Tom Jans - Dark Blonde
FLAC | Artwork | 24Bit 96kHz: 810 MB | 16Bit 44.1kHz: 255 MB
Cat#: Comlumbia X698 | Country/Year: US 1976
Genre: Singer/Songwriter | Hoster: Filesonic/Uploaded
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Info:
Tom Jans – Dark Blonde
Label: Columbia
Catalog#: X698
Format: Vinyl, LP, Album
Country: US
Released: 1976
Genre: Folk, World, & Country, Rock
Style: Classic Rock
Tracklist:
A1 Ready To Roll
A2 Why Don't You Love Me
A3 Bluer Than You
A4 Fineline
A5 Distant Cannon Fire
B1 Young Man In Trouble
B2 Rosarita
B3 Back On My Feet Again
B4 Starlight
Discogs Url: http://www.discogs.com/release/3016649
Biography
by Jason Ankeny
Folk singer/songwriter Tom Jans was born February 9, 1948, in Yakima, WA. The son of a farmer (whose own mother played in a jazz group dubbed the Rocky Mountain Five), he was raised outside of San Jose, CA, weaned in equal measure on the Hank Williams records beloved by his father and the flamenco of his mother's native Spain. Ultimately, the Beatles proved Jans' most profound influence, however, and as a teen he learned guitar and piano, also writing poems he later set to music. After playing in a high-school rock & roll band dubbed the Breakers, Jans studied English literature at the University of California, turning down a graduate scholarship to Columbia University to pursue a career as a performer and songwriter.
Shortly after graduation he was playing in a San Francisco coffee shop when, in 1970, he met Jeffrey Shurtleff, a singer who previously collaborated with Joan Baez. Shurtleff soon introduced Jans to Baez, who in turn introduced him to her younger sister Mimi, who with her late husband Richard Fariña recorded a series of cult-classic folk LPs for Vanguard. After a failed second marriage and a stalled career as a dancer, Mimi Fariña was seeking to return to music. Jans, reminiscent of Fariña in so many respects, seemed the ideal collaborator, and together they began performing in Bay Area clubs, earning widespread notice for their breakout performance at the Big Sur Folk Festival. From there, the duo toured in support of Cat Stevens and later James Taylor before signing to A&M to record an LP, 1971's Take Heart.
The album generated little interest outside of folk circles, and Jans and Fariña soon dissolved their partnership, with the former relocating to Nashville to resume his career as a songwriter. There he joined the publishing house Irving/Almo as a staff writer, scoring his first hit with "Loving Arms," initially recorded by Dobie Gray and later covered by Elvis Presley and Kris Kristofferson. In 1974 Jans issued his self-titled solo debut, recorded with the assistance of guitarist Lonnie Mack and producer Mentor Williams. Despite critical acclaim, the record earned little commercial attention and he returned to California, settling in Los Angeles and entering an 18-month period of seclusion that yielded the songs comprising his Lowell George-produced sophomore effort, 1975's The Eyes of an Only Child. Featuring the country-rock gem "Out of Hand" (later a Nashville chart-topper for singer Gary Stewart) as well as the minor FM radio hit "Struggle in Darkness," this record too reached only a small cult audience, and when the following year's Dark Blonde – considered by many to be Jans' masterpiece – met the same fate, he fled to Europe, telling interviewers of plans to record a new album over the summer months.
The years to follow remain something of a mystery: no new material appeared, and instead Jans dropped from sight until 1982, when a new LP, Champion, appeared solely in a limited-edition release on the Japanese label Canyon International, its existence virtually unknown in the U.S. Sometime in late 1983, Jans was in a serious motorcycle accident. While his long-term prognosis appeared positive, he died March 25, 1984, of a suspected drug overdose. Tom Waits later paid homage to Jans with the Bone Machine cut "Whistle Down the Wind." allmusicguide
=Hardware=
Ultrasonic cleaned LP>
Shure M97xE>
Thorens TP 16 MK III Tonearm>
Thorens TD 126 MK III Turntable>
Handcrafted low capacitance custom cables, polyethylene insulated twinaxial conductors>
Kenwood C1 Custom Revision I>
- Phono Stage input and RIAA equalisation capacitors replaced by Styroflex and Polypropylen types resp.
- Electrolytic capacitors not mounted by manufacturer onto the RIAA stage power Supply refitted (Philips NOS types)
- All electrolytic capacitors in signal chain replaced by foil capacitors
- All old JRC OpAmps replaced by Burr Brown (Phono Stage) and Analog Devices OpAmps resp.>
Handcrafted low capacitance custom cables, polyethylene insulated twinaxial conductors>
Audiotrak Prodigy 7.1 HiFi w/ AD712 OpAmps @ 24/96>
HDD
=Software=
Adobe Audition 3.0
Trader´s Little Helper (FLAC)
+16Bit Version:
Weiss Saracon 01.61-27
Dither: POWr3
Date of rip: 2011-07-28
Please keep the info sheet included if you share this!
Another one from lplovers collection. Enjoy!
Notes: B-side is a bit noisy over all, but anyway a great album!
Links:
[Filesonic/250MB]
24Bit/96kHz Version
Part One
Part Two
Part Three
Part Four
16Bit/44.1kHz Version
Part One
Interchangeable Mirror:
[Uploaded/250MB]
24Bit/96kHz Version
Part One
Part Two
Part Three
Part Four
16Bit/44.1kHz Version
Part One
[Filesonic/250MB]
24Bit/96kHz Version
Part One
Part Two
Part Three
Part Four
16Bit/44.1kHz Version
Part One
Interchangeable Mirror:
[Uploaded/250MB]
24Bit/96kHz Version
Part One
Part Two
Part Three
Part Four
16Bit/44.1kHz Version
Part One
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