There wasn't any musical generation gap between young Chicago guitarist Specter and his much older front man Barkin' Bill Smith. Specter's love for the electrified 1950s styles of Magic Sam, T-Bone Walker, and B.B. King blended well with Smith's deep, almost crooning baritone pipes on what was the debut album for both men. Lots of breezy swing informs the retro-styled set.

Blues From The Inside Out is the most expressive project of Dave Specter’s 35-year career. Featuring his debut as a vocalist, the album is an exciting and timely celebration of blues, soul, jazz, funk and gospel. These are fine times to hear Specter, an evolving artist who embraces growth and discovery.

The long established musical relationship between guitarists Dave Specter and Steve Freund goes back nearly 20 years, when Specter sought out Freund as a guitar teacher. They have shared many stages, but this marks the first occasion that they have recorded together. In the best of the Chicago blues tradition as illustrated by the legendary Delmark label, Is What It Is is a loose, swinging, tough blues date filled with great tunes, inspired playing and loose-groove vibes. While Specter has become well-known for his jazzy blues playing, his former teacher Freund has stayed close to the roots of the Chicago sound. That contrast works beautifully here on both covers and originals. Freund's tunes are some of the bets on the set as evidenced by the opener "My Little Playhouse." One of the reasons for this is his deep, clear soulful singing which adds punch and nuance to the dueling guitars Specter brings classy elegance to the set in his instrumentals, like the title track that carries a deeply Southern-fried funk to the more urban Chicago sound and the shuffling gutbucket stroll of "Riverside Ride," where the two players wind around and through one another exuberantly.

This was Specter's fifth album for Delmark Records. It saw the Chicago guitarist team up with singer/harpslinger Lynwood Slim (who wrote or co-wrote four of the songs) and organist Jack McDuff. A smooth and easy listen, Left Turn on Blue shuffles, swings, and bops at the juncture of blues and jazz. From the blues chestnut "Party Girl" to the Albert Collins instrumental "Tremble" to the steady jazz groove of Slim's "Stop! Hold It," this is a very classy album. The horns are nicely done, and jazz buffs will particularly enjoy Specter's brief interjections of other tunes into the songs: "Til the End of Time," "Unleavened Soul," and "Killer Jack."