Christophe Coin, Les Chantres de la Chapelle, Ensemble Baroque de Limoges - Mondonville: Grand Motets (1997)

Posted By: tirexiss

Date: Nov. 16, 2017

Perhaps the leading post-Harnoncourt cellist in the early music movement, Christophe Coin has developed a particular interest in music of late eighteenth century Vienna. He began studying the cello as a child in Caen, then enrolled in the Paris Conservatory, where his principal teacher was André Navarra. After taking first prize in a conservatory competition, Coin moved to Vienna where, at the Academy for Music, he became a disciple of Nikolaus Harnoncourt and performed in the latter's Concentus Musicus. Coin also studied with gamba guru Jordi Savall at the Schola Cantorum in Basle. Through Savall, he was able to perform with the ensemble Hesperion XX.
Coin joined England's Academy of Ancient Music, with which he made several recordings as an orchestra member and as a soloist. In 1984 he founded his own chamber orchestra, Ensemble Mosaïques, but dissolved it the following year. He did salvage the name, at least, when he recruited leaders of its string section to join him in forming the Quatuor Mosaïques, a group mainly dedicated to the music of Mozart and Haydn, but also moving forward into scores by Beethoven and Schubert. In 1991 he was also named music director of the Limoges Baroque Ensemble. His academic appointments include a post at the Schola Cantorum in Basle, and heading studies in Baroque cello and viola da gamba at the Conservatoire National Supérieur in Paris. Although his performing career has been centered in Europe, Coin has become known to North American audiences through his recordings. Among his more CD projects are highly regarded recordings of Classical-era quartets, and a series of discs devoted to Bach cantatas featuring the violoncello piccolo. – James Reel

discogs

Track List:

Coeli enarrant gloriam Dei
1. Coeli enarrant gloriam Dei (Chorus) 2:33
2. Non sunt loquelae (Soprano) 2:48
3. In omnem terram (Chorus) 3:01
4. In sole posuit (Baritone) 2:31
5. Exultavit ut gigas (Baritone, Chorus) 2:33
6. Gloria patri (Chorus) 1:03
7. Sicut erat in principio (Alto, Chorus) 3:45

Venite exultemus
8. Venite exultemus (Soprano, Chorus) 3:46
9. Quoniam Deus (Baritone) 1:06
10. Quoniam ipsius est mare (Baritone) 2:26
11. Venite, adoremus (Soprano) 3:02
12. Quia ipse est Dominus (Soprano) 0:56
13. Hodie si vocem (Soprano, Chorus) 2:19
14. Sicut in exacerbatione (Tenor) 3:03
15. Quadraginta annis (Tenor) 2:23
16. Gloria Patri (Chorus) 5:08

Jubilate Deo omnis terra
17. Jubilate Deo omnis terra (Baritone, Chorus) 4:05
18. Introite in conspectu ejus (Soprano, Baritone) 2:20
19. Scitote quoniam Dominus (Soprano) 1:16
20. Populus ejus (Soprano, Chorus) 2:15
21. Laudate nomen ejus (Soprano) 2:49
22. Gloria Patri (Chorus) 3:55

Performers:
Jerome Correas (bass-baritone)
Guillemette Laurens (mezzo-soprano)
Catherine Padaut (soprano)
Rodrigo del Pozo (tenor)

Chantres de la Chapelle
Limoges Baroque Ensemble
Christophe Coin, conductor

EAC Log

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 17. March 2014, 20:19

Christophe Coin - Ensemble Baroque de Limoges / Jean-Joseph Cassanéa De Mondonville (1711-1772) - Grands Motets

Used drive : ASUS DRW-1608P Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Monkey's Audio Lossless Encoder v3.99 DLL
Sample format : High Lossless Compression

TOC of the extracted CD

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Range status and errors

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Filename D:\Downloads\Coin - Ensemble Baroque de Limoges - De Mondonville - Grands Motets.ape

Peak level 99.6 %
Extraction speed 0.4 X
Range quality 99.9 %
Copy CRC 61FD46F6
Copy OK

No errors occurred

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CUETools Log

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Thanks to the Original ripper (unknown)!

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