Nancy Wilson - Live from Las Vegas (2005)
Jazz (Vocal/Big Band) | EAC Rip | FLAC (tracks)+CUE+LOG | mp3@320 | 325 MB. & 124 MB.
500dpi. Complete Scans (JPG) - 34 MB. | WinRar, 3% recovery
Audio CD (2005) | Label: Capitol | Catalog# 72438-75938-2-4 | 52:41 min.
Jazz (Vocal/Big Band) | EAC Rip | FLAC (tracks)+CUE+LOG | mp3@320 | 325 MB. & 124 MB.
500dpi. Complete Scans (JPG) - 34 MB. | WinRar, 3% recovery
Audio CD (2005) | Label: Capitol | Catalog# 72438-75938-2-4 | 52:41 min.
Review by John Bush ~allmusic
Nancy Wilson's unimpeachable combination of high sophistication and artistic substance was tailor-made for entertaining both the high-rollers and rubber-neckers assembled at the Sands Hotel & Casino's Copa Room for this August 1968 performance. She began with a delightful tweak of any star-gazers in the room, dedicating the opener to a "specific" (but unspecified) group in attendance at the show, then launching into a bustling version of "Hello, Young Lovers." Although Wilson had been sneaking contemporary pop songs on to her LPs for several years ("Sunny," "Ode to Billie Joe," "Goin' out of My Head"), she was undoubtedly mindful of the preferences of a nightclub audience, and avoided most of the crossover feel. She builds the first half of her set using traditional standards, most of them torch songs ("I Can't Get Started," "The Folks Who Live on the Hill," "The Man That Got Away") and a few obscure songs from the great-vocal-songbook repertoire. There are a few nods to her popular audience, however, including her brassy performance of "Face It Girl, It's Over" (a Top 40 hit for her that year) and an ambitious, theatrical three-part suite, "K.C. Medley," that salutes not the Missouri cradle of swing but a small boy. Overall, a subtle performance in the kind of city (and the kind of room) where subtlety is ignored, if it's even recognized. [Initially recorded by Capitol with an eye to a 1969 release, Live From Las Vegas was only first available in 2002 on Wilson's box set, The Essence of Nancy Wilson: Four Decades of Music. Three years later, it was issued separately as part of the Capitol series Las Vegas Centennial Collection.]
Tracklist:
01. Into / Hello, Young Lovers (2:49)
02. Small World, Isn't It (3:14)
03. Gypsies, the Jugglers and the Clowns (2:02)
04. I Can't Get Started (4:51)
05. If We Only Have Love (3:51)
06. The Man That Got Away (2:25)
07. The Folks Who Live on the Hill (4:57)
08. Crazy Butterfly (1:56)
09. Peace of Mind (3:06)
10. Face it Girl, It's Over (3:32)
11. Just Go (2:33)
12. Band Introductions (2:45)
13. We Would Have Been Fine (6:27)
14. K.C. Medley: That Face/K.C./Black is Beautiful (8:13)
Personnel:
Nancy Wilson - vocals
Orchestra - unknown personnel / don't writes in album's booklet
~allAboutJazz
Born: February 20, 1937 | Instrument: Vocal
Nancy Wilson’s musical style is so diverse that it is hard to classify. Over the years her repertoire has included pop style ballads, jazz and blues, show tunes and well known standards. Critics have described her as “a jazz singer,” “a blues singer,” “a pop singer,” and “a cabaret singer.” Still others have referred to her as “a storyteller,” “a professor emeritus of body language,” “a consummate actress,” and “the complete entertainer.” Then who is this song stylist (that’s the descriptive title she prefers) whose voice embodies the nuances of gospel, blues, and jazz? Her colleague and long time friend Joe Williams used to call her “the thrush from Columbus.”
By the age of four, Nancy Wilson knew she wanted to be a singer. Born in Chillicothe, OH, Nancy grew up in Columbus where her father provided early exposure to many vocalists. These included male singers Billy Eckstine and Louis Jordan, and the rhythm and blues of Ruth Brown and LaVerne Baker. Nat King Cole was influential as well. She also heard big band vocalists Jimmy Rushing with Count Basie’s Orchestra, and Lionel Hampton’s Little Jimmy Scott. As a child she took an active part in church music as well as school choirs and dance bands.
