AC/DC: Let There Be Rock (1980)

AC/DC fans who also happen to be high-definition aficionados have a lot to celebrate this year. Just recently, AC/DC: Live at River Plate was released, giving a good idea of what the band has been up to relatively recently. But perhaps much more anticipated is this new 30th anniversary release (has it really been that long?) of AC/DC Let There Be Rock, a (mostly) concert feature that gives fans, especially younger ones, a chance to see the band in its original heyday, with original lead singer Bon Scott. It's fascinating to compare the two Blu-rays in terms of actual concert footage. Live at River Plate is huge, gargantuan even, in virtually every aspect. An unbelievably large arena, a swarming mass of humanity in the audience, and a big, big, big production that features animations, fireworks, light shows and all the attendant hoo-hah of modern rock concerts. Let There Be Rock, on the other hand, is a relatively small scale affair. On a simple stage the Young boys and the rest of the band move through their set list with a minimum of fuss and bother. There are small pretty small scale lighting changes, but there's little of the glitz and glamour that modern day audiences have come to expect from the rock demigods on tour. And while the opportunity to see Angus shred in his youthful exuberance can never be underestimated, it's probably the chance to see (and hear) Bon Scott that may draw a lot of prospective consumers to this release.

Bon Scott was born Ronald Belford Scott in 1946 and had already been part of his own band before his ultimate hook-up with AC/DC in 1974. In one of the interview segments which are interspersed throughout the concert footage in Let There Be Rock, Scott claims he was the band's chauffeur and that after the boys parted ways with vocalist Dave Evans and were on the hunt for someone new, he asked to audition. "I went from driving their car to singing in the band!" Scott exclaims with a bit of sheepish joy. There's little doubt that Bon's contributions to the band upped its ferocity level to heretofore unimagined levels. Despite a typical rock rasp, Scott's voice was incredibly agile and forceful and seemed to be the perfect counterpart to Angus Young's equally ferocious guitar work. There's a certain bittersweet aspect to a lot of AC/DC Let There Be Rock knowing that Scott would be dead within just a few weeks of filming having been completed on the piece. Though conspiracy theories still run rampant on what actually befell Scott, the prevailing theory is that he simply drank too much, passed out and asphyxiated on his own vomit while sleeping it off in a car parked outside. It brings a certain shock value to another one of the interview segments when the interviewer asks him what his band mates mean by calling him "special," and he responds, "I'm a special drunkard. I drink too much."

Filmed in Paris in 1979 as part of the band's Highway to Hell, tour Let There Be Rock finds AC/DC at the absolute apex of their powers, at least with regard to this iteration of the band. There had been a fairly dramatic revolving door element with several people coming and going through the years, but there is a solidity and palpable impact to this assemblage as the band simply tears through a blistering set of hard rock and blues pieces. Angus Young, dressed as always in his frankly bizarre school boy get up, is more on fire than some may believe, doing a weird scissors kick back and forth across the stage as if possessed by the very Devil he loves to "sign" his autographs with. His famous "moment in the sun" on "Bad Boy Boogie" shows him to simply be one of the most protean talents and "baddest boys" (in a good way) on lead guitar of that era of rock.

As the narrator mentions at the opening of the film, and Anthony Bozza recounts in the booklet included in the set, AC/DC hit the road with two buses, two semitralers, fourteen roadies, twenty tons of equipment, a 30,000 watt P.A. system and 300,000 watts of lights. That may sound like a lot of stuff, but the concert is refereshingly "lo-fi," with no pyrotechnics, no animations, nothing but the band and their music. That is one of the main selling features of Let There Be Rock. It's about the music and not the showbiz aspects. It may seem old fashioned to some, but it's still rock 'n' roll to me.

AC/DC's set list includes: •Live Wire
•Shot Down in Flames
•Hell Ain't a Bad Place to Be
•Sin City
•Walk All Over You
•Bad Boy Boogie
•The Jack
•Highway to Hell
•Girls Got Rhythm
•High Voltage
•Whole Lotta Rosie
•Rocker
•Let There Be Rock

EXTRAS

AC/DC Let There Be Rock's Limited Edition boasts an impressive selection of extras, starting with the packaging itself. Housed in a hinged steelbox with a nicely embossed cover, the set features the following extras.

On the Blu-ray itself:
•Loud, Locked and Loaded: The Rites of Rock (1080i; 8:38) features a bunch of talking heads discussing AC/DC's importance in the history of rock 'n' roll, and more personally, the effect the band had on several of these individuals. Included in the interview segments are Anthony Bozza, author of Why AC/DC Matters, as well as Smashing Pumpkins' Billy Corgan.
•AC/DC: The Bedrock of Riff (1080i; 11:10) is a slightly more technical outing, as several non-musicians attempt to describe what riff-based rock is. Susan Masino, author of The Story of AC/DC talks about how the band defines riff rock, with huge chunks of sound that hit the listener squarely in the gut.
•Angus Young: A True Guitar Monster (1080i; 11:50) brings up the interesting point that AC/DC is one of the few rock bands where the lead singer wasn't necessarily thought of as the front man.
•Bon Scott: The Pirate of Rock 'n' Roll (1080i; 11:39) is a nice overview of Scott's life and career and talks about his sexual "piracy".
•AC/DC: A Rock Solid Legacy (1080i; 23:45) is the longest and in some ways best of the supplements, a nice retrospective on the band's impact on current musicians and artists and a decent overview of the band's many accomplishments.

Rounding out the Blu-ray extras are several "Pods" discussing individual songs. These snippets provide some interesting if sometimes unseemly background on the various tunes (did we really need to know about the gonorrhea outbreak which affected the guys and inspired "The Jack"?). Various authors and musicians weigh in on the songs and all of these Pods provide some interesting information.•Bad Boy Boogie (1080i; 5:02)
•The Jack (1080i; 5:15)
•Highway To Hell (1080i; 3:19)
•Whole Lotta Rosie (1080i; 4:33)
•Rocker (1080i; 4:16)
•Let There Be Rock (1080i; 7:07)

MORE AC/DC:

1. AC/DC: Live at River Plate (2009)
2. AC/DC: Live at Live at Donington (1991)
3. AC/DC Family Jewels (2005)

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