Su	Mo	Tu	We	Th	Fr	Sa
1	2	3	4	5	6	7
8	9	10	11	12	13	14
15	16	17	18	19	20	21
22	23	24	25	26	27	28
29	30	1	2	3	4	5

Testamentum - Legrenzi: Missa Lauretana Quinque Vocibus (2012)

Posted By: peotuvave

Date: 10 Apr 2014 04:56:20

Giovanni Legrenzi was appointed Chapel Master in St. Mark’s in 1685. The religious environment of his career explains his sacred output, written during his last 35 years. This is the world première recording of the Missa Quinque Vocibus, also known as Missa Lauretana because it was dedicated to the Virgin of Loreto.

Composer: legrenzi, Giovanni Legrenzi
Performer: Lia Serafini, Roberta Giua
Conductor: Riccardo Favero
Orchestra/Ensemble: Oficina Musicum

Reviews: This is music of great beauty, sophistication and emotional strength. It's performed with aplomb, sensitivity and technical zest by Oficina Musicum and soprano soloists conducted by Riccardo Favero. It's a major release of works which - apart from the Spilimberga sonata on Ligia 301109 - are otherwise unavailable. The quality of performance is by and large excellent. You are herewith invited to join the Legrenzi 'revival' to which this CD contributes so successfully.

Legrenzi was a major influence on music and musicians of his own time and that and those immediately succeeding him in late seventeenth century Italy and beyond. Among his pupils were Vivaldi and possibly Caldara. He was a major influence on Alessandro Scarlatti. His sonatas became the standard format for what followed - both as the trio sonata and sonata a due. He developed the practice of purposeful and clear distinctions in tempo markings between movements. Yet Legrenzi is not exactly over-represented in the current catalogue. Astonishingly the present CD is but one of half a dozen devoted exclusively to the North Italian composer. It should be snapped up by anyone who already knows Legrenzi's allure, wants to explore the development of chamber, concertante and virtuosic music of the era and who appreciates the unalloyed beauty of whatever form in which Legrenzi wrote.

It's a fetching programme too: the Spilimberga sonata is unpretentious yet arresting. It says much in a few minutes but its distillation is not jarring. The bulk of the less than an hour long CD is given over to the exquisite and gently but persuasively played and sung Lauretana five voice mass. This work unfolds slowly and with a subtle inevitability and clarity that is admirably conveyed by soloists and instrumentalists (in the interspersed numbers) alike. A little disappointingly, the soloists are at times either under-miked and/or placed too far from our virtual listening point to sound as present and immediate as we might prefer. The allelujia [tr.8], for instance, is a solo tour de force that would have benefited from greater exposure so sure and clean are the singer's vocal lines and artless articulation.

The delightful querini sonata breaks the flow of purely vocal/choral music. This presumably is deliberate in order to provide a contrast that also speaks to Legrenzi's versatility and inner strengths as a composer. These reflect as much what he seems to have wanted to achieve as a musician as was required of him by his patrons. The obviously committed Oficina Musicum stays on top form. They and sopranos Lia Serafini - whose timbre is at time a little less than refined and less crystalline than might be expected - and Roberta Giua lead the last three shorter (but far from insubstantial) vocal Marian pieces, Congratulamini Filiae Sion, Harmonia d'affetti devoti, 'Hodie collaetantur coeli' and Compiete con le lettanie, 'Alma Redemptoris Mater'.

Although the word 'gem' comes to mind when enjoying these pieces, they're performed in a clean and unostentatious way. It is as though Legrenzi were already now as re-established and oft-performed a composer as those of his contemporaries and successors with higher profiles. This is surely the right approach and Favero and Dynamic are to be congratulated on it.

The recording and acoustic are good but not perfect. Ultimately, the beauty of the music and the strengths of the performance overcome these reservations. The booklet that comes with the CD is adequate. It concentrates on the provenance and nature of the manuscripts of the mass that have been used. It contains the texts in Latin.

Legrenzi is yet another composer in the 'early' music world who deserves the appellation 'forgotten'. Here Favero has unfussily and without self-consciousness argued the composer's case well - by letting he music unfold on its own terms. He quietly and confidently helps to ensure that Legrenzi will stay 'overlooked' not a moment longer than he can help. He does so with style and a depth that are only to be admired. Although the profundity and loveliness of Legrenzi's music will surprise you if you're not fully familiar with it, this CD makes a quiet and sane contribution to his profile. Don't hesitate.

Tracklisting:

1. Sonatas (18), Op. 2: no 2, La Spilimberga by Giovanni Legrenzi
Conductor: Riccardo Favero
Orchestra/Ensemble: Oficina Musicum

2. Sonatas (18), Op. 2: no 14, La querini by Giovanni Legrenzi
Performer: Lia Serafini (Soprano), Roberta Giua (Soprano)
Conductor: Riccardo Favero
Orchestra/Ensemble: Oficina Musicum
Period: Baroque

3. Missa quinque vocibus "Lauretana" by Giovanni Legrenzi
Performer: Lia Serafini (Soprano), Roberta Giua (Soprano)
Conductor: Riccardo Favero
Orchestra/Ensemble: Oficina Musicum

4. Congratulamini Filiae Sion by Giovanni Legrenzi
Performer: Lia Serafini (Soprano), Roberta Giua (Soprano)
Conductor: Riccardo Favero
Orchestra/Ensemble: Oficina Musicum
Period: Baroque

