Igor Stravinsky - Stravinsky Conducts Stravinsky (1995)
EAC | FLAC (image+.cue, log) | Covers Included | 76:59 | 367 MB
Genre: Classical | Label: Ermitage | Catalog: ERM 156 ADD
EAC | FLAC (image+.cue, log) | Covers Included | 76:59 | 367 MB
Genre: Classical | Label: Ermitage | Catalog: ERM 156 ADD
Igor Stravinsky was one of music's truly epochal innovators; no other composer of the twentieth century exerted such a pervasive influence or dominated his art in the way that Stravinsky did during his seven-decade musical career. Aside from purely technical considerations such as rhythm and harmony, the most important hallmark of Stravinsky's style is, indeed, its changing face. Emerging from the spirit of late Russian nationalism and ending his career with a thorny, individual language steeped in twelve-tone principles, Stravinsky assumed a number of aesthetic guises throughout the course of his development while always retaining a distinctive, essential identity.
Although he was the son of one of the Mariinsky Theater's principal basses and a talented amateur pianist, Stravinsky had no more musical training than that of any other Russian upper-class child. He entered law school, but also began private composition and orchestration studies with Nicolai Rimsky-Korsakov. By 1909, the orchestral works Scherzo fantastique and Fireworks had impressed Sergei Diaghilev enough for him to ask Stravinsky to orchestrate, and subsequently compose, ballets for his company. Stravinsky's triad of early ballets – The Firebird (1909-1910), Petrushka (1910-1911), and most importantly, The Rite of Spring (1911-1913) – did more to establish his reputation than any of his other works; indeed, the riot which followed the premiere of The Rite is one of the most notorious events in music history.
Stravinsky and his family spent the war years in Switzerland, returning to France in 1920. His jazz-inflected essays of the 1910s and 1920s – notably, Ragtime (1918) and The Soldier's Tale (1918) – gave way to one of the composer's most influential aesthetic turns. The neo-Classical tautness of works as diverse as the ballet Pulcinella (1919-1920), the Symphony of Psalms (1930) and, decades later, the opera The Rake's Progress (1948-1951) made a widespread impact and had an especial influence upon the fledgling school of American composers that looked to Stravinsky as its primary model. He had begun touring as a conductor and pianist, generally performing his own works. In the 1930s, he toured the Americas and wrote several pieces fulfilling American commissions, including the Concerto in E flat, "Dumbarton Oaks."
After the deaths of his daughter, his wife, and his mother within a period of less than a year, Stravinsky emmigrated to America, settling in California with his second wife in 1940. His works between 1940 and 1950 show a mixture of styles, but still seem centered on Russian or French traditions. Stravinsky's cultural perspective was changed after Robert Craft became his musical assistant, handling rehearsals for Stravinsky, traveling with him, and later, co-authoring his memoirs. Craft is credited with helping Stravinsky accept 12-tone composition as one of the tools of his trade. Characteristically, though, he made novel use of such principles in his own music, producing works in a highly original vein: Movements (1958-1959) for piano and orchestra, Variations: Aldous Huxley in Memoriam (1963), and the Requiem Canticles (1965-1966) are among the most striking. Craft prepared the musicians for the exemplary series of Columbia Records LPs Stravinsky conducted through the stereo era, covering virtually all his significant works. Despite declining health in his last years, Stravinsky continued to compose until just before his death in April 1971. – Rovi Staff
Track List:
[01] Prova di orchestra con Stravinsky (27.4.1954)
Suite No. 1 per piccola orchestra (1922-1923):
[02] I. Andante
[03] II. Napoletana
[04] III. Espagnola
[05] IV. Balalaika
Suite No. 2 per piccola orchestra (1921):
[06] I. Marcia
[07] II. Valzer
[08] III. Polka
[09] IV. Galop
[10] Ragtime per 11 strumenti (1918)
