VA - British String Concertos (2014) 4CD Box Set

This four CD box set contains recordings of works previously issued on Lyrita, a label founded in 1959. Lyrita became associated with high quality recordings of interesting ‘obscure’ often thought-provoking British music that had stayed hidden away from the large multilateral labels that tended to concentrate on the European mainstream. This is certainly a set for those who love investigating high quality music, rarely heard in performance and in some cases never heard at all. Not all the twelve composers have described their works as concertos but what they have in common is that they are for solo instrument and orchestra. Rubbra’s Soliloquy for cello and orchestra is an example of a non-concerto work that finds a home in this set.

The four discs contain fourteen British string concertos mainly in analogue recordings with some digital material all recorded between 1972 and 1994. However, four of the works are offered without recording dates and only rarely does the label provide information about recording venues. Since 2005 Lyrita have been distributed worldwide by Wyastone Estate Limited under an exclusive manufacturing and distribution licence. Wyastone has been reissuing sizeable quantities of the Lyrita back catalogue. I believe that over one hundred CDs have now been issued including the complete analogue heritage. The present box has a companion four-CD issue of British Piano Concertos on SRCD2345.

These string concertos span a variety of styles that range from the distinctly pastoral character of Gerald Finzi to the more progressive works of Roberto Gerhard who studied with Schoenberg and Webern.

The first CD opens with the Coleridge-Taylor Violin Concerto in G minor with soloist Lorraine McAslan. This is a highly appealing work from 1912 that feels Dvořákian with a touch of Delius. Perhaps it is a touch short on memorable substance but it certainly doesn’t deserve its neglect. Cellist Alexander Baillie is the soloist in Holst’s single movement Invocation for cello and orchestra. This is a work with an open-air nocturnal character marked by a deep yearning quality. It’s not surprising that the composer originally used the title ’A Song of the Evening’.

Next comes Finzi’s sweetly lyrical Introit for small orchestra and solo violin, an exquisite, single movement score from 1925 that formed part of a withdrawn violin concerto. Played confidently here by soloist Rodney Friend it has an immediate tenderness and a strong pastoral quality with an undertow of the sadness of parting. It must have seemed at serious variance with the more progressive works of the time. Next there are two more works by Holst both out of step with the times in which they were written. The partnership of Emanuel Hurwitz and Kenneth Sillito are the soloists in the Double Concerto for two violins and orchestra from 1929. Holst’s writing has a wonderful, bitter-sweet contrast of tension and anxiety with an agreeable lyricism but again I find little to remember. Especially fine, however, is the sense of aching sadness in the central Lament. The final work on the first disc from 1933 is one of Holst’s last works, the Lyric Movement for viola and small orchestra played by violist Cecil Aronowitz. Calm and relaxing on the surface, the writing has an undercurrent of heartbreaking sadness.

The second CD commences with William Busch’s Cello Concerto from 1940/1941. Raphael Wallfisch is the soloist in this work written during the terrible savagery of the Second World War. Busch takes the listener on eventful journey of wide-ranging emotions ending on a vibrantly spirited note. Probably the greatest British work on this release is E.J. Moeran’s Violin Concerto another wartime concerto from 1941 performed by poised soloist John Georgiadis. This warmly lyrical score with its sections of restless anticipation feels like a musical depiction of a landscape painting where the cliffs meet the Atlantic in Moeran’s adored County Kerry. Concluding the second disc is Rubbra’s Soliloquy for Cello and Orchestra, a substantial single movement score from 1947 played by sensitive soloist Rohan de Saram. Imbued with biting melancholy with a vein of optimism Rubbra’s Soliloquy feels like a powerful anti-war statement.

Disc three opens with the Violin Concerto by Roberto Gerhard, a Catalan by birth, who spent the last thirty or so years of his life living in England. Composed during the war years 1942-45 the concerto is played by Yfrah Neaman who shines in this remarkable work of vivid, shimmering colours. Although distinctly more progressive in style, using some serial techniques, Gerhard’s work comes up close to Moeran’s Violin Concerto in overall quality and is a notable achievement. I cannot praise this work and its excellent performance more enthusiastically. Next comes a work from Peter Racine Fricker, his Concerto for Violin and small orchestra from 1950 (revised 1974). It’s played here with assurance by Yfrah Neaman. It reminded me of the Britten Violin Concerto but without ever reaching the same magnificent heights. The central Andante is the finest movement. It's striking for its bleak and austere vista with a curious sense of isolation. Closing the third CD is the Serenata Concertante for violin and orchestra from the pen of Elizabeth Maconchy. I was struck by the generally unsettling orchestral writing with Manoug Parikan’s violin part serving as calming balm. Often I was reminded of the energy of William Walton’s music and I especially enjoyed the squally Finale which comes alive with a burst of energy at 2:45 before settling like peace after a storm.

