Hildegard von Bingen- Sequentia - O Jerusalem
EAC+LOG+CUE | FLAC: 251 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi # 05472 77353 2 | Country/Year: Germany 1997
Genre: Classical | Style: Medieval, Sacred
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
selfrip [X] not my rip []
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 22. June 2012, 8:27
Sequentia / Hildegard Von Bingen: O Jerusalem
Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 10:26.17 | 0 | 46966
2 | 10:26.17 | 5:27.73 | 46967 | 71564
3 | 15:54.15 | 2:34.52 | 71565 | 83166
4 | 18:28.67 | 2:23.58 | 83167 | 93949
5 | 20:52.50 | 5:46.70 | 93950 | 119969
6 | 26:39.45 | 7:46.40 | 119970 | 154959
7 | 34:26.10 | 2:49.50 | 154960 | 167684
8 | 37:15.60 | 5:55.55 | 167685 | 194364
9 | 43:11.40 | 7:05.07 | 194365 | 226246
10 | 50:16.47 | 6:49.13 | 226247 | 256934
11 | 57:05.60 | 5:41.27 | 256935 | 282536
12 | 62:47.12 | 4:44.50 | 282537 | 303886
Range status and errors
Selected range
Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Sequentia - Hildegard Von Bingen- O Jerusalem.wav
Peak level 87.7 %
Extraction speed 8.1 X
Range quality 100.0 %
Test CRC BA223C97
Copy CRC BA223C97
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 9) [E7099DE4] (AR v1)
Track 2 accurately ripped (confidence 8) [BC485720] (AR v1)
Track 3 accurately ripped (confidence 9) [1F9E1BA5] (AR v1)
Track 4 accurately ripped (confidence 9) [2AF81DE9] (AR v1)
Track 5 accurately ripped (confidence 9) [67C811CA] (AR v1)
Track 6 accurately ripped (confidence 9) [C3E0C0BA] (AR v1)
Track 7 accurately ripped (confidence 9) [E97A595D] (AR v1)
Track 8 accurately ripped (confidence 9) [7DF323EB] (AR v1)
Track 9 accurately ripped (confidence 9) [52779433] (AR v1)
Track 10 accurately ripped (confidence 9) [0DD36D0C] (AR v1)
Track 11 accurately ripped (confidence 9) [F40F3EA2] (AR v1)
Track 12 accurately ripped (confidence 9) [01A50322] (AR v1)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: FFamPx1t6_TsNYBoV_wPI.m5f.A-] found, Submit result: FFamPx1t6_TsNYBoV_wPI.m5f.A- has been confirmed
[ebc274a5] (9/9) Accurately ripped
==== Log checksum 7E57555915E79F86AFF4322840C6E3939552533DD3F3F76AF7DC9F6486B10DFA ====
EAC extraction logfile from 22. June 2012, 8:27
Sequentia / Hildegard Von Bingen: O Jerusalem
Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 10:26.17 | 0 | 46966
2 | 10:26.17 | 5:27.73 | 46967 | 71564
3 | 15:54.15 | 2:34.52 | 71565 | 83166
4 | 18:28.67 | 2:23.58 | 83167 | 93949
5 | 20:52.50 | 5:46.70 | 93950 | 119969
6 | 26:39.45 | 7:46.40 | 119970 | 154959
7 | 34:26.10 | 2:49.50 | 154960 | 167684
8 | 37:15.60 | 5:55.55 | 167685 | 194364
9 | 43:11.40 | 7:05.07 | 194365 | 226246
10 | 50:16.47 | 6:49.13 | 226247 | 256934
11 | 57:05.60 | 5:41.27 | 256935 | 282536
12 | 62:47.12 | 4:44.50 | 282537 | 303886
Range status and errors
Selected range
Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Sequentia - Hildegard Von Bingen- O Jerusalem.wav
Peak level 87.7 %
Extraction speed 8.1 X
Range quality 100.0 %
Test CRC BA223C97
Copy CRC BA223C97
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 9) [E7099DE4] (AR v1)
Track 2 accurately ripped (confidence 8) [BC485720] (AR v1)
Track 3 accurately ripped (confidence 9) [1F9E1BA5] (AR v1)
Track 4 accurately ripped (confidence 9) [2AF81DE9] (AR v1)
Track 5 accurately ripped (confidence 9) [67C811CA] (AR v1)
Track 6 accurately ripped (confidence 9) [C3E0C0BA] (AR v1)
Track 7 accurately ripped (confidence 9) [E97A595D] (AR v1)
Track 8 accurately ripped (confidence 9) [7DF323EB] (AR v1)
Track 9 accurately ripped (confidence 9) [52779433] (AR v1)
Track 10 accurately ripped (confidence 9) [0DD36D0C] (AR v1)
Track 11 accurately ripped (confidence 9) [F40F3EA2] (AR v1)
Track 12 accurately ripped (confidence 9) [01A50322] (AR v1)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: FFamPx1t6_TsNYBoV_wPI.m5f.A-] found, Submit result: FFamPx1t6_TsNYBoV_wPI.m5f.A- has been confirmed
[ebc274a5] (9/9) Accurately ripped
==== Log checksum 7E57555915E79F86AFF4322840C6E3939552533DD3F3F76AF7DC9F6486B10DFA ====
foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-06-22 22:42:54
––––––––––––––––––––––––––––––––––––––––
