
Track quality 100.0 %
Test CRC E82A06FC
Copy CRC E82A06FC
Accurately ripped (confidence 8) [05F2895C]
Copy OK

Track 8

Filename F:\=== VINYL RIPS ===\=== EAC===\08 Arab mit Paies.wav

Pre-gap length 0:00:00.35

Peak level 100.0 %
Track quality 100.0 %
Test CRC 0F0EF26E
Copy CRC 0F0EF26E
Accurately ripped (confidence 8) [07BF9DCC]
Copy OK

Track 9

Filename F:\=== VINYL RIPS ===\=== EAC===\09 Ma Yofus.wav

Pre-gap length 0:00:00.50

Peak level 93.3 %
Track quality 99.9 %
Test CRC D2C7756E
Copy CRC D2C7756E
Accurately ripped (confidence 8) [52AE2EAC]
Copy OK

Track 10

Filename F:\=== VINYL RIPS ===\=== EAC===\10 Ukrainian Song.wav

Pre-gap length 0:00:00.45

Peak level 100.0 %
Track quality 100.0 %
Test CRC C7D30876
Copy CRC C7D30876
Accurately ripped (confidence 8) [E26258C7]
Copy OK

Track 11

Filename F:\=== VINYL RIPS ===\=== EAC===\11 Heimish.wav

Pre-gap length 0:00:01.38

Peak level 46.6 %
Track quality 100.0 %
Test CRC 2C76FAA5
Copy CRC 2C76FAA5
Accurately ripped (confidence 8) [C09226A5]
Copy OK

Track 12

Filename F:\=== VINYL RIPS ===\=== EAC===\12 Shere.wav

Pre-gap length 0:00:01.22

Peak level 100.0 %
Track quality 100.0 %
Test CRC D6D32BE6
Copy CRC D6D32BE6
Accurately ripped (confidence 8) [A5A3A778]
Copy OK

Track 13

Filename F:\=== VINYL RIPS ===\=== EAC===\13 New York Psycho Freylekhs.wav

Pre-gap length 0:00:00.15

Peak level 100.0 %
Track quality 100.0 %
Test CRC BCA405FC
Copy CRC BCA405FC
Accurately ripped (confidence 8) [19DA6E4F]
Copy OK


All tracks accurately ripped

No errors occurred

End of status report


CD Info:

Klezmofobia - Tantz!

Label: Tiger Records (Denmark)
Catalog#: 20020833
Format: CD, Album, Digipac
Country: Denmark
Released: 11 Nov 2006
Genre: Folk, World, & Country
Style: Klezmer

Tracklist:

1 Tantst Yidelekh
2 Freit Sich, Yiddelach
3 Don Pedro
4 Freilach Iber Nacht
5 A Terk In America
6 Vi Ahin Zol Ich Gehn
7 Wie Bist Die Gewesen Vor Prohibition
8 Arab Mit Paies
9 Ma Yofus
10 Ukrainian Song
11 Heimish
12 Shere
13 New York Psycho Freylekhs

Credits:

Balalaika [Bass] - Jesper Lund
Clarinet - Bjarke Kolerus
Drums - Jonatan Aisen
Guitar - Andreas Ugorskij
Trumpet, Flugelhorn - Ole Reimer
Vocals - Channe Nussbaum

Notes:

Produced, engineered and mixed at Sun Studio, Copenhagen.

Barcode and Other Identifiers:

Barcode: 0 200200 208330
Matrix Number: REPL TANTZ
Other: IFPI L553

Discogs Url: http://www.discogs.com/Klezmofobia-Tantz/release/2163031
Myspace Url: http://www.myspace.com/klezmofobia

KLEZMOFOBIA
The Story of a Unique Big City Band from Denmark

In the last ten years, Copenhagen has become the northern hub for klezmer music, a style that has its origins in the Jewish music tradition. Klezmer has seen a decided revival since the 70s, and is in rude health in Europe, USA and South America. In Copenhagen, loads of musicians, many of them young, are playing klezmer these days. A case in point is the band Klezmofobia, who call their brand of music New York Klezmer, in other words, Jewish music that has rubbed shoulders with all sorts of other music styles in the big city.

Klezmofobia

A summer forenoon on the little South West Jutland island of Fanø, near Ribe. In the town of Sønderho, the young clarinettist Bjarke Kolerus sits in a broom cupboard, headphones over his ears and his clarinet to his lips. He recently quit the classical music department of the West Jutland Music Academy because, as he puts it, ”I didn't have the discipline it takes to make it in that world, and I was fed up with being told what to do.” Bjarke's dream had long been to start a clarinet-led rock band, and after trying various types of music, he came upon a cd that really interested him: Rhythm + Jews by New Yorker band Klezmatics.

Klezmer music arises from the Jewish music tradition as it sounded in Eastern Europe before World War II. ”The Klezmatics' cd Rhythm + Jews takes old, traditional numbers and gives them a new setting,” tells Bjarke Kolerus and goes on, ”Back then I lived in rooms in Sønderho on Fanø. The girl next door worked nights in the local bar and slept all morning. I simply shut myself in the broom cupboard, stood a mattress up against the door for insulation, and that's where I played. I learned the whole cd by heart, then I went out and found more recordings from around 1900, of Eastern European immigrants into America.” KLEZMOFOBIA AND THE FUTURE

Tiger release Klezmofobia's debut cd Tanz! in Denmark and the rest of Scandinavia just before Christmas 2006, and it is a runaway sales success. At this writing the cd has sold over 20,000 copies and Klezmofobia have won a gold record. Moreover, in late 2007, the band are awarded the prize for Danish World Music Album of the Year. The project has cemented the band. Channe Nussbaum is now permanent singer with Klezmofobia. They now have songs in Yiddish and in English in their set.

”The cd Tanz! has meant that many more people outside Copenhagen know us today,” says Bjarke Kolerus. ”We would never have sold that many records if it had not been for the Tiger concept. But making a good record is only one part of the formula. We have a going, musical concern that we have to keep working at. It is demanding. But I think we have a platform, and now we have won a prize, and that helps, especially abroad. There is so much competition for jobs in Denmark, so even though it is one of our dreams, it will take a while before Klezmofobia does regular tours of Denmark. So we look abroad, and we have actually had a good number of jobs beyond the country's borders.”

Bjarke Kolerus and Channe Nussbaum from Østerbro in Copenhagen, and their band Klezmofobia, have accepted the challenge and now regard the entire world as their potential market. The band has made another well-received album, Ganze Velt featuring music composed by band members, but retaining that unmistakable big city klezmer sound. Channe Nussbaum has provided a good deal of the new material, and, with her as singing figurehead, Klezmofobia has polished its image and reputation at venues, festivals and radio and tv shows in Denmark, Sweden, Norway, Finland, Estonia, Germany, Austria and Mexico. folkworld.de

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