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Giorgio Moroder & VA - Metropolis: Original Motion Picture Soundtrack (1984)

Posted By: Efgrapha
Giorgio Moroder & VA - Metropolis: Original Motion Picture Soundtrack (1984)

Giorgio Moroder & VA - Metropolis: Original Motion Picture Soundtrack (1984)
EAC | FLAC (Image) + cue.+log ~ 248 Mb | Mp3, CBR320 kbps ~ 98 Mb | Scans included
Soundtrack, Pop Rock, Synthpop | Label: Columbia | # CD 70252 | 00:41:06

Metropolis is a 1927 German expressionist epic science-fiction drama film directed by Fritz Lang. Lang and his wife, Thea von Harbou, wrote the silent film, which starred Brigitte Helm, Gustav Fröhlich, Alfred Abel and Rudolf Klein-Rogge. Erich Pommer produced it in the Babelsberg Studios for Universum Film A.G.. It is regarded as a pioneering work of the science-fiction genre in movies, being among the first feature-length movies of the genre. In 1984 Giorgio Moroder restored and produced the 80-minute 1984 re-release, which had a pop soundtrack written by Moroder and performed by Moroder, Pat Benatar, Bonnie Tyler, Jon Anderson, Adam Ant, Cycle V, Loverboy, Billy Squier, and Freddie Mercury.

Billy Squier - Hear & Now (1989)

Posted By: Designol
Billy Squier - Hear & Now (1989)

Billy Squier - Hear & Now (1989)
EAC | FLAC | Image (Cue&Log) ~ 289 Mb | Mp3 (CBR320) ~ 100 Mb | Scans ~ 62 Mb
Rock, Hard Rock | Label: Capitol | # CDP-548748 | Time: 00:43:38

Hear & Now is a rock album by Billy Squier that was released on June 14, 1989. Like his previous album, 1986's Enough Is Enough, it sold roughly 300,000 US copies. The disc's single, "Don't Say You Love Me," reached #4 on Billboard's Mainstream Rock Tracks and #58 on the Billboard Hot 100. It was aided by a popular MTV music video.

Billy Squier - Essential (2011)

Posted By: Designol
Billy Squier - Essential (2011)

Billy Squier - Essential (2011)
EAC | FLAC | Image (Cue&Log) ~ 463 Mb | Mp3 (CBR320) ~ 158 Mb | Scans included
Rock, Hard Rock | Label: Capitol | # 509990 97852 29 | Time: 01:04:50

The Capitol collection Essential Billy Squier compiles various hits from the '80s pop/rocker's albums. Taking up the "essential" part of Squier's catalog here are tracks from 1981's Don't Say No, 1982's Emotions in Motion, and 1984's Signs of Life, including "Everybody Wants You," "The Stroke," "In the Dark," and "My Kinda Lover." Less essential but no less worthy of inclusion are such cuts as "Lonely Is the Night" from Don't Say No and "The Big Beat" from Squier's 1980 debut, The Tale of the Tape. Also included are some lesser-known cuts like "Love Is the Hero" from 1986's Enough Is Enough, "Don't Say You Love Me" from 1989's Hear & Now, and "Angry" from Squier's unfairly ignored 1993 Capitol swan song, Tell the Truth. Taken as a collection, these are Squier's best-known and catchiest tracks and showcase his unique mix of Led Zeppelin meets Queen meets Rod Stewart-style dance-rock. While Squier continued to record for various labels from the mid-'90s onward, these tracks make up the bulk of his time as a hot commodity in the '80s, and it’s great having them all on one disc.

Billy Squier - Emotions In Motion (1982)

Posted By: v3122
Billy Squier - Emotions In Motion (1982)

Billy Squier - Emotions In Motion (1982)
XLD | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Capitol, CDP 7 46480 2 | ~ 295 or 98 Mb | Artwork(jpg) -> 37 Mb
Hard Rock / AOR

Emotions in Motion, the excellent follow-up to Billy Squier's sophomore outing Don't Say No, saw Squier rise from theater headliner to bona fide arena rock sensation by delivering his most consistent solo record to date…

Billy Squier - Absolute Hits (2005)

Posted By: popsakov
Billy Squier - Absolute Hits (2005)

Billy Squier - Absolute Hits (2005)
EAC Rip | FLAC (Img) + Cue + Log ~ 483 Mb | MP3 CBR320 ~ 180 Mb
Full Scans | 01:01:17 | RAR 5% Recovery
Rock, Hard Rock, AOR | Capitol Records #72438-63704-2-6

You have to feel for Billy Squier (and his fans). His record label has done nothing but bungle his hits and best-of collections. Every couple of years they repackage what they claim to be his hits and best songs and every time they manage to find a way to leave off his fifth best song (after "The Stroke," "In the Dark," "My Kind of Lover," and "Everybody Wants You"), the aching and powerful "Lonely Is the Night" from his classic Don't Say No album. It may not have hit the singles charts, but it did climb pretty high on the mainstream rock chart and it was an AOR staple. It is also way better than any of the so-called hits from the late '80s/early '90s that bring up the rear of each hits disc.