Tine Thing Helseth - Storyteller (2011)

Posted By: luckburz
Date: Aug. 16, 2014

Tine Thing Helseth - Storyteller
Tine Thing Helseth, trumpet / Royal Liverpool Philharmonic Orchestra / Eivind Aadland
EAC+LOG+CUE | FLAC: 240 MB | Full Artwork: 57 MB | 5% Recovery Info
Label/Cat#: EMI # 50999 0 88328 2 5 | Country/Year: Europe 2011
Genre: Classical | Style: Romantic, Early 20th Century,Trumpet

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip []



Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 26. August 2013, 22:01

Tine Thing Helseth / Storyteller

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


TOC of the extracted CD

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21 | 60:47.35 | 1:39.14 | 273560 | 280998
22 | 62:26.49 | 4:27.51 | 280999 | 301074


Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Tine Thing Helseth - Storyteller.wav

Peak level 98.5 %
Extraction speed 1.8 X
Range quality 100.0 %
Copy CRC D94CB6AC
Copy OK

No errors occurred


AccurateRip summary

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Track 2 accurately ripped (confidence 7) [96DFEA63] (AR v2)
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All tracks accurately ripped

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–– CUETools DB Plugin V2.1.3

[CTDB TOCID: 2nhe8I2DM6PPRrVjP3D6tXlj454-] found, Submit result: 2nhe8I2DM6PPRrVjP3D6tXlj454- has been confirmed
[6f6d2bd3] (11/11) Accurately ripped


==== Log checksum 215AEDC0C20BF2E5EEAF3187834441FA480A84F36DB7708B469677A612A99E93 ====

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-08-27 12:52:27

––––––––––––––––––––––––––––––––––––––––
Analyzed: Tine Thing Helseth / Storyteller
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -3.66 dB -20.90 dB 2:20 01-Zdes' khorosho
DR12 -2.02 dB -19.29 dB 2:27 02-Songs my mother taught me
DR14 -0.13 dB -18.01 dB 3:24 03-Les filles de Cadix
DR12 -0.13 dB -21.46 dB 1:27 04-Våren flyktar hastigt (Spring is flying)
DR14 -1.44 dB -21.35 dB 2:19 05-Soluppgång (Sunrise)
DR10 -0.13 dB -15.77 dB 2:24 06-Var det en drøm (Was it a dream)
DR14 -2.03 dB -21.81 dB 4:30 07-Wiegenlied
DR13 -1.29 dB -20.14 dB 1:53 08-Wer hat dies liedlein erdacht?
DR13 -3.14 dB -20.72 dB 6:02 09-Marietta's Lied
DR13 -4.23 dB -22.72 dB 2:18 10-Haugtassa No.1 Det syng ( The mountain Maid)
DR13 -5.66 dB -25.11 dB 2:21 11-No. 2 Veslemøy
DR12 -3.84 dB -21.49 dB 1:46 12-No. 3 Blåbaer-li
DR11 -2.83 dB -20.68 dB 2:35 13-No. 4 Møte
DR13 -3.20 dB -22.08 dB 2:10 14-No. 5 Elsk
DR12 -3.43 dB -21.14 dB 1:36 15-No. 6 Killingdans
DR13 -3.66 dB -24.33 dB 2:16 16-No. 7 Vond dag
DR14 -2.79 dB -23.42 dB 5:14 17-No.8 Ved gjaetle-bekken
DR15 -0.13 dB -22.76 dB 5:16 18-Epilogo
DR15 -0.13 dB -20.82 dB 5:46 19-Mon coeur s'ouvre à ta voix
DR14 -2.03 dB -21.59 dB 2:43 20-La postoura als camps
DR13 -0.13 dB -17.92 dB 1:39 21-Malurous qu'o uno fenno
DR13 -2.32 dB -21.63 dB 4:28 22-Je ne t'aime pas
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 22
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 502 kbps
Codec: FLAC
================================================================================



CD Info:

Tine Thing Helseth - Storyteller

Tine Thing Helseth, trumpet / Royal Liverpool Philharmonic Orchestra / Eivind Aadland

Label: EMI Classics
Catalog#: 50999 0 88328 2 5
Format: CD, Album
Country: Europe
Released: 2011
Genre: Classical
Style: Romantic, Early 20th Century,Trumpet

Tracklist:

