Olivia Newton-John - Physical (1981) [1983, Japan, 1st Press] {Black Triangle CD}

Posted By: BlondStyle
Date: Sept. 26, 2020

Olivia Newton-John - Physical (1981) [1983, Japan, 1st Press] {Black Triangle CD}
Pop/Rock, Soft Rock, Electronic | EAC Rip | FLAC, Img+CUE+LOG+Scans (PNG) | 38:22 | 350,88 Mb
Label: EMI/Toshiba EMI Ltd. (Japan) | Cat.# CP35-3065 | Released: 1983-11-21 (1981-10-13)

"Physical" is the 12th studio album by English-born Australian singer Olivia Newton-John, released on 13 October 1981, by MCA Records. The album was produced and partly written by her long-time record producer John Farrar. Recorded and mixed at Ocean Way and David J. Holman's studio in Los Angeles, California, "Physical" became one of Newton-John's most controversial and sexual records, and her most successful studio album to date. Musically, the album features considerable use of synthesizers and it explores lyrical themes such as love and relationships, sex, kinesthetics and environmental protection. Upon its release, the album received positive reviews from music critics, many of them considering it to be Newton-John's best effort. The album charted high in several countries, including the United States, Japan and Newton-John's native Australia, becoming one of the most successful albums of the early 1980s. It also ranks among the best-selling albums by Australian solo artists, selling more than 10 million copies worldwide. The album's title track was a commercial phenomenon, staying 10 weeks atop the Billboard Hot 100, at the time tying the record set by Debby Boone's 1977 single "You Light Up My Life". The song and its music video were controversial, having been banned or edited by several radio stations and television channels (such as MTV) for its sexual references. The single was followed by "Make a Move on Me", another top-ten worldwide hit. "Landslide", which failed to enter the majority of musical charts, had a music video featuring Newton-John's boyfriend (and later husband) Matt Lattanzi, to whom she had dedicated the album. A video compilation, Olivia Physical, was produced, featuring music videos of all songs from the album. The material was a commercial and critical success, and earned Newton-John a Grammy Award for Video of the Year. The album was promoted with Newton-John's 1982 North American Physical Tour, performances from which a home video entitled Olivia in Concert was produced. The Physical era marked the height of Newton-John's solo career, gaining her wide acclaim as one of the most successful female artists of the early 1980s.
~Wikipedia


"Physical" became such a monster hit - not just a hit, but a pop-culture phenomenon that was impossible to escape - that it became difficult to view its accompanying album as anything other than a conduit for the single. The thing was, Physical was a damn good record, in many ways one of Olivia Newton-John's very best. Picking up where Totally Hot and Xanadu left off, Physical skillfully balances catchy yet mellow dance cuts with immaculately crafted adult contemporary pop and ballads. The title track, of course, is the best example of the dance side, but "Landslide," "Make a Move on Me," and "Promise (Dolphin Song)" illustrate that Physical wasn't a one-hit record at all - if anything, they hold up better than the big hit. There is some filler here - none of her records were free from that curse - but it's well-made filler and helps make Physical one of the most enjoyable albums of her career.
~Review by Stephen Thomas Erlewine






Release of the album: 1981, October, 13 [LP MCA Records, Cat.# MCA-5229, USA]
Release of this CD: 1983, November, 21 [CD Toshiba EMI Ltd. (Japan), Cat.# CP35-3065 (EMC-3386A・B (CD)) / EAN: no barcode]
℗ 1981 EMI.
Stereo・Digital Mastering.
Manufactured by Toshiba EMI Ltd. in Japan

Credits:

Art Direction, Design – George Osaki
Graphics – Gribbitt!, Michael Kevin Lee
Management – Roger Davies Management
Mastered By – Doug Sax, Mike Reese
Other [Hair And Makeup] – Armando Cosio
Other [Wetsuits, Wardrobe Design And Stylist] – Fleur Thiemeyer
Photography By – Herb Ritts
Producer – John Farrar
Recorded By, Mixed By – David J. Holman

Tracklist:

01. Landslide (04:23)
(John Farrar)
02. Stranger's Touch (03:49)
(John Farrar, Steve Kipner)
03. Make A Move On Me (03:19)
(John Farrar, Tom Snow)
04. Falling (03:45)
(John Farrar)
05. Love Make Me Strong (03:08)
(Terry Britten, Sue Shifrin)
06. Physical (03:45)
(Steve Kipner, Terry Shaddick)
07. Silvery Rain (03:40)
(Hank Marvin)
08. Carried Away (03:43)
(Barry Gibb, Albhy Galuten)
09. Recovery (04:19)
(John Farrar, Tom Snow)
10. The Promise (The Dolphin Song) (04:31)
(Olivia Newton-John)

Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 26. September 2020, 18:51

Olivia Newton-John / Physical

Used drive : PIONEER BD-RW BDR-208D Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:22.62 | 0 | 19711
2 | 4:22.62 | 3:48.50 | 19712 | 36861
3 | 8:11.37 | 3:18.40 | 36862 | 51751
4 | 11:30.02 | 3:45.28 | 51752 | 68654
5 | 15:15.30 | 3:08.35 | 68655 | 82789
6 | 18:23.65 | 3:45.32 | 82790 | 99696
7 | 22:09.22 | 3:39.43 | 99697 | 116164
8 | 25:48.65 | 3:43.17 | 116165 | 132906
9 | 29:32.07 | 4:18.73 | 132907 | 152329
10 | 33:51.05 | 4:31.12 | 152330 | 172666


Range status and errors

Selected range

Filename D:\BlondStyle\Olivia Newton-John - Physical.wav

Peak level 100.0 %
Extraction speed 6.4 X
Range quality 100.0 %
Test CRC 3AE7D318
Copy CRC 3AE7D318
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 5) [2759BD1C] (AR v2)
Track 2 accurately ripped (confidence 5) [8558E4BF] (AR v2)
Track 3 accurately ripped (confidence 5) [8AB631A6] (AR v2)
Track 4 accurately ripped (confidence 5) [516119C7] (AR v2)
Track 5 accurately ripped (confidence 5) [7E76156E] (AR v2)
Track 6 accurately ripped (confidence 5) [581A3372] (AR v2)
Track 7 accurately ripped (confidence 5) [17F16565] (AR v2)
Track 8 accurately ripped (confidence 5) [4CA84FEF] (AR v2)
Track 9 accurately ripped (confidence 5) [C7FDF104] (AR v2)
Track 10 accurately ripped (confidence 5) [C2D3D855] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.6

[CTDB TOCID: dyfGkvJr9EemA3CobBr3TiIdEEA-] found
Submit result: dyfGkvJr9EemA3CobBr3TiIdEEA- has been confirmed
Track | CTDB Status
1 | (18/22) Accurately ripped, or (4/22) differs in 48 samples @00:12:69,00:15:56,00:30:35,00:34:37,00:44:24,00:52:54,01:09:05,01:14:19,01:22:09,01:29:68,01:49:72,01:53:73-01:54:03,02:19:64,02:21:39,02:37:21,03:00:13,03:02:45,03:09:45,03:17:70,03:34:67,03:49:09,03:53:28,04:02:68
2 | (18/22) Accurately ripped, or (4/22) differs in 22 samples @00:58:64,01:14:57,01:17:22,01:19:39,01:37:35,01:55:22,02:32:60,02:39:27,02:42:24,03:01:33,03:24:33
3 | (18/22) Accurately ripped, or (4/22) differs in 28 samples @00:16:70,00:25:52,00:40:64,00:41:27,01:03:57,01:14:65,02:01:21,02:11:04,02:19:59,02:30:49,02:55:34,02:56:62,03:01:03,03:01:62
4 | (18/22) Accurately ripped, or (4/22) differs in 25 samples @00:02:14,01:05:62,01:11:74,01:13:04,01:55:55,01:59:60,02:07:39,02:08:30,02:14:13,02:33:40,02:55:11,02:57:42,02:58:68
5 | (18/22) Accurately ripped, or (4/22) differs in 16 samples @00:51:02,00:59:02,01:25:05,01:27:03,02:17:02,02:35:29,02:40:24,02:49:15
6 | (18/22) Accurately ripped, or (4/22) differs in 18 samples @00:29:63,01:09:05,01:10:57,01:37:03,01:57:02,02:10:15,02:44:08,02:49:24,03:05:56
7 | (18/22) Accurately ripped, or (4/22) differs in 19 samples @00:05:41,00:26:54,00:29:19,00:36:53,00:56:00,01:35:40,01:55:57,02:39:63,02:56:01,03:06:33
8 | (18/22) Accurately ripped, or (4/22) differs in 12 samples @01:21:20,01:28:63,02:14:32,02:21:59,02:50:32,02:51:24
9 | (18/22) Accurately ripped, or (4/22) differs in 16 samples @00:05:31,00:24:17,01:54:38,01:56:61,02:32:11,03:01:36,03:13:73,03:24:40
10 | (18/22) Accurately ripped, or (4/22) differs in 26 samples @01:17:49,01:33:63,02:08:56,02:19:43,02:28:09,02:31:70,02:33:72,02:51:44,02:53:02,02:53:29,03:02:06,03:27:13,03:48:28