Nancy’s professional singing career began at the age of 15. She had her own television show, Skyline Melody, on a local station. Soon after, she began performing in clubs in the Columbus area. After graduating high school, still undecided about a music career, she enrolled in the teacher training program at Central State College. But in 1956, Nancy’s desire outweighed the uncertainty of a vocal career, so she left college to join The Rusty Bryant Band. That same year she met Julian “Cannonball” Adderley when she accompanied Bryant’s band to New York City for a recording session. Adderley, impressed with her talent and determination, took an immediate interest in her career and the two kept in touch.
In 1959, Nancy moved to New York City, allotting herself six months to attain her goals. She wanted Cannonball’s manager, John Levy, to represent her, and she wanted Capitol Records as her label. Within four weeks of her arrival in New York she got her first big break, a call to fill in for Irene Reid at The Blue Morocco. Nancy did so well that the club booked her on a permanent basis; she was singing four nights a week and working as a receptionist during the day. She called John Levy and he went to catch her show.
“John called me the very next day. He set up a session to record a demo,” Nancy recalls. “Ray Bryant and I went in and recorded “Guess Who I Saw Today,” “Sometimes I’m Happy,” and two other songs. We sent them to Capitol and within five days the phone rang. Within six weeks I had all the things I wanted.”
Nancy’s debut single, “Guess Who I Saw Today,” was so successful that between April of 1960 and July of 1962 Capitol Records released five Nancy Wilson albums. Two of those remain in-demand reissues to this day: The Swingin’s Mutual with George Shearing (1961) and Nancy Wilson/Cannonball Adderley (1962), and earned her a permanent star in the jazz constellation. In 1963 “Tell Me The Truth” became her first truly major hit, leading up to her performance at the Coconut Grove in 1964 ” the turning pointing of her career garnering critical acclaim from coast to coast. Time Magazine wrote, “She is, all at once, both cool and sweet, both singer and story teller.”
Nancy was seen performing on variety shows (The Andy Williams Show, The Carol Burnett Show, The Flip Wilson Show, and others) and for one season she had her own popular television program, The Nancy Wilson Show (NBC) that won an Emmy in 1975. Nancy also took on acting roles, appearing on popular television shows throughout the years, from I Spy, Room 222, Hawaii Five- O, and Police Story, to The Cosby Show, Soul Food, New York Undercover, Moesha, and The Parkers.
After years with Capitol, during many of which she was second in sales only to the Beatles, surpassing even Frank Sinatra, Peggy Lee, the Beach Boys, and early idol Nat King Cole, the business had changed providing Nancy with an opportunity to seek out projects that allowed her to express the maturity that she acquired throughout her then 55 years of life. One of the more interesting albums from her later period came about in 1991, when singer Barry Manilow was given a sheath full of lyrics written by the late Johnny Mercer which the great songwriter had never put to music. Manilow added melodies and chose Nancy to sing the resultant songs.
In 1995, when National Public Radio (NPR) was looking for an articulate voice with both name value and jazz credibility to host their Jazz Profiles series, Nancy was the obvious choice. Not only did she know the music, but she knew the artists personally. Her first profile for this program was the 75th birthday tribute to Charlie Parker.
In the late 1990s, Nancy teamed up with MCG Jazz, a social enterprise supporting the youth education programs of the Manchester Craftsmen’s Guild, a nonprofit, minority-directed, arts and learning organization located in Pittsburgh, PA. A Nancy Wilson Christmas, released for the 2001 holiday season was her only completed Christmas album. All proceeds form the sale of A Nancy Wilson Christmas went directly to support the programs of MCG Jazz.
Three years later Nancy gave MCG Jazz and the world of music another gift ” R.S.V.P. (Rare Songs, Very Personal) ” which was released on August 25, 2004. Receiving gifts in return, R.S.V.P. (Rare Songs, Very Personal) won the 2005 GRAMMY® Award for Best Jazz Vocal Album and the 2005 NAACP Image Award for Best Jazz Artist. (This was her second GRAMMY®, the first being in 1964 for “How Glad I Am,” and her second Image Award, the first being in 1986.) Other honors Nancy has received include a Star on the Hollywood Walk of Fame, streets and days dedicated in her name, honorary doctorate degrees, and in 2005, the UNCF Trumpet Award celebrating African-American achievement, a Lifetime Achievement Award from the NAACP in Chicago, and Oprah Winfrey’s Legends Award.
Last year, Nancy retired from touring, but she still continues to perform select engagements and, happily, to record. Nancy’s third album with MCG Jazz, Turned to Blue (MCGJ 1022), is another classic from this extraordinary song stylist.
