Originally released in 1972 (under the title Beyond Body and Soul) and reissued on CD by Japan's P-Vine Records in 2006 (PCD-22230), this album is an indisputable masterpiece of East Coast sweet soul and vocal group harmony. Produced and arranged by Stan Vincent alongside Paul Kyser, Soul Generation delivered a signature sound that perfectly blended streetwise toughness with lush, fragile vocal harmonies. Highly coveted by rare groove and Philly/NJ soul collectors, the album features iconic harmony cuts like Super Fine, Body And Soul (That's The Way It's Got To Be), Million Dollars, and Black Man. This expanded Japanese edition includes four rare bonus tracks: Mandingo Woman, I Wonder What She's Doin', Key To Your Heart, and Praying For A Miracle. A timeless treasure for classic 1970s sweet soul and group harmony aficionados.

Released in 2015 by Japanese label Plancha, Mercy is the sophomore studio album from Active Child, the musical project of multi-instrumentalist, harpist, and falsetto vocalist Pat Grossi. Merging delicate harp melodies, cinematic piano chords, and lush choral harmonies with crisp electronic production, synth-pop soundscapes, and alternative R&B textures, Mercy balances emotional weight with soaring dream-pop aesthetics. Highlighted by standout tracks such as These Arms, Darling, the sultry title track Mercy, and the aching closing ballad Too Late, this edition also features the exclusive bonus track No More Mistress. Mercy stands as a mesmerizing and atmospheric masterpiece of contemporary electronic indie-pop.

Originally recorded in the mid-1970s and reissued on CD by Collectables in 1993, Get Dancin’ is the wild, ostentatious, and campy self-titled album from Disco Tex & The Sex-O-Lettes. Masterminded by producer Bob Crewe and fronted by the flamboyant Monti Rock III as "Disco Tex," the album stands as one of the most uniquely outrageous artifacts of the early disco movement. Featuring non-stop continuous suite mixes packed with simulated concert sound effects, booming brass horn charts, infectious boogie rhythms, and Monti's legendary, high-energy MC rants, the album yielded massive global dance floor hits including Get Dancin’ and I Wanna Dance Wit' Choo (Doo Dat Dance). Preserved as continuous medley side tracks plus extra bonus studio cuts, this Collectables release is an essential piece of 1970s disco and camp culture history.

Released in 2003 by BMG Heritage and Jive Records, Platinum & Gold Collection is a career-spanning 12-track retrospective capturing the essential sound of British New Wave pioneers A Flock Of Seagulls. Renowned for Mike Score's distinctive synth work, Paul Reynolds' iconic soaring guitar lines, and futuristic production, the collection compiles essential chart-topping singles and album cuts spanning 1981 to 1986. Featuring beautifully remastered sound, the compilation contains global synth-pop anthems like I Ran (So Far Away), Space Age Love Song, Wishing (If I Had A Photograph Of You), Telecommunication, and the Grammy-winning instrumental track D.N.A. Platinum & Gold Collection serves as an outstanding, high-fidelity primer to one of the most defining bands of the 1980s synth-pop explosion.

Originally released on Factory Records in January 1982 and expanded by Factory Benelux in 2014, Sextet is widely regarded as the crowning studio achievement of Manchester post-punk innovators A Certain Ratio. Self-produced at Revolution Studios in Manchester, the album captures ACR's pioneering fusion of dark post-punk, icy synth atmospheres, Latin percussion, and heavy dancefunk grooves, featuring Martha Tilson's ethereal lead vocals alongside intense rhythm tracks like Lucinda, Skipscada, and Knife Slits Water. This comprehensive 2-CD expanded edition pairs the original remastered album with associated 12" single cuts (including tracks released under the Sir Horatio alias), rare compilation versions, and two seminal John Peel Sessions from 1981 and 1982 featuring unreleased tracks Piu Lento and Who's To Say. An essential landmark in post-punk and mutant-disco history.

