Benedikt Anton Aufschnaiter (1665-1742) - Dulcis Fidium Harmonia Op. IV
Ars Antiqua Austria - Gunar Letzbor
EAC+LOG+CUE | FLAC: 380 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Arcana # A313 | Country/Year: Germany 2003, 2009
Genre: Classical | Style: Baroque
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
selfrip [] not my rip [X]
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 14. March 2012, 0:24
Ars Antiqua Austria, Gunar Letzbor / Benedikt Anton Aufschnaiter - Dulcis Fidium Harmonia Op. IV
Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 9:26.21 | 0 | 42470
2 | 9:26.21 | 7:27.20 | 42471 | 76015
3 | 16:53.41 | 6:35.17 | 76016 | 105657
4 | 23:28.58 | 6:53.22 | 105658 | 136654
5 | 30:22.05 | 5:26.69 | 136655 | 161173
6 | 35:48.74 | 7:59.11 | 161174 | 197109
7 | 43:48.10 | 11:32.54 | 197110 | 249063
8 | 55:20.64 | 3:39.26 | 249064 | 265514
9 | 59:00.15 | 5:18.39 | 265515 | 289403
10 | 64:18.54 | 4:39.23 | 289404 | 310351
11 | 68:58.02 | 4:49.35 | 310352 | 332061
Range status and errors
Selected range
Filename Z:\NetLab\Aufschnaiter - Dulcis Fidium Harmonia Op. IV (Ars Antiqua Austria, Gunar Letzbor) (2003) {ARCANA A313}\Aufschnaiter - Dulcis Fidium Harmonia Op. IV.wav
Peak level 100.0 %
Extraction speed 5.2 X
Range quality 100.0 %
Test CRC C58EC8F7
Copy CRC C58EC8F7
Copy OK
No errors occurred
AccurateRip summary
Track 1 cannot be verified as accurate (confidence 1) [1A6A0E33], AccurateRip returned [42ADD8C7] (AR v2)
Track 2 cannot be verified as accurate (confidence 1) [CFD13AA4], AccurateRip returned [2AF96F04] (AR v2)
Track 3 cannot be verified as accurate (confidence 1) [962E626D], AccurateRip returned [74DEE2F2] (AR v2)
Track 4 cannot be verified as accurate (confidence 1) [8262061C], AccurateRip returned [5F6CAE18] (AR v2)
Track 5 cannot be verified as accurate (confidence 1) [D35EBCF6], AccurateRip returned [AF5798DF] (AR v2)
Track 6 cannot be verified as accurate (confidence 1) [5DE5BA39], AccurateRip returned [A68DCA82] (AR v2)
Track 7 cannot be verified as accurate (confidence 1) [FBFA826D], AccurateRip returned [22718C81] (AR v2)
Track 8 cannot be verified as accurate (confidence 1) [FA4419F1], AccurateRip returned [F9470E9D] (AR v2)
Track 9 cannot be verified as accurate (confidence 1) [48937959], AccurateRip returned [DB328861] (AR v2)
Track 10 cannot be verified as accurate (confidence 1) [EF436AEB], AccurateRip returned [A7E91F84] (AR v2)
Track 11 cannot be verified as accurate (confidence 1) [2FFE7407], AccurateRip returned [92A9F272] (AR v2)
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
==== Log checksum 2DF397D19B7EE00B7869EA12E238CC682D9D1F8B64E2825BD97C8AEA80D9DC1B ====
EAC extraction logfile from 14. March 2012, 0:24
Ars Antiqua Austria, Gunar Letzbor / Benedikt Anton Aufschnaiter - Dulcis Fidium Harmonia Op. IV
Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 9:26.21 | 0 | 42470
2 | 9:26.21 | 7:27.20 | 42471 | 76015
3 | 16:53.41 | 6:35.17 | 76016 | 105657
4 | 23:28.58 | 6:53.22 | 105658 | 136654
5 | 30:22.05 | 5:26.69 | 136655 | 161173
6 | 35:48.74 | 7:59.11 | 161174 | 197109
7 | 43:48.10 | 11:32.54 | 197110 | 249063
8 | 55:20.64 | 3:39.26 | 249064 | 265514
9 | 59:00.15 | 5:18.39 | 265515 | 289403
10 | 64:18.54 | 4:39.23 | 289404 | 310351
11 | 68:58.02 | 4:49.35 | 310352 | 332061
Range status and errors
Selected range
Filename Z:\NetLab\Aufschnaiter - Dulcis Fidium Harmonia Op. IV (Ars Antiqua Austria, Gunar Letzbor) (2003) {ARCANA A313}\Aufschnaiter - Dulcis Fidium Harmonia Op. IV.wav
Peak level 100.0 %
Extraction speed 5.2 X
Range quality 100.0 %
Test CRC C58EC8F7
