Lil Uzi Vert - Pink Tape (2023)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 83:03 minutes | 1,01 GB
Rap, Hip-Hop | Label: Atlantic Records, Official Digital Download
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 83:03 minutes | 1,01 GB
Rap, Hip-Hop | Label: Atlantic Records, Official Digital Download
Pink Tape is the third studio album by American rapper and singer Lil Uzi Vert. It was released through Generation Now and Atlantic Records on June 30, 2023. The album features guest appearances from Travis Scott, Nicki Minaj, Bring Me the Horizon, Don Toliver, and Babymetal. Production was handled by a variety of record producers, including Bring Me the Horizon themselves, Don Cannon, Brandon Finessin, Arca, BNYX, Oogie Mane, Cubeatz, WondaGurl, Bugz Ronin, Ken Carson, Bobby Raps, Rick Rubin, Serj Tankian, Daron Malakian, Maaly Raw, Kobametal, Wheezy, and Charlie Handsome, among others.
Robin Murray from Clash stated: "A work of quite stunning creativity, Pink Tape is well worth the wait. Long rumoured, frequently speculated upon, only their most dogged of fans would have expected such brilliance – this lengthy, thrill-a-minute release could well be their finest moment.
Clayton Purdom from Rolling Stone stated: "Their long-awaited Pink Tape finds an artist still relentlessly barreling forward, leaving everyone in the dust–including, quite possibly, many listeners. Pink Tape is a 26-track, 90-minute gauntlet in which Uzi’s maximalism finds its fullest expression imaginable: galaxy-smashing rap-rock. Everything is as big as it can be. Uzi samples a WWE theme song at length, interpolates Eiffel 65’s “Blue,” and covers System Of A Down’s “Chop Suey” pretty much verbatim. It’s superhero theme music from an anime-worshiping genre apostate — an album of light-cycle chases and samurai clashes set to Def Leppard shredding."
Jessica from Complex stated: Pink Tape is a decent album. It has a handful of great songs including “Flooded the Face,” “Suicide Doors,” “I Gotta,” and “Nakamura,” but the album also suffers from an extremely long tracklist and chaotic direction. Bouncing from an aggressive rap track to a melodic or rock ballad to a heavy metal record was a bit difficult to follow and made me dizzy. With that being said, I think a lot of these songs could grow on me when Uzi performs them live. But for anywhere besides a stage or arena, I will probably only listen to 8 songs from this project." Eric stated: "Uzi’s spiked hair on the cover art wasn’t a fake-out. Uzi wants to rock—or at least make an album full of mosh pit anthems. For the most part, they succeeded, stretching their sound in adrenaline-fueled new directions without completely abandoning their quirky, melodic side either. Is there fat to trim? Yes. Did some of the metal crossover songs fall flat? To my ears, yes. Did they find room to make one of the personal songs of their career? Yes (listen to “Rehab”). And most importantly: Did they take interesting swings and connect on enough of them to make for an overall enjoyable listen? Absolutely." Jordan stated: "There are too many Playboi Carti-isms and not enough Lil Uzi Vert-isms on Pink Tape. I enjoyed it when Uzi got creative and dipped into their punk rap bag, but the album is so overly long that the clutter of unnecessary songs distracts from what they’re trying to accomplish. Uzi is known for long albums, but this album feels like they’re trying to overcompensate for not dropping a project in several years. Kameron stated: "This album has some really good records such as “Patience,” “Crush Em,” “I Gotta,” “Rehab,” and “Died and Came Back” amongst a few others, but they were too few and far between in a project that otherwise lacked a clear focus. If Uzi separated the rock tracks and the hip-hop tracks into two separate projects, this might have been an easier project for me to digest. But with both fused into one project, it felt like a clash of sounds and styles more than a blending of them, often confusing me. Their catalog to this point had been otherwise stellar between their mixtapes such as Lil Uzi Vert vs. the World and their 2020 album Eternal Atake. But the Pink Tape feels like a low point in their catalog after several listens."
