Armchair Theatre is the first solo album by Jeff Lynne, released in 1990. The album reunited Lynne with Electric Light Orchestra's keyboard player Richard Tandy and featured fellow Traveling Wilburys member George Harrison.

Unlike either its predecessor Alone in the Universe or 2001's Zoom, From out of Nowhere didn't appear after a prolonged period of silence from Jeff Lynne's ELO. It arrived in November of 2019, nearly exactly four years after Alone in the Universe, a rapid turnaround that recalls Lynne's work schedule as a bandleader and producer in the 1970s and '80s. That's not the only way From out of Nowhere conjures memories of the past. From the spaceship hovering on its record cover to the song title "Sci-Fi Woman" stirring up the ghost of "Evil Woman," the album is designed to sound and feel like an Electric Light Orchestra album from the late 1970s.

In 1986, Duane recorded with Art of Noise, a collaboration that brought a new twist to his 1960 best seller, "Peter Gunn." The song was a Top Ten hit around the world, ranking #1 on Rolling Stone Magazine's dance chart for six weeks that summer. As further confirmation of it's success, "Peter Gunn" won the Grammy for Best Rock Instrumental of 1986. The following year, a new album, the self-titled Duane Eddy, was released on Capitol. As a tribute to his influence and inspiration to so many young players, a crowd of unbelievable talent came along to be a part of this project. Tracks written by Paul McCartney, Jeff Lynne, and Ry Cooder were recorded. The "band" included Cooder, McCartney, George Harrison, John Fogerty, James Burton, David Lindley, Steve Cropper, and original Rebels, Larry Knechtel and Jim Horn.

When Jeff Lynne was growing up, he listened to music on longwave radio, soaking up all the sounds coming through the big radio in the living room. His 2012 tribute to these days, appropriately called Long Wave, is a far-reaching salute to the glory days of pop in the years before the Beatles. It's too easy to peg this as a standards album, a designation that isn't quite accurate. Lynne may cover many show tunes along with '50s favorites of big-band vocalists but he spends nearly as much time with rock & roll, and not just the operatic pop of his fellow Traveling Wilbury Roy Orbison, either. He cranks through Chuck Berry's "Let It Rock," slides into the silken harmonies of the Everly Brothers on "So Sad," and grooves through Don Covay's "Mercy, Mercy."

Alone in the Universe isn't the first Jeff Lynne album of the 21st century, nor is it the first Electric Light Orchestra of the 21st century. That honor belongs to Zoom, a 2001 comeback that faded quickly into history books, its lack of success blamed in some quarters on Lynne's reluctance to tour. If Jeff didn't want to hit the road, his old bandmate Bev Bevan had no problem constituting a lineup and touring under the name ELO Part II, whose presence somewhat explains why Alone in the Universe is credited to the somewhat convoluted Jeff Lynne's ELO – a truncation of the band's full name that also assigns credit where it's due, as most listeners associate this majestic post-Abbey Road pop with Lynne alone.

See for Miles' 1990 compilation The Best of Idle Race contains a generous 25 tracks – just over half of what the Idle Race recorded. This means that it does have the great majority of the best material the band recorded, and it would satisfy everyone outside of the rabid collectors who need anything. The catch is, if you're into the Idle Race, you need everything, so this collection is essentially a stopgap until you can track down (or afford) EMI's 1996 complete collection, Back to the Story. Even then, this may be a little more listenable, since it boils the group's interesting but erratic career to its very best – which is obscure British psych at its best (in other words, it's for the collectors who will seek it out, not anyone else).

PREVIOUSLY UNRELEASED RADIO SESSIONS FROM THE CLASSIC IDLE RACE LINE-UP Formed from the ashes of Birmingham s Nightriders (formerly featuring Roy Wood) The Idle Race were christened sometime in early 1967. Well received by the music press for their melodies, whimsical lyrics, and inventive production, the band were championed too by DJs John Peel and Kenny Everett, but despite critical respect and famous admirers such as The Beatles and Marc Bolan, Idle Race failed to catch fire with the public. They did however release two classic albums and a raft of superb singles on Liberty while Jeff Lynne was a member, and a further LP in 1971 after he had left (ironically, to join Roy Wood in the Electric Light Orchestra.) The Idle race also recorded many radio sessions for John Peel s Top Gear programme on the newly formed Radio One, and this CD features seven such sessions recorded between 1967 and 1969. Including alternative versions of many of the group s most famous songs, plus a few cover versions (such as Marc Bolan s Debra and Frantic Desolation , originally composed and recorded by San Francisco s Sopwith Camel), the 19 tracks included form a quite extraordinary rarities collection of this oft-forgotten late-1960s act. Released here for the first time, this compilation will prove a delight for fans of Idle Race, of Jeff Lynne and of classic 1960s Beatlesque pop music in general.