Released in 2016 by AMS Records, Return to the Castle marks the triumphant return of Italian symphonic progressive rock band Nuova Era, coming over twenty years after their celebrated 1995 release Il Passo del Soldato. Clocking in at nearly 75 minutes, this grand concept album features keyboardist and main composer Walter Pini delivering classic, synth-heavy symphonic prog filled with dramatic organ flourishes, complex time signatures, baroque interlude carousels, and intricate guitar work. For the first time in the group's history, the lyrics are performed entirely in English by guitarist and vocalist Alex Camaiti. Rich in instrumental complexity, Return to the Castle captures the classic 1970s and 1990s Italian progressive rock spirit while pushing into heavier and more intricate compositional territory.

Originally released in 1972 on RCA Victor and remastered for CD by Dusty Groove America in 2008, this self-titled release is the astonishing debut album from Detroit soul maestro Ronnie McNeir. Written, arranged, produced, and performed by McNeir when he was just 22 years old, the album stands alongside classic 70s soul masterpieces by Donny Hathaway, Leroy Hutson, Leon Ware, and Stevie Wonder. Keyboard-heavy with jazzy arrangements, smooth vocal harmonies, and narrative musical interludes, the album plays like a cohesive soul mini-symphony. Featuring standout contributions from rhythm section legends Bobby Watson and Tony Maiden (later of Rufus), tracks like Extra, Extra, In Summertime, Keep Your Hands Off My Lady, and Gone Away showcase McNeir's brilliant songwriting and smooth, expressive vocals. An essential masterpiece for connoisseurs of classic 1970s soul, funk, and rare groove.

Originally released in 1969 and remastered for CD by Magic Records in 2006, Call My Name is a rare and coveted studio effort from British blue-eyed soul singer James Royal. Known for his powerful, gritty vocals and dramatic delivery, Royal emerged as one of the UK's most compelling soul-pop belters of the late 1960s, gaining major traction across Continental Europe. Call My Name brings together a vibrant selection of late-60s Northern soul, dramatic orchestral pop, and gritty rhythm and blues, led by its standout title track alongside vibrant cuts like House Of Jack, A Woman Called Sorrow, and You'd Better Run. A hidden gem for collectors of late-60s British soul, freakbeat-adjacent pop, and R&B.

Originally released in 1982 and reissued on CD by Geffen Records in 2009 (UICY-91330), Wild Night is the fourth studio album by American funk and soul group One Way, featuring charismatic lead vocalist Al Hudson and singer Alicia Myers. Continuing the band's hot streak during the prime era of early-80s boogie, urban funk, and post-disco, Wild Night delivers a tight blend of heavy synth-basslines, infectious rhythm tracks, and velvety soul ballads. Highlights include the energetic title track Wild Night, the mid-tempo funk groove Making You An Offer, and the smooth soul tracks Back To Yesterday and Middle Of Our Lives. Wild Night remains an essential record for early-80s funk, soul, and boogie enthusiasts.

Released in 2009 by Cleopatra Records, Lysergic Legacy: The Very Best of the Fuzztones is a career-spanning 25-track retrospective from the undisputed pioneers of the 1980s garage rock revival. Led by the charismatic Rudi Protrudi, NYC's The Fuzztones spearheaded the resurgence of fuzz-drenched 1960s garage punk, Farfisa organ riffs, Vox guitars, and psychedelic swagger well before the genre regained mainstream cool. Lysergic Legacy brings together the band's most essential anthems, cult favorites, and blistering covers—including Strychnine, Cinderella, Bad News Travels Fast, 1-2-5, and She's Wicked. The collection is further elevated by guest appearances from first-wave garage rock legends Sky Saxon (The Seeds), Arthur Lee (Love), Sean Bonniwell (The Music Machine), and Mark Lindsay (Paul Revere & the Raiders). Delivering a tighter flow and relentless muscle, Lysergic Legacy stands as an definitive introduction and holy-grail anthology for garage rock revival and acid rock enthusiasts.

