Moon Martin - Shots From A Cold Nightmare (Capitol 1C 064-85 513) (GER 1978) (Vinyl 24-96 & 16-44.1)

One of the more curious characters of the new wave movement, singer/guitarist/songwriter Moon Martin issued several critically acclaimed yet commercially underappreciated releases from the late '70s through the early '80s, before reappearing in the mid-'90s. Born John Martin in Oklahoma during 1950, Martin played in local bands, including a rockabilly group, the Disciples, while attending the University of Oklahoma. Martin relocated to Los Angeles in the late '60s and paid the rent as a session musician, playing on albums by Del Shannon and Jackie DeShannon. But soon, his former Disciples bandmates followed him to the land of surf and sun, changing their name to Southwind and issuing a total of three underappreciated country-rock albums on the Blue Thumb label between 1969 and 1973: a self-titled debut, Ready to Ride, and What a Place to Land. Upon the group's split, Martin returned to session work, contributing to Jesse Ed Davis' Ululu, Linda Ronstadt's Silk Purse, and a few Gram Parsons songs that have gone unreleased. Martin also began to focus on a solo career at this time, adopting the nickname "Moon" from friends, after it became an inside joke at the songwriter's penchant for mentioning the word in his compositions.

Initial plans to record a solo album in 1974 with noted producer/arranger Jack Nitzsche failed to pan out, but several of Martin's original compositions began to be used by other recording artists, including the Nitzsche-produced Mink DeVille (the track "Cadillac Walk" subsequently became a moderate hit), as well as Michelle Phillips and Lisa Burns. By 1978, Martin (who by this time was known simply as Moon Martin) was finally ready to launch his solo career with his look and music often compared to such new wave hit makers as Elvis Costello and Nick Lowe. A total of five albums in a five-year span followed, including such titles as 1978's Victim of Romance EP (whose track, "Bad Case of Lovin' You," would become a hit when covered by Robert Palmer), 1979's Shots From a Cold Nightmare/Escape From Domination (which scored Moon his sole hit single, "Rolene"), 1980's Street Fever, and 1982's Mystery Ticket, all of which were issued on the Capitol label. Martin then dropped out of the music scene for the rest of the '80s and early part of the '90s, before resurfacing in 1995 with a pair of releases, Cement Monkey and Lunar Samples. The same year, the British label Edsel reissued Martin's first four full-length releases as two for one CDs (Shots From a Cold Nightmare being paired with Escape From Domination, while Street Fever was combined with Mystery Ticket). ~ Greg Prato, Rovi VH1/Allmusicguide

Review

by Mike DeGagne

Shots From a Cold Nightmare is a catchy batch of radio-flavored rock &roll, even though Martin's songs can seem to get a little too serious when it comes to the perils of infidelity, which is what most of them are about. While Martin comes through on the somewhat creepy-sounding "Paid Killer," the well-written "Night Thoughts," and on "Victim of Romance," there are still a couple of the album's songs that were bettered by other artists. "Cadillac Walk" sounds more stimulating coming from Mink DeVille on his self-titled release from 1977, and Robert Palmer managed to make a Top 20 hit out of "Bad Case of Loving You" a year after it appeared on Martin's album. Although Palmer and DeVille improved upon these two cuts, Shots From a Cold Nightmare remains one of Martin's most pleasing efforts, equal to 1979's Escape From Domination in its accommodating vocal form, but much stronger than both of his releases from the '80s, Street Fever and Mystery Ticket, which fail to relinquish the same amount of Martin's personality or distinctness both lyrically and vocally. allmusicguide