Ludwig van Beethoven - Ronald Brautigam - Hammerklavier Sonatas Opp. 81a, 90 & 106 (2009) {Hybrid-SACD // ISO & HiRes FLAC}

Posted By: luckburz

Ludwig van Beethoven - Ronald Brautigam - Hammerklavier Sonatas Opp. 81a, 90 & 106
SACD ISO (2.0/MCH): 3,12 GB | 24B/88,2kHz Stereo FLAC: 1,02 GB | Full Artwork | 5% Recovery Info
Label/Cat#: BIS # BIS-SACD-1612 | Country/Year: Sweden 2009
Genre: Classical | Style: Viennese School, Piano

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [] not my rip [X]

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17039514[0x104009a]: Album Title: Beethoven: Piano Sonatas Vol.7
17039514[0x104009a]: Album Artist: Ronald Brautigam
17039514[0x104009a]: Disc Version: 01.20
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17039514[0x104009a]: Queuing raw: /dev_usb002/Ronald Brautigam - Beethoven Piano Sonatas Vol.7.iso, start_lsn: 0, length_lsn: 1640320

Ronald Brautigam - [2009] Beethoven [2.0] (SACD[PS3] - 24bit88.2kHz)
======================================================================================
SACD[PS3]ISO to flac conversion using SACD_Conversion_script version 0.5

Track list
–––––

01 Sonata Op. 81a: I. Les Adieux 06:51.39
02 II. L'absence 03:30.35
03 III. Le Retour 05:25.63
04 Sonata Op. 90: I. Mit Lebhaftigkeit 04:57.47
05 II. Nicht Zu Geschwind 07:33.45
06 Sonata Op. 106: I. Allegro 10:36.59
07 II. Scherzo. Assai Vivace 02:25.69
08 III. Adagio Sostenuto 15:49.15
09 IV. Largo - Allegro Risoluto - Fuga 12:09.75

Technical Details
––––––––-

01) ISO image created using sacd-ripper for PS3

02) Edited Master Dff file extracted using SACD_Extract

03) Edited Master Dff file analysed using foobar + foo_input_sacd and DR Meter plugins to find peak track(s)

04) Dff files for loudest tracks extracted from the ISO using SACD_Extract and converted using Weiss Saracon 1.61-27 at 24bit/88.2kHz with -6.00dB gain

05) Non-clipping gain calculated using SoX

06) Final pass conversion using Weiss Saracon 1.61-27 at 24bit/88.2kHz with 6.25dB gain as calculated above

07) Final pass PCM file split into individual tracks (discarding first 41 samples) using track lengths calculated from cue file generated by SACD_Extract

08) Spikes at beginning of first/end of last tracks eliminated by deleting 24 samples and replacing with the adjacent 24 samples using SoX to give the correct track length

09) Finalised tracks converted to flac [level 8] and tagged using tag.exe

10) Dynamic Range measured using Foobar DR Meter plugin

foobar2000 1.1.11 / Dynamic Range Meter 1.1.1
log date: 2013-07-20 09:57:54

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ronald Brautigam / Beethoven
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR16 -1.15 dB -23.86 dB 6:51 01-Sonata Op. 81a: I. Les Adieux
DR16 -8.36 dB -29.08 dB 3:30 02-II. L'absence
DR13 -0.01 dB -19.29 dB 5:26 03-III. Le Retour
DR15 -3.42 dB -23.35 dB 4:57 04-Sonata Op. 90: I. Mit Lebhaftigkeit
DR15 -4.47 dB -24.86 dB 7:33 05-II. Nicht Zu Geschwind
DR14 -2.29 dB -20.93 dB 10:37 06-Sonata Op. 106: I. Allegro
DR14 -2.04 dB -22.03 dB 2:26 07-II. Scherzo. Assai Vivace
DR16 -3.91 dB -27.39 dB 15:49 08-III. Adagio Sostenuto
DR15 -0.43 dB -19.95 dB 12:10 09-IV. Largo - Allegro Risoluto - Fuga
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR15

Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2179 kbps
Codec: FLAC
================================================================================


foobar2000 1.1.11 / Dynamic Range Meter 1.1.1
log date: 2013-07-20 09:57:54

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ronald Brautigam / Beethoven
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR16 -1.15 dB -23.86 dB 6:51 01-Sonata Op. 81a: I. Les Adieux
DR16 -8.36 dB -29.08 dB 3:30 02-II. L'absence
DR13 -0.01 dB -19.29 dB 5:26 03-III. Le Retour
DR15 -3.42 dB -23.35 dB 4:57 04-Sonata Op. 90: I. Mit Lebhaftigkeit
DR15 -4.47 dB -24.86 dB 7:33 05-II. Nicht Zu Geschwind
DR14 -2.29 dB -20.93 dB 10:37 06-Sonata Op. 106: I. Allegro
DR14 -2.04 dB -22.03 dB 2:26 07-II. Scherzo. Assai Vivace
DR16 -3.91 dB -27.39 dB 15:49 08-III. Adagio Sostenuto
DR15 -0.43 dB -19.95 dB 12:10 09-IV. Largo - Allegro Risoluto - Fuga
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR15

Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2179 kbps
Codec: FLAC
================================================================================


SACD Info:

Ludwig van Beethoven - Ronald Brautigam - Complete Works For Solo Piano Vol.7

Hammerklavier Sonatas Opp. 81a, 90 & 106

Label: BIS
Catalog#: BIS-SACD-1612
Format: Hybrid-SACD, Album, Stereo, Multichannel
Country: Sweden
Released: 2009
Genre: Classical
Style: Viennese School, Piano

Tracklist:

1. Piano Sonata No. 26 in E flat major ('Les Adieux'), Op. 81a: 1. Das Lebewohl (Les Adieux) Adagio - Allegro
2. Piano Sonata No. 26 in E flat major ('Les Adieux'), Op. 81a: 2. Abwesenheit (L'Absence) Andante espressivo (In gehender Bewegung, doc
3. Piano Sonata No. 26 in E flat major ('Les Adieux'), Op. 81a: 3. Das Wiedersehen (Le Retour) Vivacissimamente (Im lebhaftesten Zeitmaß
4. Piano Sonata No. 27 in E minor, Op. 90: 1. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
5. Piano Sonata No. 27 in E minor, Op. 90: 2. Nicht zu geschwind und sehr singbahr vorgetragen
6. Piano Sonata No. 29 in B flat major ('Hammerklavier'), Op. 106: 1. Allegro
7. Piano Sonata No. 29 in B flat major ('Hammerklavier'), Op. 106: 2. Scherzo. Assai vivace
8. Piano Sonata No. 29 in B flat major ('Hammerklavier'), Op. 106: 3. Adagio sostenuto (Appassionato e con molto sentimento)
9. Piano Sonata No. 29 in B flat major ('Hammerklavier'), Op. 106: 4. Largo - Allegro risoluto - Fuga a tre voci, con alcune licenze

Volume 7 in Brautigam’s series features a pinnacle of the piano repertoire, the monumental Hammerklavier Sonata. Once more he gives his listeners the opportunity to revisit a well-known work, to experience it in a fresh light, as a result of the clarity & distinctive timbre of Brautigam’s chosen instrument, & his superb, but never self-serving technical command of it.

BBC Music Mag., Nov 2009:
“… a fine recital, & the most impressive instalment so far in Brautigam's Beethoven cycle. The warm-sounding reproduction Graf piano from around 1819 has been very well recorded.”

Ronald Brautigam, one of Holland's leading musicians, is remarkable not only for his virtuosity & musicality but also for the eclectic nature of his musical interests. In 1995 he began what has proved a highly successful association with the Swedish label BIS. Among the more than 30 titles released so far are Mendelssohn's Piano Concertos & the complete piano works of Mozart & Haydn on the fortepiano. The year 2004 saw the release of the first of a 17-CD Beethoven cycle, also on the fortepiano.


SA-CD.net review by Beethovenfan September 28, 2009:

Listening to the sonata op 81a, the 1st thing that hit me was the palette of colours Brautigam gets out of the instrument. One moment he gently caresses some limits of the instrument, a few bars futher, the whole instrument sings as if there are no limits. The main profits of this reading are the astonishing pianoforte, the colours Brautigam adds to this composition, & the SACD sound quality, the reading itself resides amongst the existing top versions.

The same goes for the sonata op 90 & so far everything is as we could expect after the 6 previous discs & I was wondering what he would do with the sonata op 106.

The Hammerklaviersonate is one of those works that has been analysed, described, explained in so many essays, lots of books, one of those Beethoven works for which one can find almost 100 recordings. It is unarguably considered as one of Beethoven’s absolute masterpieces. And yet I never liked it… I heard Badura-Skoda, Serkin, Binns, Willis, but no one could convince me, no one could affect me & as I am a Beethoven fan this was always my missing link in my Beethoven cult.

Until I heard Brautigam on this SACD. This is for me his greatest achievement over the 7 Beethoven discs. A breathtaking feeling for everything on the right place. His tempo, speed, accents, volume, absolutely everything is combined to 1 unique reading. Yes, this is a Beethoven sonata! I experienced how Beethoven’s genius, Brautigams insight & virtuosity & the sound of the instrument blended to one grasping, divine moment of beautiful music.Then for artist & listener a demanding fugue is heavenly presented, the complex structure comes out crystal clear.

Add the marvelous sound of the SACD medium & one can consider this SACD as a new reference in recording history. I hope we don’t have to wait another year for the Last Sonatas…

With kind permission by ManWhoCan. Thank you very much!

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