==== Log checksum F57A9EC3822303D24F72ACA0D0D3B45A62FEE828734FADBC950A4CFCD26BEBBE ====

[Disc ID: 000e3ea1-00719259-7508fe0a]
Track [ CRC ] Status
01 [e762f741] (03/14) Accurately ripped as in pressing(s) #2
02 [27092593] (03/14) Accurately ripped as in pressing(s) #2
03 [1246ba7a] (03/15) Accurately ripped as in pressing(s) #2
04 [01615749] (03/15) Accurately ripped as in pressing(s) #2
05 [b73b8d13] (03/14) Accurately ripped as in pressing(s) #2
06 [135aeb99] (03/14) Accurately ripped as in pressing(s) #2
07 [b6f8c7b0] (03/14) Accurately ripped as in pressing(s) #2
08 [94532b14] (03/14) Accurately ripped as in pressing(s) #2
09 [e2734464] (03/14) Accurately ripped as in pressing(s) #2
10 [971aab66] (03/14) Accurately ripped as in pressing(s) #2
Offsetted by -388:
01 [ed2874b1] (03/14) Partial match to pressing(s) #2
02 [c4075d13] (03/14) Partial match to pressing(s) #2
03 [90d797c2] (03/15) Partial match to pressing(s) #2
04 [be828385] (03/15) Partial match to pressing(s) #2
05 [a518abe7] (03/14) Partial match to pressing(s) #2
06 [c49dc01d] (03/14) Partial match to pressing(s) #2
07 [35c5b64c] (03/14) Partial match to pressing(s) #2
08 [674c47dc] (03/14) Partial match to pressing(s) #2
09 [3dbfa758] (03/14) Partial match to pressing(s) #2
10 [32a854ca] (03/14) Partial match to pressing(s) #2
Offsetted by -325:
01 [78c1ca8d] (02/14) Partial match to pressing(s) #3
02 [a29ebef3] (02/14) Partial match to pressing(s) #3
03 [d9fb73d4] (03/15) Partial match to pressing(s) #3
04 [d1f1e934] (03/15) Partial match to pressing(s) #3
05 [32990e7c] (02/14) Partial match to pressing(s) #3
06 [99fa7c9e] (02/14) Partial match to pressing(s) #3
07 [74514d93] (02/14) Partial match to pressing(s) #3
08 [bdc8c7ce] (02/14) Partial match to pressing(s) #3
09 [968315f5] (02/14) Partial match to pressing(s) #3
10 [f473a383] (02/14) Partial match to pressing(s) #3
Offsetted by -21:
01 [b8da854d] (02/14) Partial match to pressing(s) #4
02 [322c04f3] (02/14) Partial match to pressing(s) #4
03 [4f3ac674] (02/15) Partial match to pressing(s) #4
04 [503c3564] (02/15) Partial match to pressing(s) #4
05 [8810c18c] (02/14) Partial match to pressing(s) #4
06 [2191576e] (02/14) Partial match to pressing(s) #4
07 [a21f9543] (02/14) Partial match to pressing(s) #4
08 [777f006e] (02/14) Partial match to pressing(s) #4
09 [1a321f85] (02/14) Partial match to pressing(s) #4
10 [012c3bd3] (02/14) Partial match to pressing(s) #4

––––––––––––––––––––––––––––––––––––––––
Analyzed: Olivia Newton-John / Physical
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.11 dB -17.11 dB 4:23 01-Landslide
DR13 -1.51 dB -19.14 dB 3:49 02-Stranger's Touch
DR14 0.00 dB -16.36 dB 3:19 03-Make A Move On Me
DR13 -3.74 dB -19.75 dB 3:45 04-Falling
DR14 0.00 dB -16.62 dB 3:08 05-Love Make Me Strong
DR15 -0.09 dB -17.13 dB 3:45 06-Physical
DR15 -0.29 dB -19.78 dB 3:40 07-Silvery Rain
DR13 -2.72 dB -19.62 dB 3:43 08-Carried Away
DR14 -0.92 dB -19.23 dB 4:19 09-Recovery
DR14 -4.11 dB -23.49 dB 4:31 10-The Promise (The Dolphin Song)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 819 kbps
Codec: FLAC
================================================================================

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