The fourth and final CD begins with David Morgan’s Concerto for violin and orchestra written in 1966. Played here by Erich Gruenberg I was immediately drawn by the accessibility of Morgan’s well crafted music which occasionally evoked the sound world of Karol Szymanowski. Much of the opening movement feels like a depiction of the night sky. This is followed by the hot-blooded temperament of the Scherzo - a real mad-cap romp. The spirit of folk-dance pervades the Finale which otherwise possesses a pastoral quality before developing frenzied agitation. Throughout the fourteen percussion instruments add notable tone colour to the scoring. Don Banks was born and died in Australia but lived in England for many years. He wrote his Concerto for violin and orchestra in 1968 - a BBC commission, expertly played here by Yfrah Neaman. Owing to the interest in space-flight in the 1960s it doesn’t surprise me that the highly percussive opening movement evokes the night sky and the solar system. By contrast in three passages the music grinds and lurches forward like a tank going into battle. Brooding in character, the Andante cantabile speaks of desolation. The Finale: Risoluto has a gritty, rather angry disposition with a calmer central section. Banks ensures that the conclusion has an emphatic aggressive climax ending with a thump. A composer known today more by reputation than actual concert performances, Welshman Alun Hoddinott is represented here by his Nocturnes and Cadenzas for cello and orchestra.

Hoddinott’s score from 1969 plays in a continuous span with five discernible sections. Moray Welsh is the cello soloist. This isn’t a work that I especially warm to; maybe I need to hear it more. Impressive in the Lento is its nocturnal atmosphere steeped in fear and intensified with a sense of the sinister. The Scherzo section is full of scurrying figures and the Finale: Allegro molto feels intensely reflective and decays gently to nothing.

The interesting written booklet notes are by Paul Conway providing helpful if concise information about each work and its composer. These are newly written and differ from those which appeared with the original Lyrita releases.

What I find remarkable about everything here is the elevated level of playing and the satisfying recording quality.

Review by Michael Cookson, MusicWeb-international.com

Exact Audio Copy V1.1 from 23. June 2015

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Coleridge-Taylor - Holst - Finzi / British String Concertos CD 1

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Busch - Moeran - Rubbra / British String Concertos CD 2

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Exact Audio Copy V1.1 from 23. June 2015

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Gerhard - Fricker - Maconchy / British String Concertos CD 3

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06 66,4 [D2DEB858] [7C6469AF] CRC32
07 98,8 [76FCCB7C] [9A89DADD] CRC32
08 100,0 [6B048FE8] [5AB2666A] CRC32
09 95,3 [FF7BC9DF] [BE461944] CRC32
10 89,8 [31076F35] [97678571] CRC32

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-04-07 23:40:14

––––––––––––––––––––––––––––––––––––––––
Analyzed: Fricker, Peter Racine / British String Concertos CD 3 (1-3)
Gerhard, Roberto / British String Concertos CD 3 (4-6)
Maconchy, Elizabeth / British String Concertos CD 3 (7-10)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.26 dB -22.86 dB 9:42 04-Fricker: Concerto for Violin and Small Orchestra, Op.11: I. Con moto
DR13 -3.91 dB -22.98 dB 5:29 05-Fricker: Concerto for Violin and Small Orchestra, Op.11: II. Andante
DR12 -3.55 dB -21.06 dB 8:09 06-Fricker: Concerto for Violin and Small Orchestra, Op.11: III. Allegro vivo
DR17 -4.15 dB -27.48 dB 13:44 01-Gerhard: Violin Concerto: I. Allegro cantabile, con anima-Molto vivace, con spirito
DR15 -4.12 dB -25.77 dB 11:19 02-Gerhard: Violin Concerto: II. Largo. Allegretto placido
DR12 -3.41 dB -21.77 dB 9:09 03-Gerhard: Violin Concerto: III. Allegro con brio. Presto
DR14 -0.10 dB -22.74 dB 5:50 07-Maconchy: Serenata Concertante for Violin and Orchestra: I. Lento - Allegro con moto - Allegro ritmico
DR15 0.00 dB -21.43 dB 4:32 08-Maconchy: Serenata Concertante for Violin and Orchestra: II. Scherzo with Trio (Allegro molto)
DR15 -0.41 dB -24.05 dB 6:28 09-Maconchy: Serenata Concertante for Violin and Orchestra: III. Andante con moto
DR14 -0.93 dB -23.88 dB 4:49 10-Maconchy: Serenata Concertante for Violin and Orchestra: IV. Allegro vigoroso - Andante tranquillo
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 585 kbps
Codec: FLAC
================================================================================

Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 11. October 2015, 23:58

Morgan - Banks - Hoddinott / British String Concertos CD 4

Used drive : TSSTcorpCDDVDW SH-S223C Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 697
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -0 -T "Comment=Ripped by Tapaz9/Johnston" -T "artist=%artist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "tracknumber=%tracknr%" -T "genre=%genre%" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 11:54.49 | 0 | 53598
2 | 11:54.49 | 5:00.01 | 53599 | 76099
3 | 16:54.50 | 8:52.72 | 76100 | 116071
4 | 25:47.47 | 9:40.18 | 116072 | 159589
5 | 35:27.65 | 9:33.12 | 159590 | 202576
6 | 45:01.02 | 7:41.35 | 202577 | 237186
7 | 52:42.37 | 21:01.39 | 237187 | 331800