Released in 2016 by Legacy / Sony Music and compiled by acclaimed DJ Reverend P, The Legacy Of Disco is an essential 3-CD anthology celebrating the golden era of disco, funk, and soulful dance music. Drawing primarily from the legendary archives of Philadelphia International, Columbia, Epic, Arista, and RCA, this 30-track collection features sought-after 12" extended versions, unreleased edits, and iconic remixes. Highlighted by seminal Tom Moulton mixes of classics like Harold Melvin & The Blue Notes' Don't Leave Me This Way and The O'Jays' I Love Music, alongside floor-fillers from Earth, Wind & Fire, The Jacksons, Phyllis Hyman, Teddy Pendergrass, and Patti LaBelle, this compilation offers nearly four hours of timeless dancefloor history.

Released in 1993 by Red Eye / Polydor Records, Next - Various Artists On Red Eye Records is an essential compilation showcasing the incredible depth and diversity of the legendary Australian indie label Red Eye Records during the early 1990s alternative rock explosion. Featuring two tracks from each featured artist, the compilation highlights major Australian indie and alternative powerhouses, including ARIA-winning roots-rock outfit The Cruel Sea, indie-pop/alternative icons Clouds, Radio Birdman guitarist Deniz Tek, supergroup Tex, Don & Charlie, garage rock auteur Kim Salmon, beastly guitarist Spencer P. Jones, Indigenous roots-reggae group Mixed Relations, and heavy alt-metal rockers Mantissa. Delivering a mix of blues-tinged rock, gritty pub rock, alt-metal, and melodic indie pop, Next captures a key moment in Australian underground music history.

Released in 2006 by Black Yak through Warner Music, Little Cloud is the sixth studio album by acclaimed Australian piano rock outfit The Whitlams. Debuting at number four on the ARIA Albums Chart and quickly achieving Gold status, the double-disc release is conceptually split into two distinct halves written primarily by frontman Tim Freedman during his stay in New York. The first disc, Little Cloud, reflects on returning home to Australia during an election year, while the second disc, The Apple's Eye, centers thematically on life in New York City. Featuring signature Whitlams piano-led melodies, lush songwriting, and standout tracks like I Was Alive, Fondness Makes The Heart Grow Absent, Beauty In Me, and Beautiful As You, Little Cloud stands as one of the band's finest mid-2000s acoustic pop-rock efforts.

Released in 1992 by Red Eye / Polydor Records, Steal It is the solitary studio album from Australian alternative rock supergroup Hell To Pay. Formed by Aussie pub-rock royalty—including the legendary Ian Rilen (Rose Tattoo, X), guitarist Spencer P. Jones (The Johnnys, Beast of Bourbon), bassist Jon Schofield (Paul Kelly & The Messengers), and drummer Tony Biggs—the band delivers a raw, driving blend of gritty Aussie alternative rock, blues-infused pub rock, and post-punk attitude. Steal It features 14 hard-hitting tracks powered by Rilen's distinctive, raspy lead vocals and Jones's razor-sharp guitar work, showcasing highlights such as Two Days Off, Five Days On, Booze To Blame, and 80 Mph Blues. A sought-after cult classic for fans of late-80s and early-90s Australian underground rock.

Released in 2012 by Festival Records, Down Under Nuggets: Original Australian Artyfacts 1965-1967 is a premier compilation highlighting twenty-nine of the wildest, rarest, and most energetic 1960s garage rock and psychedelic tracks to emerge from Australia. Inspired by Lenny Kaye's legendary Nuggets concept, this collection showcases the fuzz-driven, raw R&B-infused sounds of mid-60s Australian bands, including The Masters Apprentices, The Missing Links, The Purple Hearts, The Black Diamonds, The Loved Ones, The Easybeats, and an early recording from the Bee Gees. Special highlights include raw fuzz-tone anthems, rare 45s, and a long-sought, unreleased full-length 5:29 soundtrack version of The Sunsets' classic surf-fuzz anthem The Hot Generation. Down Under Nuggets is an indispensable collection for 1960s garage rock enthusiasts, psychedelic collectors, and rock historians.