Orchestra of the Age of Enlightenment - Antonio Vivaldi: Concerti (2000)

Posted By: Designol

Orchestra of the Age of Enlightenment - Antonio Vivaldi: Concerti (2000)
XLD | FLAC | Tracks (Cue&Log) ~ 376 Mb | Mp3 (CBR320) ~ 181 Mb | Scans included
Genre: Classical | Label: Linn Records | # CKD 151 | Time: 01:14:03

The popular Orchestra of the Age of Enlightenment presents a fantastic and exuberantly played selection of Vivaldi. Named a ‘Choice' recording by Gramophone upon release, the OAE joyfully celebrate some of Vivaldi's finest instrumental writing. The soloists are drawn from within the distinguished ranks of the OAE including Anthony Robson (oboe), Andrew Clark (horn), Roger Montgomery (horn), David Watkin (cello), Lisa Beznosiuk (flute), Elizabeth Kenny (lute) and Catherine Mackintosh (viola). The concertos assembled on this disc afford the listener a glimpse of Vivaldi's originality, not only as a sensitive colourist and master of form, but also as a felicitous melodist whose harmonies and phraseology are charged with heady atmosphere. The dancing rhythms and distinctive characters of these concerti together with the variety of instrumental combinations and sparkling performances make this a fresh and constantly engaging listen.


This is a gem, for many reasons. The easiest first: this is an anthology of Vivaldi at his most captivating. (I suspect it will rightly sell lots of copies through buyers listening to track 1 and instantly breaking out into an enormous grin.) The music is delectable. Some is obscure, some not: the famous La Notte concerto rubs shoulders with some magnificent chamber concertos, one of the more famous oboe concertos, a concerto for lute and viola d'amore, and a magnificent concerto for two utterly shameless horns. The playing is technically assured and dripping with personality, and the sound is clear and fresh. (This doubles as an HDCD for those with the appropriate hardware, of whom I am not one.)

The chamber concertos are for strikingly differentiated ensembles–RV 572 (subtitled Proteus, or the world upside down) bustles endearingly (with a rather bizarre use of the harpsichord as a melody-line solo instrument), while RV 566 foregrounds its soloists in sisterly duets. RV 107, with a solo group of flute, oboe, violin, and bassoon, is an extraordinary find. The slow movement in particular is a voluptuous outpouring of melody on a par with the famous slow movement from the "Winter" concerto of the Four Seasons–an affecting siciliana, with sentimentality kept at bay by an endearingly burbling bassoon line. Vivaldi follows this with a ciaccona finale–in a quick three beats to the bar, carrying on seamlessly from the siciliana (whose slow beats are divided in three) in a magnificent dramatic stroke.

The Concerto for two horns runs against the Vivaldian stereotype. We are perhaps more familiar with Vivaldi's use of less boisterous instruments, and Andrew Clark and Roger Montgomery have a field day here. The booklet notes say rather unfortunately that "the writing may strike present-day listeners, accustomed to the sophisticated mechanism of valve horns, as being unadventurous". Presumably the writer was not given access to a recording of this unabashed romp. In particular, Clark's upper range is magnificent–two top Es in the first 10 seconds giving more than a hint of the jollity to come.

Perhaps one of the finest things about this collection is its rhythmic suppleness. There is not the slightest hint here of the stereotypical "Baroque sewing machine". In place of boringly rigid togetherness there is a flexibility from the entire ensemble that effortlessly animates Vivaldi's seemingly square rhythms. There is plenty of Vivaldi out there that features impeccable ensemble but also makes you wonder why anyone would bother listening to all those 16th-notes. Perhaps, indeed, you may have written Vivaldi off for that reason. If so, look no further.

Review by Carl Rosman, ClassicsToday.com

It is a nice idea for the Orchestra of the Age of Enlightenment to record a disc of such varied Vivaldian fare. The young women of the orchestra which Vivaldi directed at the Ospedale della Pieta in Venice were as renowned for the range of instruments they could wield as for their virtuosity; so it seems neatly apposite that the OAE, so full of capable soloists itself, should use this music to celebrate its members’ own star qualities. And the mixture is a wide one: three solo concertos; a rare Concerto for two horns; the deservedly popular Concerto for lute and viola d’amore, two concertos for typically extravagant Vivaldian multiple line-ups; and one of those chamber concertos in which all the players are soloists.
The OAE play with great expertise and good taste throughout. Judging by the list in the booklet, they use a relatively large body of strings but, although this is noticable, there is no feeling of heaviness, and indeed the use of two double basses gives the sound a substantial foundation which is at the same time deliciously light on its feet. There is a total of 16 soloists listed, so I cannot mention them all, but among the highlights here were David Watkin’s habitually assured and intensely musical playing of the Cello Concerto; Lisa Beznosiuk, sensitive as ever in La Notte (though struggling a bit against the string sound); Andrew Clark and Roger Montgomery, treading securely and confidently through the Concerto for two horns; Anthony Robson, a little under the note sometimes but showing good breath control and phrasing in the Oboe Concerto; and a fairy-light performance of the Concerto for lute and viola d’amore from Elizabeth Kenny and Catherine Mackintosh.
The performances are all directorless, and there was the odd place where a guiding hand might have pepped things up (or stopped the theorbo from twiddling so much in the slow movement of the Cello Concerto), but in general this is a relaxed and convivial Vivaldi programme that one can simply sit back and enjoy.'