5. Harmonia d’affetti devoti, Op. 3: no 1, Hodie collaetantur coeli by Giovanni Legrenzi
Performer: Lia Serafini (Soprano), Roberta Giua (Soprano)
Conductor: Riccardo Favero
Orchestra/Ensemble: Oficina Musicum
Period: Baroque
Written: by 1655

6. Compiete con le lettanie, Op. 7: no 14, Alma Redemptoris Mater by Giovanni Legrenzi
Performer: Lia Serafini (Soprano), Roberta Giua (Soprano)
Conductor: Riccardo Favero
Orchestra/Ensemble: Oficina Musicum
Period: Baroque
Written: by 1662

EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 4. February 2014, 18:09

Oficina Musicum, Riccardo Favero / Legrenzi - Missa lauretana quinque vocibus

Used drive : HL-DT-STDVDRRW GWA-4164B Adapter: 5 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 %source%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:53.55 | 0 | 17529
2 | 3:53.55 | 0:21.28 | 17530 | 19132
3 | 4:15.08 | 2:22.51 | 19133 | 29833
4 | 6:37.59 | 2:34.74 | 29834 | 41457
5 | 9:12.58 | 2:34.55 | 41458 | 53062
6 | 11:47.38 | 4:30.61 | 53063 | 73373
7 | 16:18.24 | 2:19.07 | 73374 | 83805
8 | 18:37.31 | 1:13.32 | 83806 | 89312
9 | 19:50.63 | 7:32.53 | 89313 | 123265
10 | 27:23.41 | 1:43.38 | 123266 | 131028
11 | 29:07.04 | 3:21.68 | 131029 | 146171
12 | 32:28.72 | 2:10.09 | 146172 | 155930
13 | 34:39.06 | 1:30.57 | 155931 | 162737
14 | 36:09.63 | 2:28.04 | 162738 | 173841
15 | 38:37.67 | 1:26.65 | 173842 | 180356
16 | 40:04.57 | 0:27.26 | 180357 | 182407
17 | 40:32.08 | 1:08.10 | 182408 | 187517
18 | 41:40.18 | 1:54.17 | 187518 | 196084
19 | 43:34.35 | 2:43.37 | 196085 | 208346
20 | 46:17.72 | 1:47.43 | 208347 | 216414
21 | 48:05.40 | 3:06.42 | 216415 | 230406
22 | 51:12.07 | 2:13.08 | 230407 | 240389
23 | 53:25.15 | 0:41.70 | 240390 | 243534
24 | 54:07.10 | 2:05.65 | 243535 | 252974
25 | 56:13.00 | 1:22.04 | 252975 | 259128
26 | 57:35.04 | 1:04.72 | 259129 | 264000

Range status and errors

Selected range

Filename D:\temp\Music\Legrenzi - Missa lauretana quinque vocibus\Legrenzi - Missa lauretana quinque vocibus.wav

Peak level 97.8 %
Extraction speed 2.8 X
Range quality 100.0 %
Test CRC 356CE7C3
Copy CRC 356CE7C3
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 1) [6997D728] (AR v2)
Track 2 accurately ripped (confidence 1) [25A9A153] (AR v2)
Track 3 accurately ripped (confidence 1) [88E63EA8] (AR v2)
Track 4 accurately ripped (confidence 1) [B4DC81DE] (AR v2)
Track 5 accurately ripped (confidence 1) [207EC7FC] (AR v2)
Track 6 accurately ripped (confidence 1) [F27A3E9F] (AR v2)
Track 7 accurately ripped (confidence 1) [A5A5C3DA] (AR v2)
Track 8 accurately ripped (confidence 1) [EA4DE74C] (AR v2)
Track 9 accurately ripped (confidence 1) [53BBE36A] (AR v2)
Track 10 accurately ripped (confidence 1) [4652C609] (AR v2)
Track 11 accurately ripped (confidence 1) [F810BE05] (AR v2)
Track 12 accurately ripped (confidence 1) [BECEBA8F] (AR v2)
Track 13 accurately ripped (confidence 1) [03830E87] (AR v2)
Track 14 accurately ripped (confidence 1) [BF667B45] (AR v2)
Track 15 accurately ripped (confidence 1) [2EA1D73B] (AR v2)
Track 16 accurately ripped (confidence 1) [FD5E7D28] (AR v2)
Track 17 accurately ripped (confidence 1) [0E44E007] (AR v2)
Track 18 accurately ripped (confidence 1) [28D8FFE0] (AR v2)
Track 19 accurately ripped (confidence 1) [5DB50363] (AR v2)
Track 20 accurately ripped (confidence 1) [3548B84C] (AR v2)
Track 21 accurately ripped (confidence 1) [03780D1B] (AR v2)
Track 22 accurately ripped (confidence 1) [54129AF6] (AR v2)
Track 23 accurately ripped (confidence 1) [DD607FFE] (AR v2)
Track 24 accurately ripped (confidence 1) [86F5543F] (AR v2)
Track 25 accurately ripped (confidence 1) [34201A61] (AR v2)
Track 26 accurately ripped (confidence 1) [EBC625CF] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 93011F5E96BB303133F7D932E4FD9961C7916604F31895F981F09B2C80A2AA16 ====

Thanks to the original releaser

Download:

Uploaded | Uploadable

Baroque Classical Lossless 2010s