Julian Velasco & Winston Choi - As We Are (2022)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 72:59 minutes | 1,22 GB
Classical | Label: Cedille Records, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 72:59 minutes | 1,22 GB
Classical | Label: Cedille Records, Official Digital Download
Saxophonist Julian Velasco headlines an inventive, virtuosic, and diverse album of contemporary classical works for soprano, alto, and tenor sax as winner of Cedille Records’ first Emerging Artist Competition, a juried event celebrating the independent classical label’s 30th anniversary of championing Windy City artists of world-class talent.
For his first-ever album as a featured soloist, Velasco has assembled a program he says reflects “the different musical aspects of my life at this moment” while paying tribute to “the unique and wonderful people with whom I have been lucky enough to surround myself.”
As We Are opens with works for saxophone and piano, performed with collaborative pianist extraordinaire Winston Choi. These include the world-premiere recording of classical saxophonist and composer Steven Banks’ Come As You Are, with Velasco on tenor sax, a composition influenced by African American sacred music and structured like a four-movement sonata. Velasco picks up his alto sax for David Maslanka’s Tone Studies No. 5: Wie bist du, Seele, which adopts its melody from a J. S. Bach four-part chorale. John Anthony Lennon’s Distances Within Me explores the vocal qualities of the alto sax in a score drawing inspiration from early 20th-century avant-gardist Alban Berg’s Wozzeck and jazz fusion bands like pianist Chick Corea’s Return to Forever. Amanda Harberg’s Court Dances, heard here in the world-premiere recording of the soprano sax version, is a three-movement suite referencing French Renaissance and Baroque court dances.
Works for saxophone and electronics include world premieres of the soprano sax versions of Elijah Daniel Smith’s Animus and Christopher Cerrone’s Liminal Highway. Animus places the live-in-studio saxophonist “in conversation” with his own recordings. Liminal Highway, inspired by a John K. Sampson poem of the same name, calls for extended techniques such as flutter-tongue, slap-tongue, and key clicks, while enlisting a harmonica and empty beer bottles, also played by the saxophonist.
Tracklist:
01. Banks: Come as You Are: I. Lift My Eyes
02. Banks: Come as You Are: II. Times of the Storm
03. Banks: Come as You Are: III. Strength of My Life
04. Banks: Come as You Are: IV. Lift My Eyes
05. Maslanka: Tone Studies for Alto Saxophone & Piano: No. 5, Wie bist du, seele
06. Lennon: Distances Within Me
07. Harberg: Court Dances for Flute & Piano (Arr. J. Velasco for Soprano Saxophone & Piano): No. 1, Courante
08. Harberg: Court Dances for Flute & Piano (Arr. J. Velasco for Soprano Saxophone & Piano): No. 2, Air de cour
09. Harberg: Court Dances for Flute & Piano (Arr. J. Velasco for Soprano Saxophone & Piano): No. 3, Tambourin
10. Smith: Animus
11. Cerrone: Liminal Highway: I. When You Fall Asleep in Transit
12. Cerrone: Liminal Highway: II. A Dream You Don't Recall
13. Cerrone: Liminal Highway: III. Between Consciousness and Sleep
14. Cerrone: Liminal Highway: IV. Liminal
15. Cerrone: Liminal Highway: V. Suddenly It Is Missing
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2022-08-16 19:20:43
––––––––––––––––––––––––––––––––––––––––