Analyzed: Sequentia / Hildegard Von Bingen: O Jerusalem
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR17 -1.14 dB -24.18 dB 10:26 01-O Jerusalem
DR14 -4.56 dB -28.22 dB 5:28 02-Quia Felix Pueritia, Magnificat, Quia Felix Pueritia
DR13 -2.58 dB -23.61 dB 2:35 03-O Felix Apparitio
DR15 -7.70 dB -29.11 dB 2:24 04-O Beatissime Ruperte
DR10 -19.01 dB -32.97 dB 5:47 05-Instrumental Piece
DR15 -5.83 dB -27.58 dB 7:47 06-O Tu Illustrata
DR13 -7.00 dB -27.48 dB 2:50 07-Cum Erubuerint
DR15 -8.96 dB -29.71 dB 5:56 08-O Frondens Virga, Gloria Patri, Ave Generosa
DR13 -9.89 dB -29.17 dB 7:05 09-O Quam Preciosa
DR15 -12.86 dB -33.44 dB 6:49 10-O Ignee Spiritus
DR12 -19.10 dB -34.69 dB 5:41 11-Instrumental Piece (2)
DR13 -1.28 dB -24.02 dB 4:45 12-O Quam Magnum Miraculum Est
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 12
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 521 kbps
Codec: FLAC
================================================================================
log date: 2012-06-22 22:42:54
––––––––––––––––––––––––––––––––––––––––
Analyzed: Sequentia / Hildegard Von Bingen: O Jerusalem
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR17 -1.14 dB -24.18 dB 10:26 01-O Jerusalem
DR14 -4.56 dB -28.22 dB 5:28 02-Quia Felix Pueritia, Magnificat, Quia Felix Pueritia
DR13 -2.58 dB -23.61 dB 2:35 03-O Felix Apparitio
DR15 -7.70 dB -29.11 dB 2:24 04-O Beatissime Ruperte
DR10 -19.01 dB -32.97 dB 5:47 05-Instrumental Piece
DR15 -5.83 dB -27.58 dB 7:47 06-O Tu Illustrata
DR13 -7.00 dB -27.48 dB 2:50 07-Cum Erubuerint
DR15 -8.96 dB -29.71 dB 5:56 08-O Frondens Virga, Gloria Patri, Ave Generosa
DR13 -9.89 dB -29.17 dB 7:05 09-O Quam Preciosa
DR15 -12.86 dB -33.44 dB 6:49 10-O Ignee Spiritus
DR12 -19.10 dB -34.69 dB 5:41 11-Instrumental Piece (2)
DR13 -1.28 dB -24.02 dB 4:45 12-O Quam Magnum Miraculum Est
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 12
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 521 kbps
Codec: FLAC
================================================================================
CD Info:
Hildegard von Bingen - Sequentia - O Jerusalem
Label: Deutsche Harmonia Mundi
Catalog#: 05472 77353 2
Format: CD, Album
Country: Germany
Released: 1997
Genre: Classical
Style: Medieval, Sacred
Tracklist:
01. O Jerusalem 10:26
02. Quia Felix Pueritia, Magnificat, Quia Felix Pueritia 5:27
03. O Felix Apparitio 2:34
04. O Beatissime Ruperte 2:23
05. Instrumental Piece 5:46
06. O Tu Illustrata 7:46
07. Cum Erubuerint 2:49
08. O Frondens Virga, Gloria Patri, Ave Generosa 5:55
09. O Quam Preciosa 7:05
10. O Ignee Spiritus 6:49
11. Instrumental Piece 5:41
12. O Quam Magnum Miraculum Est 4:44
Recorded 17-21 October 1995, St. Pantaleon, Köln
Bells track 1 recorded 1st October 1996, Kunigundenglocke und Heinrichsglocke des Bamberger Doms
This recording received a 1998 "Critic's Choice" award from Gramophone magazine.
"Sequentia’s ten high voices come into their own, interpreting Hildegard’s soaring melodies with imagination and verve. . . . [W]hat an enjoyable programme they have produced, sung with flow and conviction! The bells of Bamberg Cathedral introduce it all on a festive note, which matches their own to perfection, and if we do not actually find ourselves transported on to the Rupertsberg itself, we have at least got as far as St Panteleon of Cologne." – Mary Berry, Gramophone
O JERUSALEM follows Hildegard's continued devotion to the Benedictine order, and principally to St. Rupert and the Virgin Mary. 'O Jerusalem' is not your standard liturgical music, however. It is a dedication ceremony, celebrating the establishment of Rupertsberg, a church to serve von Bingen's sisters in the Benedictine order. The composer's hard work for the church, along with her music and writings, are the only surviving testament to St. Rupert's life and works. The solemn majesty of the music is hard to miss: Slowly chiming church bells over a hauntingly beautiful chorus at the beginning of 'O Jerusalem' set the tone. Yet despite its seriousness, there is a joyful energy within. This sense pervades the piece, giving the music a buoyant quality within its medieval mode. arkivmusic.com