1 Rachmaninov - Zdes' khorosho 2:20
2 Dvorak - Songs my mother taught me 2:27
3 Delibes - Les filles de Cadix 3:24
4 Sibelius - Våren flyktar hastigt (Spring is flying) 1:27
5 Sibelius - Soluppgång (Sunrise) 2:19
6 Sibelius - Var det en drøm (Was it a dream) 2:24
7 Richard Strauss - Wiegenlied 4:30
8 Mahler - Wer hat dies liedlein erdacht? 1:53
9 Korngold - Marietta's Lied 6:02
10 Grieg - Haugtassa No.1 Det syng ( The mountain Maid) 2:18
11 Grieg - No. 2 Veslemøy 2:21
12 Grieg - No. 3 Blåbaer-li 1:46
13 Grieg - No. 4 Møte 2:35
14 Grieg - No. 5 Elsk 2:10
15 Grieg - No. 6 Killingdans 1:36
16 Grieg - No. 7 Vond dag 2:16
17 Grieg - No.8 Ved gjaetle-bekken 5:14
18 Cano - Epilogo 5:16
19 Saint-Saens - Mon coeur s'ouvre à ta voix 5:46
20 Canteloube - La postoura als camps 2:43
21 Canteloube - Malurous qu'o uno fenno 1:39
22 Weill - Je ne t'aime pas 4:28

Review by Stephen Eddins

Norwegian trumpet player Tine Thing Helseth emerged toward the end of the first decade of the 20th century as of the leading international soloists on her instrument, and in 2011 signed an exclusive recording contract with EMI Classics. For her debut solo album for the label she decided to forego the traditional concertos and virtuosic showpieces and play transcriptions of vocal music, primarily art songs. The result is an appealing collection of music that puts Helseth's lyrical sensibility on display. The pieces don't make the technical demands of, say, a Baroque concerto, but they require the ability to communicate expressively with the simplest means, and that is no less an achievement. Helseth plays with exceptionally well-supported legato phrasing and her tone is sweet, burnished, and mellow. The trumpet, especially played as musically as it is here, works beautifully in these pieces, many of which have soaring Romantic lines. For the most part they are not arrangements but straightforward transcriptions with the trumpet taking the vocal part. Helseth's lyricism is especially impressive in the most passionate selections, such as "Marietta's Lied" from Die tote Stadt and "Mon coeur s'ouvre à ta voix" from Samson et Dalila, the latter of which beautifully exploits her rich lower register. The Royal Liverpool Philharmonic Orchestra led by Elvind Aadland and pianist Håvard Gimse provide supportive accompaniment. EMI's sound is clean and warmly atmospheric, with a good sense of presence. allmusicguide

I don’t want to inflame passions if I talk of an EMI blonde trumpeter face-off between Alison Balsom and newcomer Tine Thing Helseth, The record company seems to have decided however that the Norwegian player should concentrate on arrangements rather than compete, for now, against their star brass player in concertos. Added to this is the fact that Helseth contributes a rock-star like Thank You credit list in the booklet notes. George Eskdale never did this sort of thing and neither did Harry Mortimer, but then times have changed.

I don’t want to comment on how strange Helseth’s name must seem to an Anglophone reader – maybe T.T. Helseth would give her a bit of ZZ Top pizzazz. How she positions herself, or allows herself to be positioned musically, is probably more to the point. She’s been playing these arrangements for some time, it appears, but one wouldn’t necessarily like to see her typed as a trumpet-lite purveyor. She has a fine tone, and a good instinct for tonal colour and legato shaping. Clearly she likes narrative; her whole disc is predicated on the idea of telling a story, and she manages to ‘sing’ fluently and evenly throughout, accompanied by the Royal Liverpool Philharmonic Orchestra under Eivind Aadland.

She vests Rachmaninov’s song with just the right amount of rounded warmth, proves lyrical in Dvorák, and displays a rich cantilena in the Delibes. In the Sibelius song Soluppgång Op.37 No. 3 she is careful to pay service to its one terse outburst as well as to its more refined qualities. She proves a calming presence in Korngold, allowing it a truly vocalised quality – essential, really, given that it’s Marietta’s Lied from Die tote Stadt.

For Grieg’s Haugtussa she is joined by pianist Håvard Gimse and their intimacy demonstrates an expressive affection throughout these settings. The final song reserves the greatest quality of elegy, another component that Helseth exemplifies when necessary. She’s joined by Jonathan Aasgaard and the orchestra for José María Cano’s Epílogo. Two of Canteloube’s Chants d'Auvergne make for good programming as well.

The sound is attractive. The spatial questions in the Cano - where her trumpet is deliberately placed backwardly – are all well met. Pan-European melodies arranged for trumpet may not sound as snappy as ‘Storyteller’, but T.T. Helseth certainly tells her stories nicely.

– Jonathan Woolf, MusicWeb International



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