Jordi Savall, Le Concert des Nations, La Capella Reial de Catalunya - Bach: Markus Passion BWV 247 (1744) (2019)
Jordi Savall, Le Concert des Nations, La Capella Reial de Catalunya - Johann Sebastian Bach: Markus Passion BWV 247 (1744) (2019)
EAC | FLAC | Image (Cue & Log) ~ 670 Mb | Total time: 57:21+53:11 | Scans included
Classical | Label: AliaVox | # AVSA9931 | Recorded: 2018
EAC | FLAC | Image (Cue & Log) ~ 670 Mb | Total time: 57:21+53:11 | Scans included
Classical | Label: AliaVox | # AVSA9931 | Recorded: 2018
The existence of a third Passion by Bach based on the Gospel of St. Mark had long been known. Numerous studies carried out from the second half of the 20th century by specialist musicologists and musicians confirmed that on Good Friday, 1731, Bach presented this Passion set to a text by Picander, which the latter published one year later at the same time as his third volume of poetry. In 2009, the existence of this Passion was fully confirmed by the discovery at St. Petersburg of a later version of the libretto used for a new performance of the work, which took place in 1744. Compared with the 1732 libretto, it contains a number of modifications to the texts, as well as a different ordering of some chorales and arias and the addition of two new arias. Thanks to the new version, we have a very clear idea of the form and content of this third Passion by Bach.
Performer:
David Szigetvári, tenor (Evangelist)
Konstantin Wolff, bass (Jesus)
Marta Mathéu, soprano
Raffaele Pé, countertenor
Reinoud Van Mechelen, tenor
Veus - Cor Infantil Amics de La Unió
La Capella Reial de Catalunya
Le Concert des Nations
Jordi Savall, direction
Tracklist:
Johann Sebastian Bach (1685-1750)
Markus Passion, BWV 247
CD1:
01. Erster Teil. 1- Chorus “Geh, Jesu, geh zu deiner Pein!” (Ode Funèbre BWV 198)
02. 2a- Recitativo (Evangelista) “Und nach zween Tagen war Ostern” («Passion selon saint Matthieu» BWV 244)
03. 2b- Chorus “Ja nicht auf das Fes” (BWV 244)
04. 2c- Recitativo (Evangelista) “Und da er zu Bethanien war”
05. 2d- Chorus “Was soll doch dieser Unrat?” (BWV 244)
06. 3- Choral “Sie stellen uns wie Ketzern nach” (BWV 258)
07. 4- Recitativo (Evangelista, Jesus) “Und murreten über sie” (BWV 244)
08. 5- Choral “Mir hat die Welt trüglich gericht’ ” (BWV 244)
09. 6a- Recitativo (Evangelista) “Und am ersten Tage der süssen Brote” (BWV 244)
10. 6b- Chorus “Wo willst du, daß wir hingehen” (BWV 244)
11. 6c- Recitativo (Evangelista, Jesus) “Und er sandte seiner Jünger zween” (BWV 244)
12. 6d- Chorus “Bin ich’s?” (BWV 244)
13. 6e- Recitativo (Evangelista, Judas) “Und der andere”
14. 7- Choral “Ich, ich und meine Sünden” («Passion selon saint Jean» BWV 245)
15. 8- Recitativo (Evangelista, Jesus) “Er antwortete, und sprach zu ihnen” (BWV 244)
16. 9- Aria (Alto) “Mein Heiland, dich vergeß ich nicht («Ode Funèbre» BWV 198)
17. 10- Recitativo (Evangelista, Jesus) “Und da sie den Lobgesang gesprochen hatten” (BWV 244)
18. 11- Choral “Wach auf, o Mensch, vom Sündenschlaf” (BWV 20/7)
19. 12a- Recitativo (Evangelista, Jesus, Pierre) “Petrus aber saget zu ihm” (BWV 244)
20. 12b- Aria (Tenore) “Ich lasse dich, mein Jesus, nicht Passion selon saint Jean” (BWV 245)
21. 12c- Recitativo (Evangelista, Jesus) “Desselben gleichen sagten sie alle” (BWV 244)
22. 13- Choral “Betrübtes Herz sei wohlgemut” (BWV 429)
23. 14- Recitativo (Evangelista, Jesus) “Und ging ein wenig fürbaß” (BWV 244)
24. 15- Choral “Machs mit mir Gott, nach deiner Güt” (BWV 245)
25. 16- Recitativo (Evangelista, Jesus) “Und kam, und fand sie schlafend” (BWV 244)
26. 17- Aria (Soprano) “Er kommt, er ist vorhanden!” (BWV 198)
27. 18- Recitativo (Evangelista, Judas) “Und alsbald, da er noch redete” (BWV 244)
28. 19- Aria (Alto) “Falsche Welt, dein schmeichelnd Küssen” (BWV 54)
29. 20- Recitativo (Evangelista, Jesus) “Die aber legten ihre Hände an ihn” (BWV 244)