Tracklist:
01. Flooded The Face
02. Suicide Doors
03. Aye (feat. Travis Scott)
04. Crush Em
05. Amped
06. x2
07. Died and Came Back
08. Spin Again
09. That Fiya
10. I Gotta
11. Endless Fashion (feat. Nicki Minaj)
12. Mama, I’m Sorry
13. All Alone
14. Nakamura
15. Just Wanna Rock
16. Fire Alarm
17. CS
18. Werewolf (feat. Bring Me The Horizon)
19. Pluto to Mars
20. Patience (feat. Don Toliver)
21. Days Come and Go
22. Rehab
23. The End (feat. BABYMETAL)
24. Zoom (Bonus Track)
25. Of Course (Bonus Track)
26. Shardai (Bonus Track)
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2023-07-03 17:03:57
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Analyzed: Lil Uzi Vert / Pink Tape
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DR Peak RMS Duration Track
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DR4 -0.01 dB -6.41 dB 3:13 01-Flooded The Face
DR3 -0.01 dB -4.29 dB 4:19 02-Suicide Doors
DR2 -0.01 dB -2.98 dB 3:28 03-Aye (feat. Travis Scott)
DR3 -0.01 dB -5.14 dB 2:46 04-Crush Em
DR3 -0.01 dB -4.19 dB 2:53 05-Amped
DR3 -0.01 dB -3.82 dB 3:54 06-x2
DR4 -0.01 dB -6.33 dB 3:01 07-Died and Came Back
DR3 -0.01 dB -3.51 dB 1:38 08-Spin Again
DR4 -0.01 dB -4.74 dB 2:35 09-That Fiya
DR4 -0.01 dB -7.57 dB 2:53 10-I Gotta
DR4 -0.01 dB -5.47 dB 3:37 11-Endless Fashion (feat. Nicki Minaj)
DR4 -0.01 dB -5.80 dB 3:31 12-Mama, I’m Sorry
DR4 -0.01 dB -6.62 dB 3:43 13-All Alone
DR2 -0.01 dB -3.71 dB 3:18 14-Nakamura
DR2 -0.01 dB -4.91 dB 2:04 15-Just Wanna Rock
DR3 -0.01 dB -4.75 dB 3:05 16-Fire Alarm
DR7 -0.01 dB -8.36 dB 3:32 17-CS
DR5 -0.01 dB -6.84 dB 4:00 18-Werewolf (feat. Bring Me The Horizon)
DR4 -0.01 dB -5.69 dB 4:06 19-Pluto to Mars
DR4 -0.01 dB -4.85 dB 4:22 20-Patience (feat. Don Toliver)
DR5 -0.01 dB -6.33 dB 4:18 21-Days Come and Go
DR4 -0.01 dB -7.65 dB 4:05 22-Rehab
DR5 -0.01 dB -5.82 dB 3:07 23-The End (feat. BABYMETAL)
DR4 -0.01 dB -6.48 dB 2:46 24-Zoom (Bonus Track)
DR3 -0.01 dB -5.05 dB 3:29 25-Of Course (Bonus Track)
DR4 -0.08 dB -4.67 dB 3:22 26-Shardai (Bonus Track)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 26
Official DR value: DR4
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1632 kbps
Codec: FLAC
================================================================================
log date: 2023-07-03 17:03:57
––––––––––––––––––––––––––––––––––––––––
Analyzed: Lil Uzi Vert / Pink Tape
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR4 -0.01 dB -6.41 dB 3:13 01-Flooded The Face
DR3 -0.01 dB -4.29 dB 4:19 02-Suicide Doors
DR2 -0.01 dB -2.98 dB 3:28 03-Aye (feat. Travis Scott)
DR3 -0.01 dB -5.14 dB 2:46 04-Crush Em
DR3 -0.01 dB -4.19 dB 2:53 05-Amped
DR3 -0.01 dB -3.82 dB 3:54 06-x2
DR4 -0.01 dB -6.33 dB 3:01 07-Died and Came Back
DR3 -0.01 dB -3.51 dB 1:38 08-Spin Again
DR4 -0.01 dB -4.74 dB 2:35 09-That Fiya
DR4 -0.01 dB -7.57 dB 2:53 10-I Gotta
DR4 -0.01 dB -5.47 dB 3:37 11-Endless Fashion (feat. Nicki Minaj)
DR4 -0.01 dB -5.80 dB 3:31 12-Mama, I’m Sorry
DR4 -0.01 dB -6.62 dB 3:43 13-All Alone
DR2 -0.01 dB -3.71 dB 3:18 14-Nakamura
DR2 -0.01 dB -4.91 dB 2:04 15-Just Wanna Rock
DR3 -0.01 dB -4.75 dB 3:05 16-Fire Alarm
DR7 -0.01 dB -8.36 dB 3:32 17-CS
DR5 -0.01 dB -6.84 dB 4:00 18-Werewolf (feat. Bring Me The Horizon)
DR4 -0.01 dB -5.69 dB 4:06 19-Pluto to Mars
DR4 -0.01 dB -4.85 dB 4:22 20-Patience (feat. Don Toliver)
DR5 -0.01 dB -6.33 dB 4:18 21-Days Come and Go
DR4 -0.01 dB -7.65 dB 4:05 22-Rehab
DR5 -0.01 dB -5.82 dB 3:07 23-The End (feat. BABYMETAL)
DR4 -0.01 dB -6.48 dB 2:46 24-Zoom (Bonus Track)
DR3 -0.01 dB -5.05 dB 3:29 25-Of Course (Bonus Track)
DR4 -0.08 dB -4.67 dB 3:22 26-Shardai (Bonus Track)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 26
Official DR value: DR4
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1632 kbps
Codec: FLAC
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