Ars Antiqua Austria was founded in Linz in 1989 with the aim of introducing audiences to the roots of specifically Austrian baroque music played on period-instruments. The music performed at the imperial court in Vienna at this period shows the strong influence of Italy and later of French forms, while Spanish court ceremonials also shape the character of the works. The typical Austrian sound of the period also betrays the influence of the many Crownlands. The political and social boundaries of Austria in the baroque era were far wider than in the 20th century.

In the year 1688, when the 52-year-old Georg Daniel Speer, son of a reputed peltmonger family of Breslau, had his 'Musicalisch-Türckischer Eulen-Spiegel' published in Ulm, he was an organist and assistant teacher in South Germany and already had an eventful life behind him. At the age of 18, he had set off through the Carpathian Mountains to Spisz (located in the north-east of present-day Slovakia). Throughout the following years, he worked as a mercenary for various armies, once as an army drummer, then as a bugler in the war of Hungary against the Turks. Finally, he reached Constantinople in the company of a 'high-born lord'. In his 'Musicalisch-Türckischer Eulen-Spiegel', Speer sets texts from his picaresque novel 'Ungarischer oder Dacianischer Simplicissimus' in music. Speer lets his hero Lompyn travel musically through all the countries then affected by the Turkish invasion.