Christopher Young - The Exorcism Of Emily Rose: Original Motion Picture Soundtrack (2005)
EAC | FLAC (Image) + cue.+log ~ 294 Mb | Mp3, CBR320 kbps ~ 160 Mb | Scans included
Soundtrack, Score | Label: Lakeshore Records | # LKS 33836 | 01:03:20
EAC | FLAC (Image) + cue.+log ~ 294 Mb | Mp3, CBR320 kbps ~ 160 Mb | Scans included
Soundtrack, Score | Label: Lakeshore Records | # LKS 33836 | 01:03:20
Superbly creepy, genuinely chilling horror score by Christopher Young. The Exorcism of Emily Rose is a 2005 American supernatural horror trial film directed by Scott Derrickson and starring Laura Linney and Tom Wilkinson. The film is loosely based on the story of Anneliese Michel and follows a self-proclaimed agnostic (Linney) who acts as defense counsel representing a parish priest (Wilkinson), accused by the state of negligent homicide after he performed an exorcism.
It's about time Christopher Young scored a horror movie. He hasn't done nearly enough of them. That was a lame excuse at humour. Of course, in reality he has done approximately twelve thousand of them. He's done it all - from the subtle chills of The Glass House through to the enormous gothic out-and-out horror of Hellraiser 2 (still probably his most fondly-regarded score, despite all the great ones he's written in the years since). The prospect of hearing a new horror score from Young is always a welcome one; after the slightly disappointing The Grudge, it was interesting to speculate which direction he might turn for The Exorcism of Emily Rose, a film which seems to have better actors in that one might expect (what Tom Wilkinson is doing here is anyone's guess - maybe he had a large mortgage payment due). The answer is that he has gone for pure chills, crafting a subtle but extremely complex score in the process.
It begins somewhat innocuously, with a female vocalist (don't worry, there's not a hint of the Middle East about Sara Niemetz's performance) emerging from a wash of synths in ethereally beautiful fashion. After this, Young conjures up an amazingly tense atmosphere, with a piano solo forever working its way around the subtle string passages; all of a sudden, all hell breaks loose with the deeply unsettling "First Possession", with Young using all the skills he's picked up over the years to great effect, with the piercingly sharp strings alternating with softer passages where you just know something is around the corner but aren't sure when it's coming. Young focuses almost exclusively on strings, piano, percussion, synths and the vocalist, often using several different recordings of the latter at the same time to create the impression of a wider force of voices.
After "First Possession" comes "Second Possession" and then "Third Possession" and I have to interject normal service here by complaining in the strongest possible terms about the track titles - I wonder whether Young hit an obstacle as he has before when trying to use his typically off-the-wall, ludicrous titles and so retaliated (again, as he has before) by offering up deliberately bland ones instead. Still, it's the music that matters and here the composer continues to deliver. It is music designed to scare, and it succeeds in no uncertain terms. It is genuinely creepy and unsettling, with Young offering traditional tonal music only right at the very end of the album. (Check out "The Exorcism" for one of the most oustanding pieces of horror music you'll ever hear, with young holding nothing back but still never simply resorting to the orchestra just playing very loudly - it's magnificently-wrought music.) To that end, it probably won't have enormously wide appeal, but it is simply leaps and bounds ahead of the majority of music written for horror films today. If I were to have a complaint it's that the album is probably a little on the long side, but nevertheless it works tremendously well, with Young offering a classy and complex score to a film in which most people probably wouldn't expect to find one. It's not the kind of slasher score many might have hoped for, but is far subtler than that, coming off rather well because of it if you ask me. Some people will no doubt listen to the album and dismiss it because it's rather challenging music, but it's the sort of album where, if the listener takes the time to really give it a chance, it has an awful lot to offer in return.James Southall, Movie-Wave.net
~ Christopher Young at Allmusic
~ Christopher Young Website
~ Christopher Young at Wiki
~ Film at IMDB
~ Film at Wiki
Tracklist:
01. Prologue 02:02
02. Emily Rose 03:48
03. The Suffering Begins 04:53
04. Interlude #1 02:14
05. First Possession 05:27
