The Pogues - Rum Sodomy & the Lash (1985) (Remastered & Expanded)
Rock | 1cd | EAC Rip | Flac + Cue + Log | covers
Rhino R2 74072 | rem: 2004 | 465Mb
Rock | 1cd | EAC Rip | Flac + Cue + Log | covers
Rhino R2 74072 | rem: 2004 | 465Mb
"I saw my task… was to capture them in their delapidated glory before some more professional producer f–ked them up," Elvis Costello wrote of his role behind the controls for the Pogues' second album, Rum Sodomy & the Lash. One spin of the album proves that Costello accomplished his mission; this album captures all the sweat, fire, and angry joy that was lost in the thin, disembodied recording of the band's debut, and the Pogues sound stronger and tighter without losing a bit of their edge in the process. Rum Sodomy & the Lash also found Shane MacGowan growing steadily as a songwriter; while the debut had its moments, the blazing and bitter roar of the opening track, "The Sick Bed Of Cuchulainn," made it clear MacGowan had fused the intelligent anger of punk and the sly storytelling of Irish folk as no one had before, and the rent boys' serenade of "The Old Main Drag" and the dazzling, drunken character sketch of "A Pair of Brown Eyes" proved there were plenty of directions where he could take his gifts. And like any good folk group, the Pogues also had a great ear for other people's songs. Bassist Cait O'Riordan's haunting performance of "I'm a Man You Don't Meet Every Day" is simply superb (it must have especially impressed Costello, who would later marry her), and while Shane MacGowan may not have written "Dirty Old Town" or "And the Band Played Waltzing Matilda," his wrought, emotionally compelling vocals made them his from then on. Rum Sodomy & the Lash falls just a bit short of being the Pogues best album, but was the first one to prove that they were a great band, and not just a great idea for a band. ~Allmusic
Track listing
1. "The Sick Bed of Cúchulainn" (MacGowan) – 2:59
2. "The Old Main Drag" (MacGowan) – 3:19
3. "Wild Cats of Kilkenny" (MacGowan/Finer) – 2:48
4. "I'm a Man You Don't Meet Every Day" (traditional) – 2:55
5. "A Pair of Brown Eyes" (MacGowan) – 4:54
6. "Sally MacLennane" (MacGowan) – 2:43
7. "Dirty Old Town" (MacColl) – 3:45
8. "Jesse James" (traditional) – 2:58
9. "Navigator" (Gaston) – 4:12
10. "Billy's Bones" (MacGowan) – 2:02
11. "The Gentleman Soldier" (traditional) – 2:04
12. "And the Band Played Waltzing Matilda" (Bogle) – 8:10
bonus
13. "A Pistol for Paddy Garcia" (Finer) – 2:31
14. "London Girl" (MacGowan) – 3:05
15. "Rainy Night in Soho" (MacGowan) – 5:36
16. "Body of an American" (MacGowan) – 4:49
17. "Planxty Noel Hill" (Finer) – 3:12
18. "The Parting Glass" (traditional) – 2:14
Personnel
- Shane MacGowan – vocals
- Spider Stacy – tin whistle
- James Fearnley – accordion
- Jem Finer – banjo
- Cait O'Riordan – bass, vocals on "I'm a Man You Don't Meet Every Day"
- Andrew Ranken – drums
- Philip Chevron – guitar, mandolin on "Parting Glass"[6]
EAC extraction logfile from 27. June 2007, 22:31 for CD
The Pogues / Rum Sodomy & The Lash (Remastered + Expanded)
Used drive : PIONEER DVD-RW DVR-K16M Adapter: 0 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface
Range status and errors
Selected range
Filename E:\Prerelease\The Pogues - Rum, Sodomy & The Lash\The Pogues - Rum Sodomy & The Lash (Remastered + Expanded).wav
Peak level 100.0 %
Range quality 100.0 %
CRC 856B4B6D
Copy OK
No errors occured
End of status report
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original uploader unknown, found in my archive