ARTPULSE - November 2017
English | 106 pages | True PDF | 23.3 MB
English | 106 pages | True PDF | 23.3 MB
IN THIS ISSUE
-From ZERO to Now, An Interview with Heinz Mack / By Paul Laster
-In Defense of Menacing Content. A Conversation with Derek G. Larson / By Kristina Olson
-Interview with Mary Anne Staniszewski / By Paco Barragan
-The Laws of Motion. In-Studio Interview with Alex Kanevsky / By Kim Power
-A Motley Choir. Variations in Tone in Contemporary Art Criticism / By Kerr Houston
-The Enchanted Mystery of the Art of Markus Lüpertz / By Daniel Bonnell
-The Shadow of History and the Simulacrum in the Art of Andreas Angelidakis / By Alexandria Pierce
-Fighting with Scale. The Battle for Attention at the Whitney Biennial / By Kristina Olson
-Kettle's Whistle. Hardly the Way / By Michele Robecchi
-Push To Flush. American Iconoclasm of Painting (Or Why Dana Schutz's Painting of Emmet Till Goes Far Beyond Freedom of Expression / By Paco Barragan
-Art Critics Reading List / Diana Nawi, Gabriel Perez-Barreiro
-REVIEWS
John Wellington: Temple Tomb Fortress Ruin, by Kim Power (The Lodge Gallery, New York) / Ai Weiwei: Laundromat, by Taliesin Thomas (Jeffrey Deitch Gallery, New York) / Marilyn Minter: Pret- ty/Dirty, by Taliesin Thomas (Brooklyn Museum, New York) / Aron Wiesenfeld: Unwind the Winding Path, by Kim Power (Jonathan LeVine Gallery, New York) / Siri Berg: In Color, by Kim Power (Shirley Fiterman Art Center, New York) / David Gaither: Axiom, by Kim Power (511 Gallery, New York) / Per- petual Revolution, by Keren Moscovitch (International Center of Photography, New York) / COMING TO POWER: 25 Years Of Sexually X-Plicit Art By Women, by Taliesin Thomas (Maccarone Gallery, New York) / Steve Locke: Family Pictures, by Gregory Eltringham (Gallery Kayafas, Boston) / Amy Schissel: #everythingthathappensatonce, by Jason Hoelscher (Laura Mesaros Gallery, West Virginia University) / Speedy Graphito: An American Story, by Raisa Clavijo (Fabien Castanier Gallery, Miami) / documenta 14, by Santa Nastro ( Athens, Greece). Plus other national and international reviews.