30. 21- Choral “Jesu, ohne Missetat, im Garten vorhanden” (BWV 245)
31. 22- Recitativo (Evangelista) “Und die Jünger verliessen ihn alle, und flohen”
32. 23- Choral “Ich will hier bei dir stehen” (BWV 135)
CD2:
01. Zweiter Teil. 24- Aria (Tenore) “Mein Tröster ist nicht mehr bei mir” (BWV 198)
02. 25a- Recitativo (Evangelista) “Und sie führeten Jesum zu dem Hohenpriester” (BWV 244)
03. 25b- Recitativo (Testis) “Wir haben gehöret, daß er sagete” (BWV 244)
04. 25c- Recitativo (Evangelista) “Aber ihr Zeugnis stimmete noch nicht überein”
05. 26- Choral “Was Menschen Kraft und Witz anfäht” (BWV 258)
06. 27- Recitativo (Evangelista, Pontifex) “Und der Hohepriester stund auf unter sie” (BWV 244)
07. 28- Choral “Befiehl du deine Wege” (BWV 244)
08. 29a- Recitativo (Evangelista, Pontifex, Jesus) “Da fragte ihn der Hohepriester abermal” (BWV 244)
09. 29b- Chorus “Weissage uns” (BWV 244)
10. 29c- Recitativo (Evangelista) “Und die Knechte schlugen ihn ins Angesicht”
11. 30- Choral “Du edles Angesichte” (BWV 244)
12. 31a- Recitativo (Evangelista, Ancilla, Petrus) “Und Petrus war danieden im Pallast” (BWV 244)
13. 31b- Chorus “Wahrlich, du bist der einer” (BWV 244)
14. 31c- Recitativo (Evangelista, Petrus) “Er aber fing an”
15. 32- Choral “Herr, ich habe mißgehandelt” (BWV 331)
16. 33a- Recitativo (Evangelista, Jesus, Pilatus) “Und bald am Morgen” (BWV 244)
17. 33b- Aria (Alto) “Will ich doch gar gerne schweigen” (BWV 173)
18. 33c- Recitativo (Evangelista, Pilatus) “Er pflegte aber, ihnen auf das Osterfest” (BWV 244)
19. 33d- Chorus “Kreuzige ihn!” (BWV 245)
20. 33e- Recitativo (Evangelista, Pilatus) “Pilatus aber sprach zu ihnen”
21. 33f- Chorus “Kreuzige ihn!” (BWV 245)
22. 34- Aria (Soprano) “Angenehmes Mordgeschrei!” (BWV 171)
23. 35a- Recitativo (Evangelista) “Pilatus aber gedachte dem Volk genug zu tun” (BWV 244)
24. 35b- Chorus “Gegrüsset seist du, der Jüden König!” (BWV 244)
25. 35c- Recitativo (Evangelista) “Und schlugen ihm das Haupt mit dem Rohr”
26. 36- Choral “Man hat dich sehr hart verhöhnet” (BWV 353)
27. 37- Recitativo (Evangelista) “Und da sie ihn verspottet hatten” (BWV 244)
28. 38- Choral “Das Wort sie sollen lassen stahn” (BWV 80)
29. 39a- Recitativo (Evangelista) “Und es war um die dritte Stunde” (BWV 244)
30. 39b- Chorus “Pfui dich, wie fein zerbrichst du den Tempel” (BWV 248)
31. 39c- Recitativo (Evangelista) “Desselben gleichen die Hohenpriester” (BWV 244)
32. 39d- Chorus “Er hat andern geholfen” (BWV 198)
33. 39e- Recitativo (Evangelista, Jesus) “Und die mit ihm gekreuziget waren” (BWV 244)
34. 40- Choral “Keinen hat Gott verlassen” (BWV 369)
35. 41a- Recitativo (Evangelista) “Und etliche, die dabei stunden” (BWV 244)
36. 41b- Chorus “Siehe, er rufet dem Elias” (BWV 244)
37. 41c- Recitativo (Evangelista, Miles) “Da lief einer, und füllete einen Schwamm mit Essig” (BWV 244)
38. 42- Aria (Tenore), Choral (Soprano) “Welt und Himmel, nehmt zu Ohren / Jesu, deine Passion” (BWV 245)
39. 43- Recitativo (Evangelista, Centurio) “Und der Vorhang im Tempel zerriß in zwei Stück” (BWV 244)
40. 44- Choral “Oh! Jesu du, mein Hilf und Ruh!” (BWV 404)
41. 45- Recitativo (Evangelista) “Und er kaufte ein Leinwand”
42. 46- Chorus “Bei deinem Grab und Leichenstein” (BWV 198)
Exact Audio Copy V1.2 from 12. August 2016
EAC extraction logfile from 29. April 2019, 13:46
Jordi Savall, Le Concert des Nations / Markus Passion BWV 247 (1744) [Disc 1 of 2]
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Jordi Savall, Le Concert des Nations / Markus Passion BWV 247 (1744) [Disc 2 of 2]
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==== Log checksum 0D3BB1CDDFEA5757652AF6ACA8F5450242F1CB44FEF0F9F7D90FC20783F99678 ====
Jordi Savall, Le Concert des Nations, La Capella Reial de Catalunya - Bach: Markus Passion BWV 247 (1744) (2019)
Thanks to the original releaser