Eric Sardinas is an American blues-rock slide guitarist born in Fort Lauderdale, Florida. He is noted for his use of the electric resonator guitar and his live performances. He sometimes sets his guitar alight on stage and during shows. In 2000 in Sydney, Sardinas suffered third degree burns to his left wrist. Sardinas began to play the guitar at age six and leaned toward vintage recordings by such Delta bluesmen as Charlie Patton, Bukka White, Big Bill Broonzy, Elmore James, and Muddy Waters. Although he was left-handed, he eventually started to play right-handed. In 2002, he featured on the Bo Diddley tribute album Hey Bo Diddley - A Tribute!, performing the song "Ride On Josephine". He signed to Steve Vai's Favored Nations record label and was the opening act for Vai's The Real Illusions Tour 2005 around the world. In 2008, Sardinas released Eric Sardinas and Big Motor on Steve Vai's Favored Nations record label in the U.S.

Renowned blues-rock virtuoso Eric Sardinas is gearing up to release his latest studio album, “Midnight Junction”, on October 13, 2023 on earMUSIC.

If you buy into all the hype and the look, then all your standard journalistic clichés about "a man playing like he was possessed" would certainly seem to apply in the case of this record. Eric Sardinas has only one groove, and that's the one with the pedal put firmly to the metal. Playing electric Dobro gives his sound a raw, distorted edge right down to the wah-wah pedal that flirts with comparisons to George Thorogood and other ham-fisted slide rockers (he plays unamplified on his originals "Cherry Bomb," "Goin' to the River," and "Sweetwater Blues"), although Sardinas is a considerably more able player than Thorogood. Comparisons with Johnny Winter would also not be unfounded; he makes a guest appearance here on vocal and guitar on his "Tired of Tryin'." Hubert Sumlin is also brought aboard to reprise his original rhythm part of "Down in the Bottom," although he's totally swamped in the mix by Sardinas' over the top bombast, both vocally and instrumentally. Fans of the Stevie Ray Vaughan, Johnny Winter, and George Thorogood style of blues-rock will want to add this one to the collection.

Boomerang is the third offering from Eric Sardinas & Big Motor. It marks the trio's recording debut with drummer Bryan Keeling, a session and touring ace who spent six years with Shooter Jennings & the .357s. Founding bassist Levell Price is back of course, and the band enlists a small and select list of guests on various tracks. Inside the recording's cover sleeve are the words "….dedicated to my friend Johnny Winter. Thank you for the memories…." Winter's influence on Sardinas' playing is incalculable and acknowledged. But on Boomerang, recorded after Winter's death, the music is a direct reflection of his unruly good-time spirit. Check the title track where Sardinas' phrasing combines both early Texas and Delta blues in the intro in the same fashion Winter did. Both acoustic and electrified resonators are placed on stun, wrangling over Price's fuzzed-out choogling bass boogie.

Sardinas led a trio through a high-energy set of rocky roadhouse blues-rock on his second album. Given how tired the format sounds after being exploited by innumerable performers for many years, and also how much better the best of such practitioners are at the format, it's questionable whether another entry in this overcrowded field was unnecessary. Sardinas' skills as a technically accomplished, if somewhat bombastic and unimaginative, blues guitarist are undoubted. His hoarse, blustery vocals are another matter, as is the over-the-top macho posturing of his original songs. It's better when, as the cliché goes, he just shuts up and plays his guitar, as on the instrumental "Texola," or when he tones down the throaty strain of his vocals at least a little, as on the uncharacteristically laid-back closer, "8 Goin' South."