There are few great bands on our planet that you can infallibly identify within the first few bars of one of their songs. Their unique melodic skill, their tasteful instrumentation, the right balance of depth and catchiness, and then of course that charismatic voice: Magnum are Magnum! The same can be said of their latest studio album ‘Here Comes The Rain’, which will be out on Steamhammer/SPV from 12 January 2024 on CD + DVD, double vinyl LP, as a box set and for digital download, proving once again that classic rock music could hardly sound more atmospheric. The band surrounding frontman Bob Catley and guitarist/songwriter Tony Clarkin are also set to release two lead singles on 22 November 2023 and 3 January 2024 and a tour has been scheduled to kick off in early April 2024 (see tour dates).

Here Comes The Rain is the highly anticipated album by Magnum, released under the Steamhammer label. This album showcases Magnum's signature blend of melodic rock and hard-hitting lyrics, making it a must-have for fans of the genre.

On a Storyteller's Night, Magnum's sixth album originally released in the U.K. in May 1985, wasn't the band's best-selling LP; it peaked at number 24 in seven weeks, not as good a showing as the third album, 1982's Chase the Dragon (number 17), much less the Top Ten hits Wings of Heaven (1988, number five) or Goodnight L.A. (1990, number nine). Whether it is Magnum's best album is a matter of opinion, though, according to Dave Ling of Classic Rock magazine, whose 2004 interview with guitarist Tony Clarkin is reprinted as part of this 25th anniversary deluxe-edition reissue, "fans still rate Storyteller as Magnum's masterwork."

The Eleventh Hour! is the fourth studio album by English rock band Magnum, released in 1983 by Jet Records. The production of this album caused a lot of tension between the band and Jet Records, following the two-year delay to the previous album, Chase the Dragon in 1982 and their first album, Kingdom of Madness, in 1978. These tensions were further strained when Jet Records denied the band a big name producer, leaving them to produce the album themselves. The Eleventh Hour! was released in May 1983, peaking at No. 38 in the UK charts, disappointing considering Chase the Dragons peak of No. 17 in 1982. The Eleventh Hour!'s original title was to be Road to Paradise. The 2005 expanded version of the album was reissued on 22 September 2006 in Japan with mini LP/paper sleeve packaging through Arcangelo.

From the fantasy cover art by Rodney Mathews to the fuller production and focused songwriting, 'Chase The Dragon' is an album that deservedly put Magnum on the map. Songs such as the medieval war-themed opener 'Soldier Of The Line', 'The Spirit' and 'Sacred Hour' would become live staples for decades to come while uplifting rockers like 'On the Edge of the World' struck a perfect balance between the guitar and keyboard histrionics. The album cracked the UK Top 20 but it would be a slightly bumpy road to the bigger success they enjoyed in the late '80s.

Marauder is a live album by the English rock band Magnum. It was released in 1980 on Jet Records. Magnum recorded Marauder over one night at London's Marquee Club on 15 December 1979. It was an attempt by Jet Records to revive the success of the debut album Kingdom of Madness following the failure of Magnum II. The album was recorded on multi-track by former-Ten Years After bass player Leo Lyons, who had recorded Magnum II, and mixed by Chris Tsangarides.

Magnum II is the eponymous second studio album by the English rock band Magnum. It was released in 1979 on Jet Records. Magnum II followed on from the success of Magnum's debut album, Kingdom of Madness. The album was produced by former Ten Years After bass player Leo Lyons, who had success with producing Phenomenon, Force It and No Heavy Petting for UFO. As with their debut album Kingdom of Madness, much of the material on Magnum II was already written and had already been previewed in Magnum's live set and were suitably "road tested". The album, however failed to chart on its release in October 1979. Both "Changes", released in September 1979, and "Foolish Heart", released in November 1979, were singles.

The debut from this Birmingham, England band featured a flute-laced progressive rock sound similar to that of Jethro Tull. (The band's sound would later become more mainstream.) The songwriting ranges from imaginative, mythical tales on "The Beginning" and the title song, to deeply philosophical tracks like "Universe" and "All That Is Right," to downright senseless on the track "Baby Rock Me," which is perhaps the worst song the band has ever recorded. Despite this one track, it is a very good album, especially for a band's first effort.

Wings of Heaven is the seventh studio album by the English rock band Magnum, released in 1988. The original choice of producers for Wings of Heaven was Roger Taylor and Dave Richards, who had produced Vigilante. This was not realised because of conflicting schedules. Albert Boekholt was suggested at Wisseloord Studios, the Netherlands. The album was mixed at Sarm West Studios in London in January 1988. One song was announced, "That's How The Blues Must Start", but was dropped from the album. The album is certified Silver in the UK.

When Magnum released 2018's Lost on the Road to Eternity, keyboardist Rick Benton replaced Mark Stanway, who'd quit (for the third time) in the middle of a tour. The album's razor-edged, riff-laden hard rock sound contrasted with the plodding bombast and balladry of 2016's Sacred Blood "Divine" Lies that, frankly, sounded tired. Longtime drummer Harry James left in 2017 and was replaced by Lee Morris. The resulting tour was wonderfully documented on 2018's surprising On the Road to Eternity live outing. Finally, in June of 2019, Al Barrow, the band's bassist since 2001, retired from music. American Dennis Ward claimed the spot just before Magnum entered the studio to record The Serpent Rings. Founding members guitarist Tony Clarkin and singer Bob Catley are the only remnants from the 20th century. As evidenced on their 21st studio album, the personnel changes stoked the fire in the bellies of these two mainstays.

It’s a sign of definite quality when a band can look back at a career which started as early as 1972 (!) and are still capable of thoroughly awing their fans with every new album. Magnum deliver this kind of quality on a regular basis and are set to prove their outstanding position once again with their latest studio offering ‘The Monster Roars’. Even after difficult months marked by pandemic-related concert cancellations, contact restrictions and uncertain perspectives for the whole music industry, the English rock act have succeeded in creating a vibrant, homogeneous work that impresses its listeners from the first to the last note and includes a number of surprises…

If a band in their already since 1972 (!) lasting career is still able to completely inspire the fans with every new album, this can only be called an absolute sign of quality.