06. Second Possession 06:56
07. Third Possession 07:22
08. Interlude #2 02:32
09. The Exorcism 06:00
10. Six Demons 03:37
11. Interlude #3 03:51
12. A Vision Of The Virgin Mary 03:31
13. Martydom 05:36
14. For Anneliese Michel 05:30
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 16. April 2018, 21:20
Christopher Young / The Exorcism Of Emily Rose
Used drive : HP DVD Writer 1170d Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
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11 | 44:50.53 | 3:51.31 | 201803 | 219158
12 | 48:42.09 | 3:31.30 | 219159 | 235013
13 | 52:13.39 | 5:35.74 | 235014 | 260212
14 | 57:49.38 | 5:30.31 | 260213 | 284993
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Peak level 98.8 %
Extraction speed 5.9 X
Range quality 100.0 %
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Copy CRC 753DB67D
Copy OK
No errors occurred
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==== Log checksum C33F5D93C8C84592F02F12CE1B9E9F326CC06994C782B9FCFED368E3EB21B025 ====
EAC extraction logfile from 16. April 2018, 21:20
Christopher Young / The Exorcism Of Emily Rose
Used drive : HP DVD Writer 1170d Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:01.50 | 0 | 9124
2 | 2:01.50 | 3:48.27 | 9125 | 26251
3 | 5:50.02 | 4:52.51 | 26252 | 48202
4 | 10:42.53 | 2:14.02 | 48203 | 58254
5 | 12:56.55 | 5:27.23 | 58255 | 82802
6 | 18:24.03 | 6:55.62 | 82803 | 113989
7 | 25:19.65 | 7:22.15 | 113990 | 147154
8 | 32:42.05 | 2:32.17 | 147155 | 158571
9 | 35:14.22 | 5:59.44 | 158572 | 185540
10 | 41:13.66 | 3:36.62 | 185541 | 201802
11 | 44:50.53 | 3:51.31 | 201803 | 219158
12 | 48:42.09 | 3:31.30 | 219159 | 235013
13 | 52:13.39 | 5:35.74 | 235014 | 260212
14 | 57:49.38 | 5:30.31 | 260213 | 284993
Range status and errors
Selected range
Filename C:\EAC\ungern666\Christopher Young - The Exorcism Of Emily Rose.wav
Peak level 98.8 %
Extraction speed 5.9 X
Range quality 100.0 %
Test CRC 753DB67D
Copy CRC 753DB67D
Copy OK
No errors occurred
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Track 2 accurately ripped (confidence 4) [C05CBF64] (AR v2)
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All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
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Submit result: h0w8yPlu_fNEQpKUNmZxDhKGdpI- has been confirmed
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==== Log checksum C33F5D93C8C84592F02F12CE1B9E9F326CC06994C782B9FCFED368E3EB21B025 ====
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foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-10-29 19:40:03
––––––––––––––––––––––––––––––––––––––––
Analyzed: Christopher Young / The Exorcism Of Emily Rose
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -8.88 dB -24.24 dB 2:02 01-Prologue
DR11 -1.49 dB -19.45 dB 3:48 02-Emily Rose
DR11 -7.47 dB -22.71 dB 4:53 03-The Suffering Begins
DR10 -17.06 dB -34.03 dB 2:14 04-Interlude #1
DR11 -0.10 dB -17.12 dB 5:27 05-First Possession
DR13 -0.10 dB -19.47 dB 6:56 06-Second Possession
DR11 -0.10 dB -16.75 dB 7:22 07-Third Possession
DR12 -10.45 dB -28.09 dB 2:32 08-Interlude #2
DR10 -0.10 dB -13.58 dB 6:00 09-The Exorcism
DR11 -2.14 dB -18.38 dB 3:37 10-Six Demons
DR11 -12.57 dB -28.52 dB 3:51 11-Interlude #3
DR13 -0.10 dB -18.02 dB 3:31 12-A Vision Of The Virgin Mary
DR14 -4.21 dB -24.04 dB 5:36 13-Martyrdom
DR15 -1.39 dB -22.94 dB 5:30 14-For Anneliese Michel
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 14
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 618 kbps
Codec: FLAC
================================================================================
log date: 2018-10-29 19:40:03
––––––––––––––––––––––––––––––––––––––––
Analyzed: Christopher Young / The Exorcism Of Emily Rose
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -8.88 dB -24.24 dB 2:02 01-Prologue
DR11 -1.49 dB -19.45 dB 3:48 02-Emily Rose
DR11 -7.47 dB -22.71 dB 4:53 03-The Suffering Begins
DR10 -17.06 dB -34.03 dB 2:14 04-Interlude #1
DR11 -0.10 dB -17.12 dB 5:27 05-First Possession
DR13 -0.10 dB -19.47 dB 6:56 06-Second Possession
DR11 -0.10 dB -16.75 dB 7:22 07-Third Possession
DR12 -10.45 dB -28.09 dB 2:32 08-Interlude #2
DR10 -0.10 dB -13.58 dB 6:00 09-The Exorcism
DR11 -2.14 dB -18.38 dB 3:37 10-Six Demons
DR11 -12.57 dB -28.52 dB 3:51 11-Interlude #3
DR13 -0.10 dB -18.02 dB 3:31 12-A Vision Of The Virgin Mary
DR14 -4.21 dB -24.04 dB 5:36 13-Martyrdom
DR15 -1.39 dB -22.94 dB 5:30 14-For Anneliese Michel
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 14
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 618 kbps
Codec: FLAC
================================================================================