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Lil Green - Romance In The Dark (Remastered) (1971/2024)

Posted By: Rtax
Lil Green -  Romance In The Dark (Remastered) (1971/2024)

Lil Green - Romance In The Dark (Remastered) (1971/2024)
WEB FLAC (tracks) - 152 MB
45:37 | Rhythm & Blues | Label: Legacy Recordings

Lil Green, one of the unsung heroines of 1940's Blues, presents 16 of her Chicago recordings mostly with the guitar accompaniment of Big Bill Broonzy. Also featured are her original versions of 'Romance in the Dark' covered and revived by scores of artists including Jeri Southern and Billie Holiday and 'Why Don't You Do Right?', turned into a major pop hit by Peggy Lee with Benny Goodman's Orchestra.

Lil Green - The Chronological Lil Green 1947-1951 (2005) [Classics Blues & Rhythm Series]

Posted By: Designol
Lil Green - The Chronological Lil Green 1947-1951 (2005) [Classics Blues & Rhythm Series]

Lil Green - The Chronological Lil Green 1947-1951 (2005)
EAC | FLAC | Tracks (Cue&Log) ~ 139 Mb | Mp3 (CBR320) ~ 125 Mb | Scans included
Classic Female Blues, Jazz Blues, Swing | Label: Classics | # 5131 | Time: 00:46:38

This is the third and final volume in the complete recordings of Lil Green in chronological order as reissued by the Classics Blues & Rhythm Series. By 1947 Lil Green was beginning to sound more than a little like Ida Cox, even when handling songs from Tin Pan Alley rather than straight up out of the tried and true traditional blues repertoire. Comparisons could also be drawn between Lil Green and Nellie Lutcher or Julia Lee. While her "crossover" performances are worthwhile, there's nothing quite like hearing this woman savor the flavor of Bessie Smith hits like "Aggravatin' Papa," "Outside of That," and "You've Been a Good Old Wagon (But You Done Broke Down)." Green's own "Lonely Woman" has a powerful undercurrent running through it – there is even a remote possibility that Ornette Coleman was inspired by this record when conceiving his own composition of the same title in 1959. Even if the link is purely coincidental, these melodies have something wonderful in common. Green's final recordings for the Victor label are strengthened by the presence of tenor saxophonists Budd Johnson, Lem Johnson, and David Young.