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Alexandre Tharaud, Orchestre National de France - Ravel: Piano Concertos & De Falla: Nights in the Gardens of Spain (2023)

Posted By: delpotro
Alexandre Tharaud, Orchestre National de France - Ravel: Piano Concertos & De Falla: Nights in the Gardens of Spain (2023)

Alexandre Tharaud, Orchestre National de France & Louis Langrée - Ravel: Piano Concertos & De Falla: Nights in the Gardens of Spain (2023)
WEB FLAC (tracks) - 219 Mb | MP3 CBR 320 kbps - 144 Mb | 01:02:13
Classical | Label: Erato Records, Warner Classics

The music of Ravel is especially close to Alexandre Tharaud’s heart. Now, in partnership with the Orchestre National de France and conductor Louis Langrée, he has recorded both the composer’s piano concertos, pairing them with Noches en los jardines de España (Nights in the Gardens of Spain), Manuel de Falla’s sumptuous work for piano and orchestra. “Ravel’s Concerto in G major is fresh and Mozartian in its colours, while his Concerto for the Left Hand is haunted by dark shades and suppressed fears,” says Tharaud. Both concertos were premiered in 1932. “Characteristically for Ravel, they are simultaneously unique and alike.

Anne Gastinel, Claire Desert, Liege PO, Louis Langree - Robert Schumann: Cello Concerto; Works for Cello and Piano (2001)

Posted By: Designol
Anne Gastinel, Claire Desert, Liege PO, Louis Langree - Robert Schumann: Cello Concerto; Works for Cello and Piano (2001)

Robert Schumann: Cello Concerto; Works for Cello and Piano (2001)
Anne Gastinel, cello; Claire Désert, piano
Orchestre Philharmonique de Liège; Louis Langrée, conductor

EAC | FLAC | Image (Cue&Log) ~ 252 Mb | Mp3 (CBR320) ~ 149 Mb | Scans included
Genre: Classical | Label: Naive | # V4897 | Time: 00:59:24

A remarkably intimate recording of Schumann's Cello Concerto in A minor, this performance by Anne Gastinel and the Orchestre Philharmonique de Liège, directed by Louis Langrée, may be a little too forward for the average listener's comfort. Direct Stream Digital engineering places Gastinel front and center – almost in one's living room – and the orchestra is not far behind. Such "living presence" may be an audiophile's delight, but others may find the proximity disconcerting, especially because Gastinel's bowing seems overly resinous up close. However, this is the only complaint worth making about this disc, for Gastinel is wonderfully expressive and the orchestra is extraordinarily balanced and clear in its timbres, no mean achievement in Schumann's problematic, thick orchestration. The remaining performances are less forwardly recorded and sound pleasant and natural, with a fresh spontaneity that feels more like a recital than a studio session.