Berlin Cabaret (repost)

Jelavich has set the stage in a masterful work on the interaction between culture and commerce and the relatedness of decadence and exuberance as manifest in the Berlin cabaret. It was no mere frivolity but a legitimate expression–see Walter Benjamin and Georg Simmel's observations on the big city-see indeed Friedrich Nietzsche's Dionysian exhilaration–of a diversity and fragmentation that conditioned life in the Berlin metropolis. Jelavich clearly has had fun collecting all the evidence on the cabaret, and as he unfolds the story of its proponents, the texts of skits and songs and police reports, he succeeds in moving a seeming fringe phenomenon into the center of political and cultural dialogue of the big city whose idiosyncrasies he has recaptured with skill. The scholarship is impeccable, the writing is elegant; the author's fascination with his subject is contagious to the fellow-scholar as well as, I imagine, to all readers.