Kaleidoscope - Incredible! Kaleidoscope (Edsel ED 292) (UK 1988, 1969) (Vinyl 24-96 & 16-44.1)

Kaleidoscope - Incredible! Kaleidoscope
FLAC | Artwork | 24Bit: 669 MB | 16Bit: 218 MB | FS + HF
Cat#: Edsel ED 292 (ReIssue) | Country/Year: UK 1988, 1969 | Genre: Psychedelic Rock, Folk

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Info:

Kaleidoscope - Incredible! Kaleidoscope

Label: Edsel Records
Catalog#: ED 292
Format: Vinyl, LP, Reissue
Country: UK
Released: 1988
Genre: Rock
Style: Folk Rock, Country Rock, Psychedelic Rock

Tracklist:

A1 Lie To Me 2:10
A2 Let The Good Love Flow 2:10
A3 Killing Floor 2:44
A4 Petite Fleur 3:29
A5 Banjo 3:37
B1 Cuckoo 4:1
B2 Seven-Ate Sweet 11:37

Credits:

Bass, Vocals - Stuart A. Brotman
Drums, Vocals - Paul Lagos
Guitar [Lead], Violin, Banjo, Vocals - David Lindley
Guitar, Oud, Clarinet, Performer [Caz, Jumbus, Feet], Vocals - Soloman Feldthouse
Harmonica - Max Buda*
Producer - Jackie Mills
Violin [Lead], Organ, Vocals - Templeton Parcely

Notes:

Original sound recording made by CBS Inc.
(p) 1969 CBS Records
© 1988 Demon Records Ltd. Brentford, Middx.

Barcode and Other Identifiers:

Barcode: 5 014757 132926

Discogs Url: http://www.discogs.com/Kaleidoscope-Incredible/release/2546262
Wikipedia Url (Band): http://en.wikipedia.org/wiki/Kaleidoscope_%28US_band%29

Review

by Lindsay Planer

Incredible! (1969) was the combo's third album and first to boast contributions from newest members Stuart Brotman (bass/vocals) and Paul Lagos (percussion), flanking David Lindley (guitar/banjo/violin/vocals), Solomon Feldthouse (guitar/oud/clarinet/saz/jumbas/vocals), and Chester Crill (harmonica/violin/organ/vocal). In the absence of Chris Darrow's commanding songwriting, each member projected himself into the material, which adopts a discernible country-rock lilt accompanying Kaleidoscope's established Eastern-informed psychedelia. Nowhere do the two seemingly disparate styles fuse as effortlessly as the upbeat opener, "Lie to Me." Similarly the rural feel of "Let the Good Love Flow" could be easily mistaken for the New Riders of the Purple Sage or Commander Cody, with Lindley pulling off a convincing faux steel guitar lead. On the other side of the spectrum is the funky workout on Howlin' Wolf's "Killing Floor," as it slithers and slides around Lagos' solid rhythm. The bayou-tinged "Petite Fleur" hearkens to a sound the band explored on the cover of Doug Kershaw's "Louisiana Man" from their previous long-player, A Beacon from Mars. The appropriately titled "Banjo" provides Lindley with a vehicle for his remarkable virtuosity, likewise adding stimulation from Feldthouse's strong East-meets-West vibe. The traditional "Cuckoo" is one of Kaleidoscope's heavier numbers, reinforcing Lagos' muscular interjections. The disc concludes with the lengthy and adeptly crafted "Seven-Ate Sweet," a reference to the time signature of the 11-plus-minute instrumental. It offers nothing short of a consistently inspired example of the power and prowess within this incarnation. allmusicguide

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