Les Bostonades, Zachary Wilder - Amours contrariees: Cantatas of Clerambault & Rameau (2018)

Posted By: tirexiss

Les Bostonades, Zachary Wilder - Amours contrariees: Cantatas of Clerambault & Rameau (2018)
EAC | FLAC (image+.cue, log) | Covers Included | 01:05:58 | 394 MB
Genre: Classical, Vocal | Label: Centaur Records | Catalog: CRC 3629

This release features a program of Cantatas by Clerambault and Rameau, two of the greatest of all French Baroque composers. American Tenor Zachary Wilder joins with Les Bostonades, a world-class period instrument ensemble based in Boston. American tenor Zachary Wilder is recognized for his work in repertoire from the 17th and 18th centuries and is sought after on both the concert and operatic stages on both sides of the Atlantic. Having studied at the Eastman School of Music and at the Moores School of Music, University of Houston, Zachary subsequently moved to Boston after the beginning of his ongoing collaboration with the Boston Early Music Festival and a summer of studies as a Tanglewood Music Fellow. Zachary’s discography comprises several recordings with the Boston Early Music Festival, including their Grammy Award winning La Descente d’Orphée aux Enfers as Tantalus. The period-instrument ensemble Les Bostonades has been sharing chamber music with Boston area audiences since its founding in 2005. The ensemble features Baroque music specialists who have studied and performed all over the world, who collaborate in Boston's vibrant early music scene, bringing spirited and polished performances to their listeners. The ensemble's performances have been described as "the most engaging chamber music playing… a generous, voluptuous sound…well delineated, and with a poignancy of emotion."


Track List:

CLERAMBAULT; “Pirame et Tisbé, C 10”
01: Récitatif: «Pirame, pour Tisbé, dès la plus tendre enfance», Air: «Si votre tendresse est extrême»
02: Récitatif: «Tisbé, pour résister à l’ardeur de ses vœux», Lentement et marqué: «Aux pieds ces tombeaux sacrés», Récitative꞉ «Bientôt au gré leur impatience»
03: Air: «Vole, vole, dit-elle Amour»
04: Récitatif: «Elle cherchoit l’Amant qui la tient asservie», Plainte: «Quoi? Tisbé tu n’es plus?»
05: Vivement: «Venez Monstres affreux», Lent: «Aimable cher objet, ton trépas est mon crime»
Air: «Amour, qui voudra désormais s’empresser à porter tes chaînes?»
07: RAMEAU - Prélude en la mineur, Premier livre de pieces de clavecin, RCT 1 (1706)
RAMEAU; “L’Impatience, RCT 26”
08: Récitatif: «Ces lieux brillent déjà d’une vive clarté», Air gay: «Ce n’est plus le poids de ma chaîne»
09: Récitatif: «Les oiseaux d’alentour chantent dans ce bocage», Air tendre: «Pourquoi leur envier juste récompense?»
10: Récitatif: “Mais Corine paraît, je vois enfin les charmes”, Air léger: “Tu te plais, enfant de Cythère”
RAMEAU; Cinquième Concert, RCT 11, Pieces de clavecin en concert (1741)
11: I La Forqueray
12: II La Cupis
13: III La Marais
CLERAMBAULT; “Orphée, C 3”
14: Récitatif: «Le fameux chantre de la Thrace», Air tendre et piqué: «Fidèles échos de ces bois»
15: Récitatif: «Mais que sert à mon désespoir»
16: Air gai: «Allez Orphée, allez, allez»
17: Récitatif: «Cependant le héros arrive sur l’infernale rive», Air fort lent et fort tendre: «Monarque redouté de ces Royaumes sombres»
18: Récitatif: «Pluton surpris d’entendre, Air gai: «Chantez la victoire éclatante»

Performers:
Soloist - Zachary Wilder (tenor)

Ensemble - Les Bostonades
Teddy Hwang - traverso
Sarah Darling - violin
Emily Walhout - viola da gamba
Akiko Sato - harpsichord

Exact Audio Copy V1.2 from 12. August 2016

EAC extraction logfile from 1. June 2018, 13:44

Zachary Wilder, Les Bostonades / Amours contrariées

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Test CRC F46987D8
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[CTDB TOCID: Ev77Q8U2lLDx5j7bSGLhgwCcOqk-] disk not present in database
Submit result: Ev77Q8U2lLDx5j7bSGLhgwCcOqk- has been uploaded


==== Log checksum E74FDF85A545BC527F309CEC2772B6ADD4A04FD874FB126EF5874EE7C9A4E0F2 ====

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