Track 1

Filename F:\Musique\Moeran, Ernest John\MoeranAndManyOthers_BritishStringConcertos\CD 4\01 - Morgan, David - Morgan- Concerto for Violin and Orchestra- I. Lento - Moderato cantabile - Alla Marcia.wav

Pre-gap length 0:00:02.00

Peak level 88.0 %
Extraction speed 7.0 X
Track quality 100.0 %
Copy CRC 8764E6F7
Copy OK

Track 2

Filename F:\Musique\Moeran, Ernest John\MoeranAndManyOthers_BritishStringConcertos\CD 4\02 - Morgan, David - Morgan- Concerto for Violin and Orchestra- II. Presto energico ma leggieramente.wav

Peak level 93.1 %
Extraction speed 6.4 X
Track quality 100.0 %
Copy CRC DBC0038F
Copy OK

Track 3

Filename F:\Musique\Moeran, Ernest John\MoeranAndManyOthers_BritishStringConcertos\CD 4\03 - Morgan, David - Morgan- Concerto for Violin and Orchestra- III. Lento - Allegro deciso - Con fuoco.wav

Peak level 91.8 %
Extraction speed 8.3 X
Track quality 100.0 %
Copy CRC 97A6F963
Copy OK

Track 4

Filename F:\Musique\Moeran, Ernest John\MoeranAndManyOthers_BritishStringConcertos\CD 4\04 - Banks, Don - Banks- Concerto for Violin and Orchestra- I. Lento - Allegro.wav

Peak level 71.5 %
Extraction speed 9.2 X
Track quality 100.0 %
Copy CRC 7993D5BF
Copy OK

Track 5

Filename F:\Musique\Moeran, Ernest John\MoeranAndManyOthers_BritishStringConcertos\CD 4\05 - Banks, Don - Banks- Concerto for Violin and Orchestra- II. Andante cantabile.wav

Peak level 65.0 %
Extraction speed 12.0 X
Track quality 100.0 %
Copy CRC EA3E1677
Copy OK

Track 6

Filename F:\Musique\Moeran, Ernest John\MoeranAndManyOthers_BritishStringConcertos\CD 4\06 - Banks, Don - Banks- Concerto for Violin and Orchestra- III. Risoluto.wav

Peak level 76.5 %
Extraction speed 10.9 X
Track quality 99.9 %
Copy CRC B013EBD2
Copy OK

Track 7

Filename F:\Musique\Moeran, Ernest John\MoeranAndManyOthers_BritishStringConcertos\CD 4\07 - Hoddinott, Alun - Hoddinott- Nocturnes and Cadenzas for cello and orchestra, Op.62.wav

Peak level 100.0 %
Extraction speed 7.4 X
Track quality 100.0 %
Copy CRC 8ACE88C0
Copy OK

No errors occurred

End of status report

==== Log checksum 5E8118B1C1DB26F3C48490DF73BEB9EC888F7457778F3DFD108CBFBF3F862436 ====

[CUETools log; Date: 07.04.2018 22:59:20; Version: 2.1.4]
[CTDB TOCID: BR0.Wi0xu18DB8nCAJfXHa0Lkeo-] disk not present in database.
[AccurateRip ID: 0011f55e-006cc36c-53114807] disk not present in database.

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [5F6BA90C] [68E0A6EA]
01 88,0 [8764E6F7] [E0EF867C] CRC32
02 93,1 [DBC0038F] [84550612] CRC32
03 91,8 [97A6F963] [E1CC9479] CRC32
04 71,5 [7993D5BF] [1C16B900] CRC32
05 65,0 [EA3E1677] [DECFDDF7] CRC32
06 76,5 [B013EBD2] [FA0460EA] CRC32
07 100,0 [8ACE88C0] [BDDD6409] CRC32

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-04-07 23:40:42

––––––––––––––––––––––––––––––––––––––––
Analyzed: Banks, Don / British String Concertos CD 4 (1-3)
Hoddinott, Alun / British String Concertos CD 4 (4)
Morgan, David / British String Concertos CD 4 (5-7)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -2.91 dB -23.85 dB 9:40 04-Banks: Concerto for Violin and Orchestra: I. Lento - Allegro
DR18 -3.74 dB -27.92 dB 9:33 05-Banks: Concerto for Violin and Orchestra: II. Andante cantabile
DR13 -2.32 dB -22.23 dB 7:41 06-Banks: Concerto for Violin and Orchestra: III. Risoluto
DR22 0.00 dB -29.31 dB 21:02 07-Hoddinott: Nocturnes and Cadenzas for cello and orchestra, Op.62
DR17 -1.10 dB -25.37 dB 11:55 01-Morgan: Concerto for Violin and Orchestra: I. Lento - Moderato cantabile - Alla Marcia
DR15 -0.62 dB -25.19 dB 5:00 02-Morgan: Concerto for Violin and Orchestra: II. Presto energico ma leggieramente
DR14 -0.74 dB -21.92 dB 8:53 03-Morgan: Concerto for Violin and Orchestra: III. Lento - Allegro deciso - Con fuoco
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 7
Official DR value: DR16

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 664 kbps
Codec: FLAC
================================================================================