Unlike either its predecessor Alone in the Universe or 2001's Zoom, From out of Nowhere didn't appear after a prolonged period of silence from Jeff Lynne's ELO. It arrived in November of 2019, nearly exactly four years after Alone in the Universe, a rapid turnaround that recalls Lynne's work schedule as a bandleader and producer in the 1970s and '80s. That's not the only way From out of Nowhere conjures memories of the past. From the spaceship hovering on its record cover to the song title "Sci-Fi Woman" stirring up the ghost of "Evil Woman," the album is designed to sound and feel like an Electric Light Orchestra album from the late 1970s.

Jeff Lynne revived Electric Light Orchestra in 2015 – due to legal reasons, they were now called Jeff Lynne's ELO – releasing a comeback album called Alone in the Universe and steadily mounting a return to the road. Several dates happened in 2016, but the tour reached its apex in June 2017, when the group played in front of 60,000 people at London's Wembley Stadium. Released five months after that June 24 gig, Wembley or Bust – which was accompanied by a concert film – features the entirety of the gig, and if it's not heard too closely, it could sometimes be mistaken for an ELO greatest-hits album.

5CD package containing albums from Electric Light Orchestra and Jeff Lynne's solo career. Albums are packaged in cardboard replica vinyl sleeves and bundled in a card slipcase. Albums featured: Armchair Theatre, Zoom, Mr. Blue Sky The Very Best Of ELO, Longwave & Electric Light Orchestra Live.

There is very little information about the singer herself. She is an American, this is her debut album, received very warmly, most likely due to the active participation of Lynne. She recorded her second disc 'Restless Nights' only in 2002. In 2003: her single 'Holding All My Love For You' was included in the soundtrack of the film "Open Space" with K. Kestner. In 2008, the album 'Dominoes' was released, sustained in a light pop-jazz spirit.

Following his stint as leader of the Electric Light Orchestra, singer/guitarist Jeff Lynne forged an equally successful career in the '80s and '90s as a producer with his distinctive sound gracing the latter-day records of many veteran rock & roll legends. Lynne began his career in the late '60s as the frontman of a group called the Idle Race, which recorded the album The Birthday Party for RCA in 1969. In 1970, Lynne accepted an invitation from Move leader Roy Wood to join his revamped band; the two shared a vision of fusing electric rock & roll with classical orchestrations, a concept that eventually transformed the Move into the Electric Light Orchestra (instead of the two groups running concurrently, as had originally been planned).

When Jeff Lynne was growing up, he listened to music on longwave radio, soaking up all the sounds coming through the big radio in the living room. His 2012 tribute to these days, appropriately called Long Wave, is a far-reaching salute to the glory days of pop in the years before the Beatles. It's too easy to peg this as a standards album, a designation that isn't quite accurate. Lynne may cover many show tunes along with '50s favorites of big-band vocalists but he spends nearly as much time with rock & roll, and not just the operatic pop of his fellow Traveling Wilbury Roy Orbison, either. He cranks through Chuck Berry's "Let It Rock," slides into the silken harmonies of the Everly Brothers on "So Sad," and grooves through Don Covay's "Mercy, Mercy."

The soundtrack for Robin Hood: Prince of Thieves features the original score by Academy Award Nominated Composer Michael Kamen (Die Hard) as well as the Grammy Winning Song '(Everything I Do) I Do It For You'' by Bryan Adams.

Alone in the Universe isn't the first Jeff Lynne album of the 21st century, nor is it the first Electric Light Orchestra of the 21st century. That honor belongs to Zoom, a 2001 comeback that faded quickly into history books, its lack of success blamed in some quarters on Lynne's reluctance to tour…