Carlo Coccia - Arrighetto (Fabrizio Dorsi)

Madama Beritola, finding two goats on an island, having lost two sons goes to the Lunigiana: there one of her sons is with her Master and he sleeps with his daughter and is put in prison. Cicilia rebelling against king Carlo and the son recognized by the mother, marries the Master’s daughter, and finding his brother, in grand style they return. (Giovanni Boccaccio, Decameron, second day, sixth novella). Thus begins the Story of the novella from which Angelo Anelli tells us he took his libretto. It is the eternal edifying topos He who suffers may hope. Often in the past this Lombard poet as others before him had considered Boccaccio’s novelle as a mine from which to “extract subjects” in alternative to the noble French theatre, at the time much in vogue for this use. Suffice one title as example: Griselda, an oppressed married woman whose virtue finally triumphs over fate, taken from Apostolo Zeno but rewritten by Anelli in 1793. Obviously the story is semi-serious, even larmoyante, a genre halfway between tragic, comic and pathetic which at that time had become a favorite with audiences. It is precisely what the author so eloquently wrote down on the title page of the score: a “sentimental farce”.

Performer:
Corrado - Gezim Mishketa
Despina - Elisaveta Martyrosian
Rosa - Enrica Fabbri
Giannotto - Filippo Adami
Tebaldo - Maurizio Montanari
Pasquale - Davide Rocca
Mimo - Massimo Pagnoni
Orchestra Sinfonica Carlo Coccia
Direttore - Fabrizio Dorsi

CCAFD