Carly Simon - The Best Of Carly Simon
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Pressed By PRC Recording Company
Label: Elektra/6E-109 | Released: 1976 | Genre: Country-Pop
A1 That's The Way I've Always Heard It Should Be
A2 The Right Thing To Do
A3 Mockingbird
A4 Legend In Your Own Time
A5 Haven't Got Time For The Pain
-
B1 You're So Vain
B2 (We Have) No Secrets
B3 Night Owl
B4 Anticipation
B5 Attitude Dancing
Pressed By – PRC Recording Company, Compton, CA
Credits
Acoustic Bass – John Ryan (6) (tracks: A4, B4)
Acoustic Guitar – Carly Simon (tracks: A4, B2, B4), Jim Ryan* (tracks: A4, B4)
Art Direction – Glen Christensen
Backing Vocals – Carly Simon (tracks: A2, B5)
Bass – Jim Ryan* (tracks: A2, A4, B4), Klaus Voorman* (tracks: A3, A5, B1 to B3)
Conductor – Kirby Johnson (tracks: A2, B2)
Congas – Ray Cooper (tracks: A2, B3)
Drums – Jim Gordon (tracks: B1, B2, B4), Jim Keltner (tracks: A3, A5, B3)
Electric Guitar – Jimmy Ryan (3) (tracks: A3, B3, B4)
Percussion – Andy Newmark (tracks: A4, B4), Ralph McDonald* (tracks: A3, A5)
Photography [Photo] – Albert Mackenzie
Piano – Carly Simon (tracks: A1, A2, A4, A5, B1, B4, B5), Paul Glanz (tracks: A4, B4)
Producer – Richard Perry (tracks: A2, A3, A5 to B3, B5)
Vocals – Carly Simon (tracks: A3, B3)
Written-By – Carly Simon (tracks: A1, A2, A4 to B2, B4, B5)
Notes
Red Elektra center labels
Printed inner sleeve
PRCW in matrix = PRC/Compton pressing
Barcode and Other Identifiers
Matrix / Runout: [Etched Side A] 6E-104-A13-PRCW
Matrix / Runout: [Stamped Side A] TML-M
Matrix / Runout: [Etched Side B] 6E-109-B^3PRCW
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Pressed By PRC Recording Company
Label: Elektra/6E-109 | Released: 1976 | Genre: Country-Pop
A1 That's The Way I've Always Heard It Should Be
A2 The Right Thing To Do
A3 Mockingbird
A4 Legend In Your Own Time
A5 Haven't Got Time For The Pain
-
B1 You're So Vain
B2 (We Have) No Secrets
B3 Night Owl
B4 Anticipation
B5 Attitude Dancing
Pressed By – PRC Recording Company, Compton, CA
Credits
Acoustic Bass – John Ryan (6) (tracks: A4, B4)
Acoustic Guitar – Carly Simon (tracks: A4, B2, B4), Jim Ryan* (tracks: A4, B4)
Art Direction – Glen Christensen
Backing Vocals – Carly Simon (tracks: A2, B5)
Bass – Jim Ryan* (tracks: A2, A4, B4), Klaus Voorman* (tracks: A3, A5, B1 to B3)
Conductor – Kirby Johnson (tracks: A2, B2)
Congas – Ray Cooper (tracks: A2, B3)
Drums – Jim Gordon (tracks: B1, B2, B4), Jim Keltner (tracks: A3, A5, B3)
Electric Guitar – Jimmy Ryan (3) (tracks: A3, B3, B4)
Percussion – Andy Newmark (tracks: A4, B4), Ralph McDonald* (tracks: A3, A5)
Photography [Photo] – Albert Mackenzie
Piano – Carly Simon (tracks: A1, A2, A4, A5, B1, B4, B5), Paul Glanz (tracks: A4, B4)
Producer – Richard Perry (tracks: A2, A3, A5 to B3, B5)
Vocals – Carly Simon (tracks: A3, B3)
Written-By – Carly Simon (tracks: A1, A2, A4 to B2, B4, B5)
Notes
Red Elektra center labels
Printed inner sleeve
PRCW in matrix = PRC/Compton pressing
Barcode and Other Identifiers
Matrix / Runout: [Etched Side A] 6E-104-A13-PRCW
Matrix / Runout: [Stamped Side A] TML-M
Matrix / Runout: [Etched Side B] 6E-109-B^3PRCW
This Rip: 2016
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz New!
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: NM
About this LP Project: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
Carly Simon was among the pop royalty of the singer/songwriter era of the early '70s. This album collects her most popular songs of the first five years of her solo career. Opening with the powerful "That's the Way I've Always Heard It Should Be," for which Simon received the 1971 Best New Artist Grammy Award, it includes four tunes from the classic No Secrets album, including the number one hit "You're So Vain." Simon's duet with then-husband James Taylor on "Mockingbird" was also a Top Ten hit. "Anticipation," with its classic "I rehearsed those words just late last night," and the repetitive coda "these are the good old days," though merely a ketchup commercial to a later generation, still retains its power here in the original version. Simon's insightful lyrics and evocative voice remain fresh years later. This album is a good starting point for those interested in discovering why.Review by Jim Newsom, allmusic.com
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