Born: February 20, 1937 | Instrument: Vocal
Nancy Wilson’s musical style is so diverse that it is hard to classify. Over the years her repertoire has included pop style ballads, jazz and blues, show tunes and well known standards. Critics have described her as “a jazz singer,” “a blues singer,” “a pop singer,” and “a cabaret singer.” Still others have referred to her as “a storyteller,” “a professor emeritus of body language,” “a consummate actress,” and “the complete entertainer.” Then who is this song stylist (that’s the descriptive title she prefers) whose voice embodies the nuances of gospel, blues, and jazz? Her colleague and long time friend Joe Williams used to call her “the thrush from Columbus.”
By the age of four, Nancy Wilson knew she wanted to be a singer. Born in Chillicothe, OH, Nancy grew up in Columbus where her father provided early exposure to many vocalists. These included male singers Billy Eckstine and Louis Jordan, and the rhythm and blues of Ruth Brown and LaVerne Baker. Nat King Cole was influential as well. She also heard big band vocalists Jimmy Rushing with Count Basie’s Orchestra, and Lionel Hampton’s Little Jimmy Scott. As a child she took an active part in church music as well as school choirs and dance bands.
Nancy’s professional singing career began at the age of 15. She had her own television show, Skyline Melody, on a local station. Soon after, she began performing in clubs in the Columbus area. After graduating high school, still undecided about a music career, she enrolled in the teacher training program at Central State College. But in 1956, Nancy’s desire outweighed the uncertainty of a vocal career, so she left college to join The Rusty Bryant Band. That same year she met Julian “Cannonball” Adderley when she accompanied Bryant’s band to New York City for a recording session. Adderley, impressed with her talent and determination, took an immediate interest in her career and the two kept in touch.
In 1959, Nancy moved to New York City, allotting herself six months to attain her goals. She wanted Cannonball’s manager, John Levy, to represent her, and she wanted Capitol Records as her label. Within four weeks of her arrival in New York she got her first big break, a call to fill in for Irene Reid at The Blue Morocco. Nancy did so well that the club booked her on a permanent basis; she was singing four nights a week and working as a receptionist during the day. She called John Levy and he went to catch her show.
“John called me the very next day. He set up a session to record a demo,” Nancy recalls. “Ray Bryant and I went in and recorded “Guess Who I Saw Today,” “Sometimes I’m Happy,” and two other songs. We sent them to Capitol and within five days the phone rang. Within six weeks I had all the things I wanted.”
Nancy’s debut single, “Guess Who I Saw Today,” was so successful that between April of 1960 and July of 1962 Capitol Records released five Nancy Wilson albums. Two of those remain in-demand reissues to this day: The Swingin’s Mutual with George Shearing (1961) and Nancy Wilson/Cannonball Adderley (1962), and earned her a permanent star in the jazz constellation. In 1963 “Tell Me The Truth” became her first truly major hit, leading up to her performance at the Coconut Grove in 1964 ” the turning pointing of her career garnering critical acclaim from coast to coast. Time Magazine wrote, “She is, all at once, both cool and sweet, both singer and story teller.”
Nancy was seen performing on variety shows (The Andy Williams Show, The Carol Burnett Show, The Flip Wilson Show, and others) and for one season she had her own popular television program, The Nancy Wilson Show (NBC) that won an Emmy in 1975. Nancy also took on acting roles, appearing on popular television shows throughout the years, from I Spy, Room 222, Hawaii Five- O, and Police Story, to The Cosby Show, Soul Food, New York Undercover, Moesha, and The Parkers.
After years with Capitol, during many of which she was second in sales only to the Beatles, surpassing even Frank Sinatra, Peggy Lee, the Beach Boys, and early idol Nat King Cole, the business had changed providing Nancy with an opportunity to seek out projects that allowed her to express the maturity that she acquired throughout her then 55 years of life. One of the more interesting albums from her later period came about in 1991, when singer Barry Manilow was given a sheath full of lyrics written by the late Johnny Mercer which the great songwriter had never put to music. Manilow added melodies and chose Nancy to sing the resultant songs.
In 1995, when National Public Radio (NPR) was looking for an articulate voice with both name value and jazz credibility to host their Jazz Profiles series, Nancy was the obvious choice. Not only did she know the music, but she knew the artists personally. Her first profile for this program was the 75th birthday tribute to Charlie Parker.