Ottetto (1922-1923):
[11] I. Sinfonia
[12] II. Tema con variazioni
[13] III. Finale
Danses concertantes (1941-42):
[14] I. Marcia Introduzione
[15] II. Passo d'azione
[16] III. Tema variato
[17] IV. Passo a due
[18] V. Marcia
Dumbarton Oaks Concerto In Mi Bemolle Per Orchestra Da Camera (1937-1938):
[19] I. Tempo giusto
[20] II. Allegretto
[21] III. Con moto
Concerto In Re Per Orchestra D'Archi (1946):
[22] I. Vivace
[23] II. Arioso
[24] III. Rondo
Performers:
Orchestra della Radiotelevisione della Svizzera Italiana
Igor Stravinsky, conductor
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 29. March 2018, 21:13
RTSI Orchestra - Igor Stravinsky / Stravinsky Ńonducts Stravinsky (Lugano)
Used drive : TEAC CD-W540E Adapter: 1 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 686
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 32 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -T "COMMENT=CD-rip by el coronel" -8 -V %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 1:35.08 | 32 | 7164
2 | 1:35.40 | 1:13.70 | 7165 | 12709
3 | 2:49.35 | 1:10.02 | 12710 | 17961
4 | 3:59.37 | 1:04.33 | 17962 | 22794
5 | 5:03.70 | 1:12.02 | 22795 | 28196
6 | 6:15.72 | 1:16.73 | 28197 | 33969
7 | 7:32.70 | 2:07.65 | 33970 | 43559
8 | 9:40.60 | 0:59.62 | 43560 | 48046
9 | 10:40.47 | 1:57.45 | 48047 | 56866
10 | 12:38.17 | 4:40.43 | 56867 | 77909
11 | 17:18.60 | 4:02.70 | 77910 | 96129
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21 | 60:20.32 | 5:02.30 | 271532 | 294211
22 | 65:22.62 | 6:06.70 | 294212 | 321731
23 | 71:29.57 | 2:10.58 | 321732 | 331539
24 | 73:40.40 | 3:18.50 | 331540 | 346439
Range status and errors
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Filename Q:\Music\Stravinsky conducts Stravinsky (Lugano)\CD.wav
Peak level 96.9 %
Extraction speed 5.5 X
Range quality 100.0 %
Test CRC E9872E4B
Copy CRC E9872E4B
Copy OK
No errors occurred
AccurateRip summary
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==== Log checksum 7CA456E54C61A6D44384BFB85F81987E53AA6C6065BFBF7B0C7C028B7F82C555 ====
EAC extraction logfile from 29. March 2018, 21:13
RTSI Orchestra - Igor Stravinsky / Stravinsky Ńonducts Stravinsky (Lugano)
Used drive : TEAC CD-W540E Adapter: 1 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 686
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 32 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -T "COMMENT=CD-rip by el coronel" -8 -V %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 1:35.08 | 32 | 7164
2 | 1:35.40 | 1:13.70 | 7165 | 12709
3 | 2:49.35 | 1:10.02 | 12710 | 17961
4 | 3:59.37 | 1:04.33 | 17962 | 22794
5 | 5:03.70 | 1:12.02 | 22795 | 28196
6 | 6:15.72 | 1:16.73 | 28197 | 33969
7 | 7:32.70 | 2:07.65 | 33970 | 43559
8 | 9:40.60 | 0:59.62 | 43560 | 48046
9 | 10:40.47 | 1:57.45 | 48047 | 56866
10 | 12:38.17 | 4:40.43 | 56867 | 77909
11 | 17:18.60 | 4:02.70 | 77910 | 96129
12 | 21:21.55 | 7:19.27 | 96130 | 129081
13 | 28:41.07 | 4:01.63 | 129082 | 147219
14 | 32:42.70 | 1:53.55 | 147220 | 155749
15 | 34:36.50 | 3:13.40 | 155750 | 170264
16 | 37:50.15 | 8:23.20 | 170265 | 208009
17 | 46:13.35 | 4:58.20 | 208010 | 230379
18 | 51:11.55 | 1:10.22 | 230380 | 235651
19 | 52:22.02 | 4:16.18 | 235652 | 254869
20 | 56:38.20 | 3:42.12 | 254870 | 271531
21 | 60:20.32 | 5:02.30 | 271532 | 294211
22 | 65:22.62 | 6:06.70 | 294212 | 321731
23 | 71:29.57 | 2:10.58 | 321732 | 331539
24 | 73:40.40 | 3:18.50 | 331540 | 346439
Range status and errors
Selected range
Filename Q:\Music\Stravinsky conducts Stravinsky (Lugano)\CD.wav
Peak level 96.9 %
Extraction speed 5.5 X
Range quality 100.0 %
Test CRC E9872E4B
Copy CRC E9872E4B
Copy OK
No errors occurred
AccurateRip summary
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4 | (12/12) Accurately ripped
5 | (12/12) Accurately ripped
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==== Log checksum 7CA456E54C61A6D44384BFB85F81987E53AA6C6065BFBF7B0C7C028B7F82C555 ====
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Track | CTDB Status
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[AccurateRip ID: 00360c0e-03f2fa88-33120b18] found.