Copy CRC C58EC8F7
Copy OK
No errors occurred
AccurateRip summary
Track 1 cannot be verified as accurate (confidence 1) [1A6A0E33], AccurateRip returned [42ADD8C7] (AR v2)
Track 2 cannot be verified as accurate (confidence 1) [CFD13AA4], AccurateRip returned [2AF96F04] (AR v2)
Track 3 cannot be verified as accurate (confidence 1) [962E626D], AccurateRip returned [74DEE2F2] (AR v2)
Track 4 cannot be verified as accurate (confidence 1) [8262061C], AccurateRip returned [5F6CAE18] (AR v2)
Track 5 cannot be verified as accurate (confidence 1) [D35EBCF6], AccurateRip returned [AF5798DF] (AR v2)
Track 6 cannot be verified as accurate (confidence 1) [5DE5BA39], AccurateRip returned [A68DCA82] (AR v2)
Track 7 cannot be verified as accurate (confidence 1) [FBFA826D], AccurateRip returned [22718C81] (AR v2)
Track 8 cannot be verified as accurate (confidence 1) [FA4419F1], AccurateRip returned [F9470E9D] (AR v2)
Track 9 cannot be verified as accurate (confidence 1) [48937959], AccurateRip returned [DB328861] (AR v2)
Track 10 cannot be verified as accurate (confidence 1) [EF436AEB], AccurateRip returned [A7E91F84] (AR v2)
Track 11 cannot be verified as accurate (confidence 1) [2FFE7407], AccurateRip returned [92A9F272] (AR v2)
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
End of status report
==== Log checksum 2DF397D19B7EE00B7869EA12E238CC682D9D1F8B64E2825BD97C8AEA80D9DC1B ====
auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 (default)
––––––––––––––––––––––––––––––
[Ars Antiqua Austria, Gunar Letzbor - Benedikt Anton Aufschnaiter - Dulcis Fidium Harmonia Op. IV.wav]
Detected average hi-boundary frequency: 2.046331e+004 Hz
Detected average lo-boundary frequency: 1.413301e+004 Hz
Detected average hi-cut frequency: 2.178426e+004 Hz
Detected average lo-cut frequency: 1.589863e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.632965e-001
First order smothness: 2.992825e-001
Second order smothness: 8.702795e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 (default)
––––––––––––––––––––––––––––––
[Ars Antiqua Austria, Gunar Letzbor - Benedikt Anton Aufschnaiter - Dulcis Fidium Harmonia Op. IV.wav]
Detected average hi-boundary frequency: 2.046331e+004 Hz
Detected average lo-boundary frequency: 1.413301e+004 Hz
Detected average hi-cut frequency: 2.178426e+004 Hz
Detected average lo-cut frequency: 1.589863e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.632965e-001
First order smothness: 2.992825e-001
Second order smothness: 8.702795e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2012-09-27 17:22:29
––––––––––––––––––––––––––––––––––––––––
Analyzed: Ars Antiqua Austria, Gunar Letzbor / Benedikt Anton Aufschnaiter - Dulcis Fidium Harmonia Op. IV
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -2.01 dB -16.23 dB 9:26 01-Sonata I S. Gregorii
DR11 -1.59 dB -16.15 dB 7:27 02-Sonata II S. Ambrosii
DR13 0.00 dB -16.45 dB 6:35 03-Sonata III S. Augustini
DR12 -1.33 dB -16.47 dB 6:53 04-Sonata IV S. Hieronymi Pars I
DR11 -3.81 dB -17.54 dB 5:27 05-Sonata IV S. Hieronymi Pars II
DR12 -0.99 dB -15.63 dB 7:59 06-Sonata V S. Matthaei
DR12 -0.43 dB -15.88 dB 11:33 07-Sonata VI S. Marci
DR11 -2.36 dB -16.52 dB 3:39 08-Sonata VII S. Lucae Pars I
DR12 -1.00 dB -16.55 dB 5:19 09-Sonata VII S. Lucae Pars II
DR12 0.00 dB -15.23 dB 4:39 10-Sonata VIII S. Johannis Part I
DR11 -1.45 dB -16.70 dB 4:49 11-Sonata VIII S. Johannis Part II
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 11
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 714 kbps
Codec: FLAC
================================================================================
