Fifty years after Don McLean's seminal release, American Pie, Don headed into the studio to record new original tracks for his upcoming release, American Boys. Don had not thought he would do another original album, but the pandemic hit us all, and he had time to consider and write. American Boys was conceived with the help of Vip Vipperman, Mike Severs, and many musical friends. Much like McLean's American Pie and its nostalgic shift of music from the '50s through the '60s, along with subsequent releases confronting other socio-political flaws within America, American Boys also examines the severedness within the country, its injustices, inequality, and more. True to his artistic nature, Don delivers a thoughtful record.

28-song set. “Land of Hope and Dreams” returns to the set. Four songs from 2020’s Letter To You: “Ghosts,” “Letter to You,” “Last Man Standing” and “I’ll See You In My Dreams” . “Last Man Standing” features a new arrangement. “I’ll See You In My Dreams” is performed solo acoustic to end the show. One song from 2022’s Only the Strong Survive: “Nightshift” (written by Franne Golde, Dennis Lambert and Walter Orange, popularized by The Commodores). Concert stalwarts like “Because The Night,” “Dancing in the Dark,” and “Tenth Avenue Freeze-Out” are performed in tighter, shorter versions. “Thunder Road” is the main set closer.

George Harrison went quiet not long after the second Traveling Wilburys album, surfacing only for the Beatles' Anthology in the mid-'90s. He was recording all the while, yet he died before completing the album that would have been the follow-up to 1987's Cloud Nine. His son, Dhani, and his longtime friend/collaborator Jeff Lynne completed the recordings, released late in 2002, nearly a year after George's death, as Brainwashed. Given its baggage it's easy to be suspicious about the merits of Brainwashed prior to hearing it. Posthumous efforts often feel incomplete, Harrison's albums were frequently inconsistent, and Lynne favors ornate, cinematic productions that run contrary to George's desire for this project to be simple and low key - nothing that would suggest that Brainwashed would be a success…

Despite its age, this collection remains the best introduction to the wonderfully bizarre sounds of Jethro Tull – a unique combination of folk music, progressive rock, heavy metal, and of course, Ian Anderson's ubiquitous flute. Drawing exclusively from the band's '70s heyday, opener "Living in the Past" sets the retrospective tone, leading the way into the signature guitar riff of "Aqualung," the band's multifaceted pièce de résistance. Though lyrically indecipherable, "Locomotive Breath" is equally timeless, and the moment when John Evan's fanciful piano intro gives way to Martin Barre's guitar feedback remains thrilling. With his acoustic guitar in hand, Ian Anderson becomes a medieval bard, drawing the listener into worlds of legend both threatening ("Sweet Dream," "Witches Promise") and joyously carefree ("Thick as a Brick," "Skating Away on the Thin Ice of the New Day"). The unbelievable kaleidoscope of sound which makes up "Songs from the Wood" is simply too original and intricate for words to describe.