In the late 1990s, Nancy teamed up with MCG Jazz, a social enterprise supporting the youth education programs of the Manchester Craftsmen’s Guild, a nonprofit, minority-directed, arts and learning organization located in Pittsburgh, PA. A Nancy Wilson Christmas, released for the 2001 holiday season was her only completed Christmas album. All proceeds form the sale of A Nancy Wilson Christmas went directly to support the programs of MCG Jazz.
Three years later Nancy gave MCG Jazz and the world of music another gift ” R.S.V.P. (Rare Songs, Very Personal) ” which was released on August 25, 2004. Receiving gifts in return, R.S.V.P. (Rare Songs, Very Personal) won the 2005 GRAMMY® Award for Best Jazz Vocal Album and the 2005 NAACP Image Award for Best Jazz Artist. (This was her second GRAMMY®, the first being in 1964 for “How Glad I Am,” and her second Image Award, the first being in 1986.) Other honors Nancy has received include a Star on the Hollywood Walk of Fame, streets and days dedicated in her name, honorary doctorate degrees, and in 2005, the UNCF Trumpet Award celebrating African-American achievement, a Lifetime Achievement Award from the NAACP in Chicago, and Oprah Winfrey’s Legends Award.
Last year, Nancy retired from touring, but she still continues to perform select engagements and, happily, to record. Nancy’s third album with MCG Jazz, Turned to Blue (MCGJ 1022), is another classic from this extraordinary song stylist.
Produced by Frank Collura
Mastering: Bob Norberg / Capitol Mastering, Hollywood
Art Direction: Susan Lavoie for Den 45
Design: Clifford Stoltze and Roy Burns III; Stoltze Design, Boston
Photography: Capitol Photo Archive, UNLV Special Collections, Richard Cummins, Ken Veeder
All tracks digitally remastered - 2002, Capitol Records, Inc.
Liner notes by James Ritz
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 18. November 2011, 14:22
Nancy Wilson / Live from Las Vegas {Capitol 72438-75938-2-4}
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==== Log checksum 3AA974E2E0328CAEC593A7816DCD2D5F03C2476C8490A96D71B719682D51794C ====
EAC extraction logfile from 18. November 2011, 14:22
Nancy Wilson / Live from Las Vegas {Capitol 72438-75938-2-4}
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==== Log checksum 3AA974E2E0328CAEC593A7816DCD2D5F03C2476C8490A96D71B719682D51794C ====
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02 98,8 [9B7B0282] [52E877E0] CRC32
03 98,8 [67D865EE] [E491454F] CRC32
04 97,7 [23BD62D1] [C29F72A4] CRC32
05 98,8 [34FE047C] [5CF43BF6] CRC32
06 98,8 [104285C8] [C1BDCB62] CRC32
07 94,0 [11E43891] [14E2876F] CRC32
08 91,2 [8630350F] [E8DA28E4] CRC32
09 91,2 [D1B500ED] [D68D00BD] CRC32
10 91,2 [F44FB98C] [8DB4659D] CRC32
11 83,1 [C6BAA804] [0BFC77B4] CRC32
12 91,2 [1B1EE83E] [AD331C18] CRC32
13 91,2 [1719028E] [F267A6AE] CRC32
14 91,2 [3F52E3C6] [32D0BE9E] CRC32
[CTDB TOCID: 1HnXpHFmsPgk4Uuth_fV_I90BDk-] disk not present in database.
[AccurateRip ID: 0017ed38-01029891-bf0c590e] disk not present in database.
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 98,8 [465B79AF] [B00D2AB8]
01 98,8 [A32DBE82] [DC2D42FF] CRC32
02 98,8 [9B7B0282] [52E877E0] CRC32
03 98,8 [67D865EE] [E491454F] CRC32
04 97,7 [23BD62D1] [C29F72A4] CRC32
05 98,8 [34FE047C] [5CF43BF6] CRC32
06 98,8 [104285C8] [C1BDCB62] CRC32
07 94,0 [11E43891] [14E2876F] CRC32
08 91,2 [8630350F] [E8DA28E4] CRC32
09 91,2 [D1B500ED] [D68D00BD] CRC32
10 91,2 [F44FB98C] [8DB4659D] CRC32
11 83,1 [C6BAA804] [0BFC77B4] CRC32
12 91,2 [1B1EE83E] [AD331C18] CRC32
13 91,2 [1719028E] [F267A6AE] CRC32
14 91,2 [3F52E3C6] [32D0BE9E] CRC32
(flac links are interchangeable, mp3@320 & artwork = single link)