Prokofiev’s Symphony No 3 is dedicated to Myaskovsky and first performed by the Orchestre Symphonique de Paris on 17 May 1929. It is one of Prokofiev’s most intense works, unleashing a barrage of confrontational energy that carries with it as much relentless forward momentum as pulverising anxiety. ‘I had never before felt anything similar when listening to music,’ remarked Prokofiev’s colleague, the pianist Sviatoslav Richter, on hearing the piece; ‘it felt to me like an apocalypse’.

Beethoven's Symphony No 9 is a landmark in the history of music, changing the concept of what a symphony could be. The use of solo singers and a chorus in the final movement was revolutionary, and the emotional journey to a glorious vision of a world of love and tolerance paved the way for idealistic symphonies to come.

The National Symphony Orchestra (NSO) and Music Director Gianandrea Noseda will release Beethoven Symphonies Nos. 2 & 7 on December 1, 2023, available for pre-order on November 17. The release is the penultimate installment of a complete cycle of Beethoven symphonies on the National Symphony Orchestra label.

Prokofiev sends an urgent musical bulletin from Stalin’s Russia with his Symphony No. 5—music of iron and steel, forged in a time of war and tyranny.

Dmitry Shostakovich's two concertos for cello and orchestra, both written for Mstislav Rostropovich (whose recordings remain standards), come from 1959 and 1966. Although the first one is a more rhythmic, outgoing work, both are cut from the same cloth, with intensely inward passages alternating with material in Shostakovich's light Russian-folk mold. In the more serious stretches the cellist often stands exposed and alone, required to carry quite despairing material over long arcs. Italian cellist Enrico Dindo, not a well-known name but one that you're likely to be hearing again, is exceptionally good here. For the high point of it all, hear the final movement of the Cello Concerto No. 2, Op. 126, which is somewhere between Beethovenian and Tchaikovskian in its affect although not in its language.

Unlikely his First Symphony, Symphony No.2 is standard orchestral repertoire. A recent concert at the Bridgewater Hall, elicited the review, ‘Noseda showed his remarkable affinity with Rachmaninoff’s style. He combines an ability to sustain the long structures of its emotional climaxes with a vocalistic approach to phrasing which lifts the tunes out of the texture and lefts them sing. It’s almost operatic in its vividness.’ City Life.

The National Symphony Orchestra looks forward to releasing Beethoven’s remaining symphonies over the course of 2023 and 2024. The cover designs for this cycle feature the work of Kennedy Center Education Artist-in-Residence Mo Willems. Inspired by the genius of Ludwig van Beethoven, Willems created a series of large-scale abstractions influenced by each of the composer’s nine symphonies.

The abundant concert works of Italian composer Nino Rota continue to surface in recordings, many on major labels. Doubtless this is partly because Rota carries marquee value from his association with the Godfather films, but his music, although surely a mixed bag, is often just plain fun. You can break it down into three general categories, which don't necessarily correspond to individual works but are heard in combination. First is the group of marvelously cinematic tunes that make this release of interest to the still-numerous fans of Rota's film music; the Concerto Soirée for piano and orchestra offers a generous selection.

Gianadnrea Noseda and the BBC Philharmonic have the work’s measure and their performance has a full-blooded intensity and fire. Tempos are well judged and orchestral textures well blended. Noseda balances a strong sense of the piece’s architecture with its expressive eloquence and rich nostalgia it is a reading that can rank alongside the classic Ormandy and Pletnev accounts, both of whom bring a special authority to the Symphony.

The National Symphony Orchestra (NSO) will release an album of George Walker’s five sinfonias, conducted by Music Director Gianandrea Noseda, on September 8, 2023. The recording project celebrates NSO’s connection to Walker—the first African American composer to receive a Pulitzer Prize and a D.C. native—and honors his centennial, which was in 2022.

This is the fourth volume of the BBC Phiharmonic’s five-disc cycle of Liszt’s Symphonic Poems, conducted by Gianandrea Noseda. This monumental survey continues to go from strength to strength through Noseda’s passionate conducting and innate Italian romanticism and has made possible a reappraisal of these unjustly neglected works. The Telegraph wrote, “…it is hard to imagine them ever sounding better than here. This is music-making full of rich colouring, refined shaping of melodic line and emotional power.”

No one could ever accuse Liszt of a lack or largesse. And listening to Vol 3 in Chandos’s recordings of the symphonic poems you are made more aware that ever of his role as an over-reacher, a towering figure who sought to loosen all formal constraints and allow the river of Romanticism to rush by in full spate… it says much for the BBC Philharmonic under Gianandrea Noseda that they once more temper drama with discretion. They achieve a special sense of exultance rather than bombast in Festklänge… and they are no less successful in the vast spans of the Héroïde funèbre… Fluent and eloquent as ever, Noseda and his orchestra have once more been superbly recorded.

Volume 1 of Liszt's complete symphonic poems augurs well for the releases. Gianandrea Noseda and the BBC Philharmonic remind you at every turn that the days of a lofty critical dismissal of this uneven but pioneering and romantically audacious music are surely over. Coldly objective complaints about Liszt's lack of craftsmanship or melodic distinction have been echoed in other more stylishly phrased complaints: for Clara Schumann there was 'too much of the tinsel and the drum' while Edward Sackville-West could see little beyond 'the expensive glare and theatricality'.

This first ever digital recording of Prokofiev's music for the ballet 'The Stone Flower' is released to coincide with the 50th anniversary of the composer's death. the story is an amalgamation of several of the folk-style tales in a book by the ural writer Paval Bazhov, cast in a Prologue, four acts and eight scenes which range from village and fairground to mountain caverns. 'The Tale of the Stone Flower' is Prokofiev's last ballet, and he never lived to see it performed. This is Chandos' first recording with Gianandrea Noseda, the new Principal Conductor of the BBC Philharmonic. His work with the orchestra has been greeted with tremendous enthusiasm.