Track [ CRC | V2 ] Status
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06 [5ede63b2|d865734b] (04+03/15) Accurately ripped
07 [9ce44584|d3b8652b] (04+03/15) Accurately ripped
08 [79596f26|c532a793] (04+03/15) Accurately ripped
09 [9933be70|f5694d5a] (04+03/15) Accurately ripped
10 [5356b38b|d98172f5] (04+03/15) Accurately ripped
11 [ec4eb327|d5eef379] (04+03/15) Accurately ripped
12 [aa08b87a|5b587fa1] (04+03/15) Accurately ripped
13 [e2183795|f9b814e1] (04+03/15) Accurately ripped
14 [438f1f66|2410ee49] (04+03/15) Accurately ripped
15 [5a78b093|b0e3312e] (04+03/15) Accurately ripped
16 [bea7f7bb|e8377c1e] (04+03/15) Accurately ripped
17 [f291067c|015805d9] (04+03/15) Accurately ripped
18 [c7db6103|b279a71e] (04+03/15) Accurately ripped
19 [579b01f3|206895a6] (04+03/15) Accurately ripped
20 [0a7c584b|63be432e] (03+03/12) Accurately ripped
21 [b5b3b17e|cfcc3126] (04+02/12) Accurately ripped
22 [df3bc03f|f286992e] (04+03/13) Accurately ripped
23 [feb79513|66025f88] (04+03/13) Accurately ripped
24 [7981d92d|67ff781d] (03+03/12) Accurately ripped
Offsetted by -322:
01 [7ba600f2] (02/14) Accurately ripped
02 [5b7848f7] (02/15) Accurately ripped
03 [1403796c] (02/15) Accurately ripped
04 [9e1e3dd9] (02/15) Accurately ripped
05 [b255ea9b] (02/15) Accurately ripped
06 [e2976d9d] (02/15) Accurately ripped
07 [07dee62f] (02/15) Accurately ripped
08 [6777e47f] (02/15) Accurately ripped
09 [263f828d] (02/15) Accurately ripped
10 [f59c0271] (02/15) Accurately ripped
11 [bf138f7d] (02/15) Accurately ripped
12 [8f8bda07] (02/15) Accurately ripped
13 [b2060780] (02/15) Accurately ripped
14 [65011283] (02/15) Accurately ripped
15 [fc83106d] (02/15) Accurately ripped
16 [dbb5d1c9] (02/15) Accurately ripped
17 [2c25cc9c] (02/15) Accurately ripped
18 [b4f1307f] (02/15) Accurately ripped
19 [397f8da2] (02/15) Accurately ripped
20 [571b8804] (02/12) Accurately ripped
21 [b0d3854f] (02/12) Accurately ripped
22 [771ad62c] (02/13) Accurately ripped
23 [1e1afec7] (02/13) Accurately ripped
24 [5c7d0041] (02/12) Accurately ripped
Offsetted by -900:
01 [6f49f618] (02/14) Accurately ripped
02 [1501b7d6] (02/15) Accurately ripped
03 [0c68a9c9] (02/15) Accurately ripped
04 [e1e34475] (02/15) Accurately ripped
05 [02a50d40] (02/15) Accurately ripped
06 [ef0e5e37] (02/15) Accurately ripped
07 [cdc94359] (02/15) Accurately ripped
08 [b2fc7be8] (02/15) Accurately ripped
09 [965c5ae6] (02/15) Accurately ripped
10 [8315efaf] (02/15) Accurately ripped
11 [b32603e8] (02/15) Accurately ripped
12 [062eea8d] (02/15) Accurately ripped
13 [10e71aa5] (02/15) Accurately ripped
14 [8fff7d50] (02/15) Accurately ripped
15 [2af32721] (02/15) Accurately ripped
16 [80f17ba0] (02/15) Accurately ripped
17 [06e09f3d] (02/15) Accurately ripped
18 [21d7f55c] (02/15) Accurately ripped
19 [42831476] (02/15) Accurately ripped
20 [e2d3dc6d] (00/12) No match (V2 was not tested)
21 [755dd759] (00/12) No match (V2 was not tested)
22 [01465fd1] (00/13) No match
23 [a4de8404] (00/13) No match
24 [21c03fd3] (00/12) No match
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 96,9 [E9872E4B] [E394BD67] CRC32
01 33,4 [30B02BC1] [7C3539B4]
02 40,4 [E1761566] [AF71ED52]
03 85,6 [7813D9AF] [AD92180C]
04 80,6 [2FC5C79F] [A0401F48]
05 93,7 [0A31582B] [C9AE607F]
06 83,3 [8A8EB526] [D5FE2695]
07 24,2 [535A8EEB] [73E3E205]
08 85,8 [20F1E968] [A4DEA7BB]
09 94,0 [0607428A] [C1145F60]
10 96,9 [0B95D190] [54E2D64E]
11 85,1 [7567D958] [C560BBCC]
12 90,1 [D086933B] [38DA7450]
13 96,2 [A01AE118] [D93206C3]
14 92,4 [4EA0013E] [C75C62C9]
15 93,0 [F896E2E6] [097C114C]
16 91,4 [5AEF7B74] [A63BFC9F]
17 56,1 [788E46F2] [5725F8D6]
18 77,1 [4487085E] [2E2539B4]
19 61,6 [137CEE7B] [073C7283]
20 69,3 [62621366] [3044E433]
21 91,3 [7BCCA8CE] [0BD76A7B]
22 87,7 [608C225F] [4E7C7BBB]
23 49,1 [4058A1D2] [7089CBC4]
24 94,3 [A57A0732] [49427717]
Thanks to the Original ripper el coronel!
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