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Richard Horowitz & Sussan Deyhim - Majoun (1997)

Posted By: Designol
Richard Horowitz & Sussan Deyhim - Majoun (1997)

Richard Horowitz & Sussan Deyhim - Majoun (1997)
EAC | FLAC | Image (Cue&Log) ~ 370 Mb | Mp3 (CBR320) ~ 188 Mb | Scans included | 01:02:20
Ethnic Fusion, Ambient, Worldbeat, Experimental | Label: Sony Classical | # SK 62721

This feast for the ears almost defies classification. Richard Horowitz is probably best known for his award-winning score to the Bernardo Bertolucci movie, The Sheltering Sky. Featured on the album is Tehran singer Sussan Deyhim; her voice is extremely expressive in an "x-tatic" Middle Eastern style, with its distinctive embellishments and phrasing. Horowitz takes recordings of her voice and layers it in subtle yet exotic tapestries and harmonies. This is not the ripoff sampling done so often on ambient dance albums. Deyhim's voice is the center of the compositions, and her artistry is always honored. At times, her combined voices sound like the Manhattan Transfer, but when the title track features 84 recombined samples of her voice, the result is very unique. Although the sound processing is important, the album features many live musicians, including world music expert Jaron Lanier and members of the Moroccan National Radio and Television Orchestra. Majoun offers layers upon veils of mysteries and never stoops to trite Middle Eastern musical clichés. Highly recommended.

Ryuichi Sakamoto & VA - The Sheltering Sky: Original Motion Picture Soundtrack (1990)

Posted By: Efgrapha
Ryuichi Sakamoto & VA - The Sheltering Sky: Original Motion Picture Soundtrack (1990)

Ryuichi Sakamoto & VA - The Sheltering Sky: Original Motion Picture Soundtrack (1990)
EAC | FLAC | Tracks (Cue&Log) ~ 257 Mb | Mp3, CBR320 kbps ~ 130 Mb | Scans included
Soundtrack, Modern Classical, Ethnic Fusion | Label: Virgin | # CDV 2652 | Time: 00:51:41

A varied soundtrack album that manages to weave in a little variation from the traditional type of motion picture scoring indulged in here by Sakamoto. Part of the reason for the variation is that only twelve of the album's 21 tracks are by Sakamoto – several are source music, others were composed by Richard Horowitz. The diversity thus makes for a more interesting album than might have been had from variations on the main minor-key "Sheltering Sky" theme (presented here in orchestrated and piano-based versions.) It also breaks away from the sound of Sakamoto's recordings, strong material that suffers from a certain digital harshness in the strings. Horowitz' part in this is in stepping away from traditional Western scoring and using Middle Eastern elements for score structures – something that's very effective indeed on "Fever Ride" with its blend of Moroccan and Spanish elements. Where Sakamoto easily sketches panorama with his music, Horowitz sketches in mystery. The local source music, too, adds to this, giving the album a grounding in the real world that completes the overall structure. An excellent album that can easily be recommended for more than just soundtrack aficionados.