A remarkably intimate recording of Schumann's Cello Concerto in A minor, this performance by Anne Gastinel and the Orchestre Philharmonique de Liège, directed by Louis Langrée, may be a little too forward for the average listener's comfort. Direct Stream Digital engineering places Gastinel front and center – almost in one's living room – and the orchestra is not far behind. Such "living presence" may be an audiophile's delight, but others may find the proximity disconcerting, especially because Gastinel's bowing seems overly resinous up close. However, this is the only complaint worth making about this disc, for Gastinel is wonderfully expressive and the orchestra is extraordinarily balanced and clear in its timbres, no mean achievement in Schumann's problematic, thick orchestration. The remaining performances are less forwardly recorded and sound pleasant and natural, with a fresh spontaneity that feels more like a recital than a studio session.

Since Offenbach is celebrated principally for the insatiable melodiousness and joie de vivre of his nearly 100 operettas, it is easy to overlook the fact that he started out as one of the finest cellists of his generation. Even in an age of super-virtuosos, his talent was such that at his peak he appeared in concert alongside the likes of Anton Rubinstein, Felix Mendelssohn and Joseph Joachim.