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Billy Bang, Shoji Hano - Four Seasons: East Meets West (2009)

Posted By: v3122
Billy Bang, Shoji Hano - Four Seasons: East Meets West (2009)

Billy Bang, Shoji Hano - Four Seasons: East Meets West (2009)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Heart Lord Studio, HLSCD-0009 | ~ 274 or 120 Mb | Artwork(jpg) -> 36 Mb
Avant-garde Jazz, Free Improvisation, Free Jazz

~ Recorded at Heart Lord Studio; Nakano Akiku, Hiroshima, Japan, 2008 ~

Poly Breath Percussion Band - P.B.2 Live (1997)

Posted By: v3122
Poly Breath Percussion Band - P.B.2 Live (1997)

Poly Breath Percussion Band - P.B.2 Live (1997)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
P.S.F. Records, PSFD-92 | ~ 300 or 157 Mb | Artwork(jpg) -> 40 Mb
Free Jazz, Free Improvisation

Issued in 1997 on PSF, the live album by the Poly Breath Percussion Band is an exercise in skronk, rhythm, and groove. Featuring Shoji Hano on traps and talking drums; Megumu Nishino on an elaborate array of electronic drums, electronics, and traditional Japanese percussion instruments; Tetsu Yamachi on electric bass; and the totally amazing alto talents of veteran improviser and free jazzer Keizo Inoue (electronica pioneer Tetsu's father), this band in a live setting is just plain dangerous…

Olaf Rupp, Shoji Hano - Noomiso (2008)

Posted By: v3122
Olaf Rupp, Shoji Hano - Noomiso (2008)

Olaf Rupp, Shoji Hano - Noomiso (2008)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Kootown Records | Japan | ~ 213 or 94 Mb | Artwork(jpg) -> 37 Mb
Free Jazz

~ Recorded live at the Moers Festival, Moers, Germany, May 27, 2007 ~

Shoji Hano, Gary Smith, Asahito Nanjo - Shoji Hano (2000)

Posted By: v3122
Shoji Hano, Gary Smith, Asahito Nanjo - Shoji Hano (2000)

Shoji Hano, Gary Smith, Asahito Nanjo - Shoji Hano (2000)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Chronoscope, CPE 2005-2 | ~ 294 or 120 Mb | Artwork -> 37 Mb
Free Jazz

Ever since the days of Cream and the Jimi Hendrix Experience, electric guitar/bass guitar/drums trios have primarily been vehicles for rock music. They are comparatively rare in jazz, and rarer in free improvised music. Those that do exist often blur the boundaries with rock, using its vocabulary but not its syntax or vice versa. Because of its rock legacy, the format itself attracts players who have affinities with rock…