Review by Lindsay Kemp, Gramophone







Orchestra of the Age of Enlightenment
Leaders: Alison Bury, Margaret Faultless

Tracklist:

Concerto in F major 'Il Proteo o il mondo al rovverscio' RV 572
01. Allegro (03:43)
02. Largo (02:15)
03. Allegro (03:29)

Concerto in D minor RV 454
04. Allegro (03:11)
05. Largo (02:26)
06. Allegro (02:28)

Concerto in D minor RV 566
07. Allegro assai (02:51)
08. Largo (02:35)
09. Allegro (02:51)

Concerto in F major RV 539
10. Allegro (03:14)
11. Larghetto (02:21)
12. Allegro (02:19)

Concerto in G major RV 413
13. Allegro (03:14)
14. Largo (04:03)
15. Allegro (02:35)

Chamber Concerto in G minor RV 107
16. Allegro (02:21)
17. Largo (04:17)
18. Presto (03:03)

Concerto in G minor 'La Notte' RV 439
19. Largo/Presto/Largo/Presto (04:13)
20. Largo (01:22)
21. Allegro (02:06)

Concerto in D minor RV 540
22. Allegro (05:03)
23. Largo (03:14)
24. Allegro (03:35)


X Lossless Decoder version 20141129 (148.1)

XLD extraction logfile from 2015-07-09 11:30:06 +0200

Orchestra of the Age of Enlightenment / Vivaldi - Concerti - Orchestra of the Age of Enlightenment [Linn Records]

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Track 24
Filename : /Volumes/4TB 1/Vivaldi - Concerti - Orchestra of the Age of Enlightenment [Linn Records]/24 Concerto in D minor for Lute and Viola d'amore RV 540пјљ III. Allegro.flac

Track gain : 4.15 dB
Peak : 0.541016
CRC32 hash (test run) : 899BE458
CRC32 hash : 899BE458
CRC32 hash (skip zero) : A89BCFCB
AccurateRip v1 signature : B014C69F
AccurateRip v2 signature : BD444438
->Accurately ripped (v1+v2, confidence 10+17/34)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0