log date: 2012-09-27 17:22:29
––––––––––––––––––––––––––––––––––––––––
Analyzed: Ars Antiqua Austria, Gunar Letzbor / Benedikt Anton Aufschnaiter - Dulcis Fidium Harmonia Op. IV
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -2.01 dB -16.23 dB 9:26 01-Sonata I S. Gregorii
DR11 -1.59 dB -16.15 dB 7:27 02-Sonata II S. Ambrosii
DR13 0.00 dB -16.45 dB 6:35 03-Sonata III S. Augustini
DR12 -1.33 dB -16.47 dB 6:53 04-Sonata IV S. Hieronymi Pars I
DR11 -3.81 dB -17.54 dB 5:27 05-Sonata IV S. Hieronymi Pars II
DR12 -0.99 dB -15.63 dB 7:59 06-Sonata V S. Matthaei
DR12 -0.43 dB -15.88 dB 11:33 07-Sonata VI S. Marci
DR11 -2.36 dB -16.52 dB 3:39 08-Sonata VII S. Lucae Pars I
DR12 -1.00 dB -16.55 dB 5:19 09-Sonata VII S. Lucae Pars II
DR12 0.00 dB -15.23 dB 4:39 10-Sonata VIII S. Johannis Part I
DR11 -1.45 dB -16.70 dB 4:49 11-Sonata VIII S. Johannis Part II
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 11
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 714 kbps
Codec: FLAC
================================================================================
CD Info:
Benedikt Anton Aufschnaiter (1665-1742) - Ars Antiqua Austria / Gunar Letzbor - Dulcis Fidium Harmonia Op. IV
Label: Arcana
Catalog#: A313
Format: CD, Album
Country: Germany
Released: 2009, 2003
Genre: Classical
Style: Baroque
Tracklist:
1.Sonata I S. Gregorii
2.Sonata II S. Ambrosii
3.Sonata III S. Augustini
4.Sonata IV S. Hieronymi
5.Sonata V S. Matthaei
6.Sonata VI S. Marci
7.Sonata VII S. Lucae
8.Sonata VIII S. Joannis
Ars Antiqua Austria:
Gunar Letzbor & Ilia Korol (violons)
Peter Aigner (alto)
Jan Krigovsky (violone)
Norbert Zeilberger (orgue)
Hubert Hoffmann (archiluth)
Gramophone 6 / 2004
Performances that blaze with conviction: an enthralling portrait of a driven artist
Benedikt Anton Aufschnaiter (1665-1742) was probably trained in Vienna during the 1680s, and he succeeded Georg Muffat as Kappellmeister of Passau Cathedral m 1705. In the preface to his theoretical work Regulae Fundamentales Musurgiae, Aufschnaiter mentioned influences such as Carissimi, Lassus and Kerll. Little is known about Aufschnaiter's life, but musicologist Peter Lechl has discovered approximately 300 of his compositions. Violinist Gunar Letzbor's risky claim that he is 'the Catholic Bach' is certainly an exaggeration, not least because that extraordinary label already belongs to the Dresden court composers Heinichen and Zelenka. But Aufschnaiter was evidently a talented composer, whose latter-day revival is boosted by this deeply satisfying disc. The eight church sonatas recorded here were published in 1703 in Augsburg. Each one is dedicated to a saint, the sonatas remain within their original key, and structural conventions remain fairly rigid. Within them, however, Aufschnaiter creates an impressive variety of texture and melodic sonority. An extrovert Italian energy informs Ars Antiqua Austria's spirited performances, but the ensemble also evoke melancholy moods for more contemplative movements. Letzbor contributes some dazzling violin playing, and directs fine performances that are appropriately sombre yet pleasantly stylish. The chamber ensemble often sounds like a bigger Baroque orchestra due to a sweet, flattering acoustic. Letzbor enthusiastically writes: 'As I first heard the music of this composer, 1 was at once filled with… Passion, joy, fear, despair, love, piety, tenderness, exuberance, insouciance.' Such emotions are evident in tills recording, and I am eager to hear some of Aufschnaiter's vast corpus of sacred vocal music.
~David Vickers
Thanks to pr3ss!