I Robot is the second studio album by the English progressive rock band The Alan Parsons Project (Alan Parsons and Eric Woolfson), released by Arista Records in June 1977. It is an art rock album that draws conceptually on author Isaac Asimov's science fiction Robot trilogy, exploring philosophical themes regarding artificial intelligence.

This is a record that even those who aren't Deep Purple fans can listen to two or three times in one sitting – but then, this wasn't much like any other album that the group ever issued. Actually, Deep Purple was highly prized for many years by fans of progressive rock, and for good reason. The group was going through a transition – original lead singer Rod Evans and bassist Nick Simper would be voted out of the lineup soon after the album was finished (although they weren't told about it until three months later), organist Jon Lord and guitarist Ritchie Blackmore having perceived limitations in their work in terms of where each wanted to take the band.

L'Étagere Du Travail is a companion album to the 2013 release "Le Sacre Du Travail" and is only available on CD. No Vinyl Edition exists! This album is a Fan-Only release and is exclusive. Although the quality is high, these are demos nonetheless. Most of the instruments are played by Andy Tillison. Includes full extended version of "Dialogue du vent et de la mer" by Claude Debussy (featuring Luke Machin on guitar) as well as songs taken from an aborted Tangent album. Album comes in Digipack Case with colour cover. Number 2 in the bands Shelved Work Series. Also includes several revisited tracks!

Captain Beyond is a one-of-a-kind progressive album with rock, heavy metal, and jazz influences with a "space rock" lyrical bend. Formed by former members of Deep Purple (Rod Evans, vocals), Iron Butterfly (Rhino, lead guitar, and Lee Dorman, bass), and Johnny Winter (Bobby Caldwell, drums) Captain Beyond is an album that flows from riff to riff, drumbeat to drumbeat, often with various time signatures within the same song. Taking a tip from the Moody Blues, songs flow directly into each other without benefit of any lag time between selections. Taken as a whole, the album is kind of a rush, as quick, riff-laden guitar lines predominate for a few songs before slowing down temporarily into a lull until the next takeoff.

This is the album where Jeff Lynne finally found the sound he'd wanted since co-founding Electric Light Orchestra three years earlier. Up to this point, most of the group's music had been self-contained – Lynne, Richard Tandy, et al., providing whatever was needed, vocally or instrumentally, even if it meant overdubbing their work layer upon layer. Lynne saw the limitations of this process, however, and opted for the presence of an orchestra – it was only 30 pieces, but the result was a much richer musical palette than the group had ever had to work with, and their most ambitious and successful record up to that time.

An obscure jazz-rock band that existed from the mid-'70s through the early '80s, Cos was led by singer/oboe player Pascale Son, and also featured members Daniel Schell (flute, guitar), Bob Darsch (drums), Alain Goutier (bass), and Charles Loos (keyboards). Self described as a "mixture of jazz and Canterbury," the quintet released such albums as Postaeolian Train Robbery, Viva Bomma, Babel, Swiss Chalet, and Passions, before fading away.