25 years on from the release of Officium, the groundbreaking alliance of Jan Garbarek and The Hilliard Ensemble, comes Remember me, my dear, recorded during the final tour the group made in October 2014.
Named for the Scottish ballad which concludes it, the programme is emblematic of the range of repertoire the Norwegian saxophonist and British vocal quartet explored together from Pérotin, Hildegard von Bingen, Guillaume le Rouge, Antoine Brumel to Komitas, Arvo Pärt and more.

Grace Davidson presents her third release with Signum Classics, an intimate recording of Sacred Chants by Hildegard von Bingen, translations by Jeremy Summerly.

Sean Shibe's second PENTATONE album Lost & Found is an ecstatic journey containing music by outsiders, mystics, visionaries, who often have more than one identity and lay claim to various artistic traditions, genres, or audiences. The repertoire ranges from Hildegard von Bingen to Olivier Messiaen, Moondog, Julius Eastman, Bill Evans, Chick Corea, Meredith Monk, Shiva Feshareki, Oliver Leith and Daniel Kidane. Stretching ten centuries, these pieces are bound together by Shibe's unique electric guitar sound and aesthetic. Multi-award-winning guitarist Sean Shibe brings a fresh and innovative approach to the traditional classical guitar, while also exploring contemporary music and repertoire for electric guitar. He continues his exclusive collaboration with PENTATONE after his well-received label debut Camino (2021).

The solo violin recital is something of a black belt for violinists, as the fact of the violin playing alone tends to overwhelm in pieces that were not necessarily intended to be played together. Violinist Carolin Widmann does well here, and it's all the more impressive that there are few extended techniques of any kind, just a bit of pizzicato in one of the Three Miniatures for solo violin of George Benjamin. One thing that has attracted buyers to this commercially successful release is the presence of unusual pieces, not only the Benjamin but also the Fantaisie concertante of George Enescu.

"Enargeia" is an ancient Greek word meaning extreme vividness, the evocation of a visual scene. It's a bit hard to see how this applies in more than a general way to the program on mezzo-soprano Emily D'Angelo. She writes: "Each piece is part of a sonic journey, each track born out of the previous one as the listener is guided through a progression, a cohesive and exploratory listening experience." This being so, one wonders why the track ordering is different in the physical and at least some online presentations of the album, but these are minor complaints.

The Trio Peltomaa Fraanje Perkola combines the sounds of the human voice, piano and viola da gamba with electronic effects and medieval harp. The players have diverse backgrounds in early music, jazz, Finnish folk music and contemporary music, although it was medieval music that was the inspiration for their highly personal and recognisable sound. The group continues to explore the chants of Hildegard von Bingen (1098-1179), Pérotin (1160-1230) and 14th-century pilgrimage songs.

The first ever collection of the complete works by Hildegard von Bingen recorded by Sequentia, in a specially designed Deluxe Edition in shape of a Graduale book. 9 CD-set including 152 page standalone book with complete texts and translations. The Sequentia recrdings of Hildegard s works are contained on 8 releases (more than eleven hours of music) for the DHM label and include all of Hildegard s 77 symphoniae as well as her music drama Ordo Virtutum (recorded twice, with an interval of 15 years between the two radically different productions).