Joseph Haydn - Symphonies No. 39, 34, 40 & 50 (Fey Haydn Project Volume 4)

Posted By: wursthans
Date: May 15, 2009

Joseph Haydn - Symphonies No. 39, 34, 40 & 50 (Fey Haydn Project Volume 4)
Genre: Classical Symphonies | 1 CD | EAC & FLAC (CUE+LOG) | Complete Covers & PDF | 366 MB
2001/2003 recordings & 2003 release | Publisher: hänssler CLASSIC
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Works/Tracks

1. (00:05:40) Symphony No. 39 in G minor: I. Allegro assai
2. (00:04:00) Symphony No. 39 in G minor: II. Andante
3. (00:03:38) Symphony No. 39 in G minor: III. Menuet - Trio
4. (00:04:45) Symphony No. 39 in G minor: IV. Finale - Allegro di molto
5. (00:09:23) Symphony No. 34 in D minor: I. Adagio
6. (00:05:08) Symphony No. 34 in D minor: II. Allegro
7. (00:03:32) Symphony No. 34 in D minor: III. Menuet - Trio
8. (00:02:59) Symphony No. 34 in D minor: IV. Presto assai
9. (00:06:13) Symphony No. 40 in F: I. Allegro
10. (00:04:04) Symphony No. 40 in F: II. Andante più tosto - Allegretto
11. (00:04:57) Symphony No. 40 in F: III. Menuet - Trio
12. (00:03:12) Symphony No. 40 in F: IV. Finale - Fuga. Allegro
13. (00:04:41) Symphony No. 50 in C: I. Adagio e maestoso - Allegro di molto
14. (00:04:18) Symphony No. 50 in C: II. Andante moderato
15. (00:04:37) Symphony No. 50 in C: III. Menuet - Trio
16. (00:05:05) Symphony No. 50 in C: IV. Finale. Presto


Performers

Thomas Fey
Heidelberger Sinfoniker

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 9. May 2009, 14:31

Thomas Fey & Heidelberger Sinfoniker / Joseph Haydn - Symphonies 39, 34, 40 & 50

Used drive : PLEXTOR CD-R PREMIUM2 Adapter: 3 ID: 0

Read mode : Secure
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Make use of C2 pointers : No

Read offset correction : 30
Overread into Lead-In and Lead-Out : Yes
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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

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Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Programme\EAC099\Flac\flac.exe
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TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:40.12 | 0 | 25511
2 | 5:40.12 | 3:59.38 | 25512 | 43474
3 | 9:39.50 | 3:37.42 | 43475 | 59791
4 | 13:17.17 | 4:45.08 | 59792 | 81174
5 | 18:02.25 | 9:22.57 | 81175 | 123381
6 | 27:25.07 | 5:08.03 | 123382 | 146484
7 | 32:33.10 | 3:31.40 | 146485 | 162349
8 | 36:04.50 | 2:58.50 | 162350 | 175749
9 | 39:03.25 | 6:13.09 | 175750 | 203733
10 | 45:16.34 | 4:04.36 | 203734 | 222069
11 | 49:20.70 | 4:57.32 | 222070 | 244376
12 | 54:18.27 | 3:11.73 | 244377 | 258774
13 | 57:30.25 | 4:41.10 | 258775 | 279859
14 | 62:11.35 | 4:17.50 | 279860 | 299184
15 | 66:29.10 | 4:37.20 | 299185 | 319979
16 | 71:06.30 | 5:05.00 | 319980 | 342854


Track 1

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Cannot be verified as accurate (confidence 3) [87C01B19], AccurateRip returned [E9CC7ECF]
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Track 2

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Track 3

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Track 4

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Track 5

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Track 6

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Track 7

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Track 8

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Track 9

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Track 10

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Track 11

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Track 12

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Track 13

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Track 14

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Track 15

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Track 16

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No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

No errors occurred

End of status report


Recording Information

recorded 2001 & 2003
released in 2003

hänssler CLASSIC
CD. 98.407


Reviews

More Haydn from Thomas Fey is always a treat, and this disc is no exception. Almost all of Haydn's symphonies, even the really obscure ones, have something that places them beyond the ordinary: examples are No. 50s grand first movement and brilliant scoring for trumpets and timpani, or No. 40s concluding fugue (Haydn truly was a master contrapuntist, though he's not known for it today). The all but unknown No. 34 opens with a glorious adagio in D minor nearly as long as the rest of the symphony. The big item here, though, is Symphony No. 39, which provided the inspiration for Mozart's rather less interesting "little G minor" Symphony No. 25, with which (aside from the home key) it shares interesting scoring for four horns pitched as contrasting pairs.

Given his "period approach," we expect Fey's Haydn to be swift and punchy, and so it is (although he gives full weight to No. 34's slow first movement). Indeed, if I have anything to criticize here it's the fact that he takes some of the opening movements too swiftly, not giving the pauses in No. 39's first movement (for example) sufficient time to register the necessary foreboding. On the other hand, you might just say "the hell with it" and enjoy the brilliant playing of the Heidelberg Symphony, the bite of the horns and woodwinds, and Fey's determination to wring every last drop of excitement from even the most outwardly commonplace passages. Either way, this excellently recorded disc is certainly well worth hearing and in some respects remains in a class of its own compared to other versions of the same works, period style or no. David Hurwitz for classicstoday.com


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