Although Debbie Harry's popularity had decreased by the late '80s, 1989 wasn't a bad year for her at all. That year, Blondie's former lead vocalist successfully portrayed a struggling singer on the brilliant but underrated CBS crime drama Wiseguy, and demonstrated that she could still have considerable fun in the studio. Under the direction of hit producer Mike Chapman – who had worked with Blondie, as well as with everyone from Sweet to Scandal – Harry delivers an eclectic CD that isn't in a class with a Blondie treasure like Parallel Lines but nonetheless has a lot going for it. Much of this new wave-ish pop/rock and European-flavored dance music is heartfelt, clever, and quite memorable. Everything from the charming "Brite Side" (which she performed on Wiseguy) to the addictive "Bike Boy" to the haunting "He Is So" makes it clear that Harry, at 43, was far from a has-been.

Although Blondie made several first-rate albums, most of their best songs were released as singles, which makes The Best of Blondie an essential collection. The Best of Blondie glosses over their punk roots – very little from the first album, apart from the vicious "Rip Her to Shreds" and the seductive "In the Flesh" – but the band's pop hits are among the finest of their era and encapsulate all of the virtues of new wave. Apart from genuine chart hits like "Heart of Glass," "One Way or Another," "Dreaming," "Call Me," "Atomic," "The Tide Is High," and "Rapture," Best of Blondie picks up several of the group's best album tracks, like "(I'm Always Touched by Your) Presence, Dear" and "Hanging on the Telephone." The Best of Blondie isn't all you need to know, but it is an excellent introduction to one of the best new wave bands.