No errors occurred

End of status report

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[CUETools log; Date: 02.02.2017 16:37:18; Version: 2.1.4]
HDCD: peak extend: yes, transient filter: none, gain: none
[CTDB TOCID: K.Of.F3s3wV5y4PlsVRMbA9zFWw-] found.
Track | CTDB Status
1 | (9/9) Accurately ripped
2 | (9/9) Accurately ripped
3 | (9/9) Accurately ripped
4 | (9/9) Accurately ripped
5 | (9/9) Accurately ripped
6 | (9/9) Accurately ripped
7 | (9/9) Accurately ripped
8 | (9/9) Accurately ripped
9 | (9/9) Accurately ripped
10 | (9/9) Accurately ripped
11 | (9/9) Accurately ripped
12 | (9/9) Accurately ripped
13 | (9/9) Accurately ripped
14 | (9/9) Accurately ripped
15 | (9/9) Accurately ripped
16 | (9/9) Accurately ripped
17 | (9/9) Accurately ripped
18 | (9/9) Accurately ripped
19 | (9/9) Accurately ripped
20 | (9/9) Accurately ripped
21 | (9/9) Accurately ripped
22 | (9/9) Accurately ripped
23 | (9/9) Accurately ripped
24 | (9/9) Accurately ripped
[AccurateRip ID: 003dc67f-0431670d-48115b18] found.
Track [ CRC | V2 ] Status
01 [bb46222e|22a44327] (11+20/38) Accurately ripped
02 [0f5f81e8|d5e2c7c0] (10+20/37) Accurately ripped
03 [7fd12bbb|81ba2d1e] (10+20/37) Accurately ripped
04 [755780a6|94049f65] (10+20/37) Accurately ripped
05 [a1da7afa|cb164620] (10+20/37) Accurately ripped
06 [a8a7fc6f|34a80173] (10+20/37) Accurately ripped
07 [b3fca7e8|4b4b5aae] (10+20/37) Accurately ripped
08 [74319996|80a338e4] (10+20/37) Accurately ripped
09 [d6220d88|bce7ef83] (10+19/36) Accurately ripped
10 [beb035b2|ce14c71e] (10+19/36) Accurately ripped
11 [b324a98b|aba140c2] (10+20/37) Accurately ripped
12 [dde1138f|54c353c8] (10+20/37) Accurately ripped
13 [23d4c5f5|0325b2da] (10+20/37) Accurately ripped
14 [ce87ed3d|d15fc901] (10+20/37) Accurately ripped
15 [5515caa1|5ce5fd2f] (10+20/37) Accurately ripped
16 [d560cc3b|be90f29f] (10+20/37) Accurately ripped
17 [4a1b0506|f9684450] (10+18/35) Accurately ripped
18 [6d9c9cd1|c5bdd711] (10+20/37) Accurately ripped
19 [bc6b4294|40004b73] (09+20/36) Accurately ripped
20 [8298f586|0a6899d9] (09+20/36) Accurately ripped
21 [f2e060fb|160e95bc] (09+19/35) Accurately ripped
22 [31db7147|a945e43f] (10+18/35) Accurately ripped
23 [f90d9c3d|347eebcc] (10+19/36) Accurately ripped
24 [b014c69f|bd444438] (10+19/36) Accurately ripped
Offsetted by -640:
01 [a0405ac0] (04/38) Accurately ripped
02 [eab2415d] (04/37) Accurately ripped
03 [e8f17840] (04/37) Accurately ripped
04 [81f1e8aa] (04/37) Accurately ripped
05 [8b699605] (04/37) Accurately ripped
06 [d02d4a3c] (04/37) Accurately ripped
07 [f324a5b4] (04/37) Accurately ripped
08 [455f1e4d] (04/37) Accurately ripped
09 [7f3dbbb2] (04/36) Accurately ripped
10 [54137779] (04/36) Accurately ripped
11 [839f154c] (04/37) Accurately ripped
12 [fe438694] (04/37) Accurately ripped
13 [710e9ffa] (04/37) Accurately ripped
14 [c6de451f] (04/37) Accurately ripped
15 [9ab02d38] (04/37) Accurately ripped
16 [be2b02d9] (04/37) Accurately ripped
17 [54209c60] (04/35) Accurately ripped
18 [af48c2dd] (04/37) Accurately ripped
19 [23ae143d] (04/36) Accurately ripped
20 [b7de82e8] (04/36) Accurately ripped
21 [c612516f] (04/35) Accurately ripped
22 [1607b419] (04/35) Accurately ripped
23 [644f4c83] (04/36) Accurately ripped
24 [c8c0a140] (04/36) Accurately ripped
Offsetted by -12:
01 [c087f724] (00/38) No match (V2 was not tested)
02 [006c098e] (00/37) No match (V2 was not tested)
03 [0674a653] (00/37) No match (V2 was not tested)
04 [550628ff] (00/37) No match (V2 was not tested)
05 [5d9559b4] (00/37) No match (V2 was not tested)
06 [6792541e] (00/37) No match (V2 was not tested)
07 [5c69b4d9] (00/37) No match (V2 was not tested)
08 [50cc1b9f] (00/37) No match (V2 was not tested)
09 [6f7b5d68] (00/36) No match (V2 was not tested)
10 [8797b4d6] (00/36) No match (V2 was not tested)
11 [c1d00236] (00/37) No match (V2 was not tested)
12 [706db1d5] (00/37) No match (V2 was not tested)
13 [2ab8b20b] (00/37) No match (V2 was not tested)
14 [e40a446c] (00/37) No match (V2 was not tested)
15 [ffacbe2e] (00/37) No match (V2 was not tested)
16 [e226dc96] (00/37) No match (V2 was not tested)
17 [89b96400] (00/35) No match (V2 was not tested)
18 [9df33bd5] (00/37) No match (V2 was not tested)
19 [658e8124] (00/36) No match (V2 was not tested)
20 [b8d6f556] (00/36) No match (V2 was not tested)
21 [5e43cc56] (00/35) No match (V2 was not tested)
22 [9c536985] (00/35) No match (V2 was not tested)
23 [d52017e8] (00/36) No match (V2 was not tested)
24 [11ae82ff] (00/36) No match (V2 was not tested)