Analyzed: Julian Velasco & Winston Choi / As We Are
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -0.50 dB -13.21 dB 5:40 01-Banks: Come as You Are: I. Lift My Eyes
DR9 -0.50 dB -14.07 dB 3:26 02-Banks: Come as You Are: II. Times of the Storm
DR10 -0.50 dB -15.90 dB 4:48 03-Banks: Come as You Are: III. Strength of My Life
DR8 -0.50 dB -12.50 dB 4:21 04-Banks: Come as You Are: IV. Lift My Eyes
DR8 -4.11 dB -18.21 dB 5:02 05-Maslanka: Tone Studies for Alto Saxophone & Piano: No. 5, Wie bist du, seele
DR11 -0.50 dB -17.09 dB 11:28 06-Lennon: Distances Within Me
DR9 -1.50 dB -13.78 dB 3:51 07-Harberg: Court Dances for Flute & Piano (Arr. J. Velasco for Soprano Saxophone & Piano): No. 1, Courante
DR9 -1.50 dB -14.68 dB 5:37 08-Harberg: Court Dances for Flute & Piano (Arr. J. Velasco for Soprano Saxophone & Piano): No. 2, Air de cour
DR9 -1.50 dB -12.86 dB 4:26 09-Harberg: Court Dances for Flute & Piano (Arr. J. Velasco for Soprano Saxophone & Piano): No. 3, Tambourin
DR12 -0.47 dB -17.11 dB 7:44 10-Smith: Animus
DR11 -1.63 dB -16.82 dB 3:04 11-Cerrone: Liminal Highway: I. When You Fall Asleep in Transit
DR8 -1.04 dB -13.95 dB 3:57 12-Cerrone: Liminal Highway: II. A Dream You Don't Recall
DR9 -1.04 dB -14.70 dB 2:33 13-Cerrone: Liminal Highway: III. Between Consciousness and Sleep
DR11 -1.04 dB -16.29 dB 3:45 14-Cerrone: Liminal Highway: IV. Liminal
DR10 -1.04 dB -14.33 dB 3:16 15-Cerrone: Liminal Highway: V. Suddenly It Is Missing
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR9
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2602 kbps
Codec: FLAC
================================================================================
log date: 2022-08-16 19:20:43
––––––––––––––––––––––––––––––––––––––––
Analyzed: Julian Velasco & Winston Choi / As We Are
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -0.50 dB -13.21 dB 5:40 01-Banks: Come as You Are: I. Lift My Eyes
DR9 -0.50 dB -14.07 dB 3:26 02-Banks: Come as You Are: II. Times of the Storm
DR10 -0.50 dB -15.90 dB 4:48 03-Banks: Come as You Are: III. Strength of My Life
DR8 -0.50 dB -12.50 dB 4:21 04-Banks: Come as You Are: IV. Lift My Eyes
DR8 -4.11 dB -18.21 dB 5:02 05-Maslanka: Tone Studies for Alto Saxophone & Piano: No. 5, Wie bist du, seele
DR11 -0.50 dB -17.09 dB 11:28 06-Lennon: Distances Within Me
DR9 -1.50 dB -13.78 dB 3:51 07-Harberg: Court Dances for Flute & Piano (Arr. J. Velasco for Soprano Saxophone & Piano): No. 1, Courante
DR9 -1.50 dB -14.68 dB 5:37 08-Harberg: Court Dances for Flute & Piano (Arr. J. Velasco for Soprano Saxophone & Piano): No. 2, Air de cour
DR9 -1.50 dB -12.86 dB 4:26 09-Harberg: Court Dances for Flute & Piano (Arr. J. Velasco for Soprano Saxophone & Piano): No. 3, Tambourin
DR12 -0.47 dB -17.11 dB 7:44 10-Smith: Animus
DR11 -1.63 dB -16.82 dB 3:04 11-Cerrone: Liminal Highway: I. When You Fall Asleep in Transit
DR8 -1.04 dB -13.95 dB 3:57 12-Cerrone: Liminal Highway: II. A Dream You Don't Recall
DR9 -1.04 dB -14.70 dB 2:33 13-Cerrone: Liminal Highway: III. Between Consciousness and Sleep
DR11 -1.04 dB -16.29 dB 3:45 14-Cerrone: Liminal Highway: IV. Liminal
DR10 -1.04 dB -14.33 dB 3:16 15-Cerrone: Liminal Highway: V. Suddenly It Is Missing
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR9
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2602 kbps
Codec: FLAC
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