Charles Uzor - Quartets / Quintet
Wolfgang Meyer / Carmina Quartett / Gitarrenensemble quasi fantasia
EAC+LOG+CUE | APE: 340 MB | Artwork | 5% Recovery Info
Label/Cat#: NEOS # 10714 | Country/Year: Germany 2007
Genre: Classical | Style: Avant-garde, Modern Classic, Contemporary
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
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Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 31. May 2011, 14:27
Unknown Artist / Unknown Title
Used drive : TSSTcorpCDDVDW SE-S204N Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 0
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 16:20.59 | 0 | 73558
2 | 16:20.59 | 4:13.07 | 73559 | 92540
3 | 20:33.66 | 7:28.39 | 92541 | 126179
4 | 28:02.30 | 15:36.13 | 126180 | 196392
5 | 43:38.43 | 3:02.12 | 196393 | 210054
6 | 46:40.55 | 4:42.14 | 210055 | 231218
7 | 51:22.69 | 10:11.32 | 231219 | 277075
8 | 61:34.26 | 11:18.21 | 277076 | 327946
Range status and errors
Selected range
Filename C:\avaxhome\Charles Uzor - Quartets - Quintet.wav
Peak level 100.0 %
Range quality 99.9 %
Copy CRC F540242B
Copy OK
No errors occurred
End of status report
EAC extraction logfile from 31. May 2011, 14:27
Unknown Artist / Unknown Title
Used drive : TSSTcorpCDDVDW SE-S204N Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 0
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 16:20.59 | 0 | 73558
2 | 16:20.59 | 4:13.07 | 73559 | 92540
3 | 20:33.66 | 7:28.39 | 92541 | 126179
4 | 28:02.30 | 15:36.13 | 126180 | 196392
5 | 43:38.43 | 3:02.12 | 196393 | 210054
6 | 46:40.55 | 4:42.14 | 210055 | 231218
7 | 51:22.69 | 10:11.32 | 231219 | 277075
8 | 61:34.26 | 11:18.21 | 277076 | 327946
Range status and errors
Selected range
Filename C:\avaxhome\Charles Uzor - Quartets - Quintet.wav
Peak level 100.0 %
Range quality 99.9 %
Copy CRC F540242B
Copy OK
No errors occurred
End of status report
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2014-10-11 18:03:49
––––––––––––––––––––––––––––––––––––––––
Statistics for: ?-Charles Uzor - Quartets - Quintet
Number of samples: 192832836
Duration: 1:12:53
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: 0.00 dB –- 0.00 dB
Avg RMS: -18.34 dB –- -17.31 dB
DR channel: 14.10 dB –- 13.06 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 605 kbps
Codec: Monkey's Audio
================================================================================
log date: 2014-10-11 18:03:49
––––––––––––––––––––––––––––––––––––––––
Statistics for: ?-Charles Uzor - Quartets - Quintet
Number of samples: 192832836
Duration: 1:12:53
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: 0.00 dB –- 0.00 dB
Avg RMS: -18.34 dB –- -17.31 dB
DR channel: 14.10 dB –- 13.06 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 605 kbps
Codec: Monkey's Audio
================================================================================
CD Info:
Charles Uzor - Quartets / Quintet
Wolfgang Meyer / Carmina Quartett / Gitarrenensemble quasi fantasia
Label: NEOS
Catalog#: 10714
Format: CD, Album
Country: Germany
Released: 2007
Recorded: 2004/2005
Genre: Classical
Style: Avant-garde, Modern Classic, Contemporary
Tracklist:
"a chantar m'er de so q'ieu no voldria …"
for clarinet, string quartet, and tape (2004-2005)
[01] 16:20 I allegro con brio
[02] 04:13 II a chantar m'er de so q'ieu no voldria …"
[03] 07:25 III capriccioso e tranquillo
Wolfgang Meyer, clarinet
Shakespeare's Sonnet 65
for string quartet and tape (2001-2002)
[04] 15:36 I
[05] 03:02 II allegro con brio
[06] 04:39 III capriccioso e tranquillo
Carmina Quartett
Esther Uhland/James Aston, speakers
"qui ainsi me refait … veoir seulement et oïr"
for guitar quartet
[07] 10:11 I
[08] 11:18 II
Gitarrenensemble quasi fantasia
World Premiere Recording
1.
A chantar m'er de so q'ieu no voldria, for clarinet, string quartet & tape by Charles Uzor
Performer: Wolfgang Meyer (Clarinet)
Written: 2004
Date of Recording: 02/03/2005
Venue: Christkatholische Kirche St. Gallen
Length: 28 Minutes 1 Secs.
2.
Shakespeare's Sonnet 65, for string quartet & tape by Charles Uzor
Written: 2001
Date of Recording: 09/07/2005
Venue: Schloss Wartegg
Length: 23 Minutes 20 Secs.
3.
Qui ainsi me refait…veoir seulement et oïr, for guitar quartet by Charles Uzor
Written: 2003
Date of Recording: 06/11/2004
Venue: Tonhalle, St. Gallen
Length: 10 Minutes 11 Secs.
In all three pieces – the Guitar Quartet, the String Quartet, and the Clarinet Quintet – the melody is the comforting hand that was perhaps the oasis of calm for Saint Augustine. Just as his perception, shaken by the collision with the ego, wandered back to the content of perception, Machaut’s melodies wander to me, and perhaps back again, more melodic mass than quotation, more parody than arrangement. Sometimes they are pulverized, smuggled through their spectra, or “sung through” using traditional procedures of permutation – inversion, retrograde, augmentation, diminution. Husserl’s On the Phenomenology of the Consciousness of Internal Time has occupied me for twenty-five years.
Husserl’s greatest error was perhaps the most fruitful one: the tone is not the slowest thing that decays; its parts decay at different speeds. It is not only impossible to perceive a melody phenomenologically: the tone itself is an illusion. Its parts are the whole, up to the regress. With this difference between a remembered melody and one perceived now, between melody, tone, and tonal spectra – a difference that signifies nothing other than an aesthetic weighting and tendency – I set off on my search.
Charles Uzor
Thanks to basa005!