Track Peak [ CRC32 ] [W/O NULL]
– 89,5 [1D764580] [4CCA2401]
01 77,0 [F2D50823] [12016260]
02 38,7 [F088657B] [1DBE0980]
03 76,1 [9565868F] [EF219E7D]
04 75,9 [08FAF72D] [34FEFA61]
05 38,7 [5DC3A23B] [80C2F831]
06 65,9 [AFC3EB94] [5A03676D]
07 66,3 [77659A98] [B9F943F5]
08 27,8 [C4B22BA7] [9E71F9C6]
09 53,6 [497E616C] [9F1DCB7D]
10 89,5 [0B35147A] [BCF73CD2]
11 48,8 [9E2BC2C0] [94126FF0]
12 86,2 [AF393296] [8E1625BD]
13 54,9 [14538C0A] [5F7D7851]
14 46,1 [C94B651C] [B95C66ED]
15 52,8 [60F93D40] [A25C5F3D]
16 44,4 [CDD79628] [3AC3DF61]
17 36,2 [54193F18] [5BF045D7]
18 58,6 [486C0A81] [5877077E]
19 76,1 [73F9E22E] [22903E37]
20 17,4 [3A04FBD7] [9925A486]
21 61,6 [7AD0233F] [1E61F6F1]
22 68,3 [252D9D4B] [0898D493]
23 30,9 [1ADCB5E7] [B075030D]
24 54,1 [899BE458] [A89BCFCB]

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-02-02 17:02:46

––––––––––––––––––––––––––––––––––––––––
Analyzed: Orchestra of the Age of Enlightenment / Vivaldi Concerti
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -2.26 dB -20.65 dB 3:44 01-Concerto in F major “Il Proteo ò il mondo al rovverscio” RV 572 · Allegro
DR12 -8.23 dB -22.39 dB 2:15 02-Concerto in F major “Il Proteo ò il mondo al rovverscio” RV 572 · Largo
DR14 -2.37 dB -21.30 dB 3:37 03-Concerto in F major “Il Proteo ò il mondo al rovverscio” RV 572 · Allegro
DR13 -2.39 dB -21.42 dB 3:12 04-Concerto in D minor RV 454 · Allegro
DR11 -8.23 dB -23.67 dB 2:27 05-Concerto in D minor RV 454 · Largo
DR13 -3.62 dB -21.43 dB 2:37 06-Concerto in D minor RV 454 · Allegro
DR13 -3.56 dB -21.01 dB 2:51 07-Concerto in D minor RV 566 · Allegro assai
DR11 -11.12 dB -26.86 dB 2:35 08-Concerto in D minor RV 566 · Largo
DR13 -5.40 dB -22.40 dB 3:00 09-Concerto in D minor RV 566 · Allegro
DR13 -0.96 dB -17.66 dB 3:15 10-Concerto in F major RV 539 · Allegro
DR10 -6.22 dB -22.07 dB 2:22 11-Concerto in F major RV 539 · Larghetto
DR13 -1.29 dB -17.98 dB 2:28 12-Concerto in F major RV 539 · Allegro
DR14 -5.20 dB -23.07 dB 3:15 13-Concerto in G major RV 413 · Allegro
DR14 -6.71 dB -26.74 dB 4:03 14-Concerto in G major RV 413 · Largo
DR13 -5.54 dB -22.43 dB 2:47 15-Concerto in G major RV 413 · Allegro
DR12 -7.05 dB -23.20 dB 2:22 16-Chamber Concerto in G minor RV 107 · Allegro
DR12 -8.81 dB -23.55 dB 4:17 17-Chamber Concerto in G minor RV 107 · Largo
DR12 -4.64 dB -21.28 dB 3:11 18-Chamber Concerto in G minor RV 107 · Presto
DR14 -2.37 dB -22.08 dB 4:13 19-Concerto in G minor “La Notte” RV 439 · Largo/Presto/Largo/Presto
DR9 -15.15 dB -31.76 dB 1:23 20-Concerto in G minor “La Notte” RV 439 · Largo
DR14 -4.20 dB -22.82 dB 2:17 21-Concerto in G minor “La Notte” RV 439 · Allegro
DR15 -3.30 dB -24.44 dB 5:04 22-Concerto in D minor RV 540 · Allegro
DR13 -10.18 dB -27.76 dB 3:14 23-Concerto in D minor RV 540 · Largo
DR13 -5.34 dB -23.96 dB 3:35 24-Concerto in D minor RV 540 · Allegro
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 24
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 667 kbps
Codec: FLAC
================================================================================



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