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Moscow Soloists, Yuri Bashmet - Igor Stravinsky: Apollo; Concerto in D; Sergei Prokofiev: 20 Visions fugitives (2007)

Posted By: Designol
Moscow Soloists, Yuri Bashmet - Igor Stravinsky: Apollo; Concerto in D; Sergei Prokofiev: 20 Visions fugitives (2007)

Igor Stravinsky: Apollo; Concerto in D; Sergei Prokofiev: 20 Visions fugitives (2007)
Moscow Soloists; Yuri Bashmet, Director

EAC | FLAC | Tracks (Cue&Log) ~ 301 Mb | Mp3 (CBR320) ~ 200 Mb | Scans included
Genre: Classical | Label: ONYX | # ONYX 4017 | Time: 01:06:57

This is the second release on ONYX from the amazing Moscow Soloists and their charismatic director, the great Yuri Bashmet. Their first ONYX release was of Chamber Symphonies by Shostakovich, Sviridov and Vainberg (ONYX4007) which gained excellent reviews, including a Grammy 2007 nomination. This disc combines two great Stravinsky works for strings: the marvellous neo-classical ballet Apollon musagète (in the revised 1947 version entitled simply Apollo) and the post-war Concerto in D for strings, with a genuine novelty: in 1962 Rudolf Barshai arranged for his own Moscow Chamber Orchestra 15 of the 20 Visions fugitives that Prokofiev wrote for solo piano between 1915-17. Now Roman Balashov, manager and violist in the Moscow Soloists has completed the set for this world première recording. These are exciting miniatures which truly benefit from the added colours a string orchestra can bring.

Yuri Bashmet's performances with the Moscow Soloists of a ballet and concerto by Stravinsky and transcriptions of a set of piano pieces by Prokofiev are notable for two things. First is the elegance and refinement of his readings. The subject of Stravinsky's ballet Apollo makes the work's intelligent rigor and restraint obvious, and the performance is scrupulously polished and thoughtfully considered. A second, seemingly contradictory characteristic is the sensuality Bashmet brings to the score. It would be easy to argue that most dance is essentially Dionysian, with its overt celebration of the body. The fact that Stravinsky brought his Apollonian sensibility to this Dionysian art form certainly created the kind of dynamic tension that makes the works so intriguing. While Bashmet brilliantly conveys the music's intellectuality, he also infuses it with a rhythmic fluidity and sense of corporeality that leave no doubt this music was created to accompany bodies in motion. He brings the same approach to the Concerto in D for strings, which is a thoroughly neo-classical piece, but one in which Bashmet's rhythmic springiness is completely effective.

Conductor Rudolf Barshai arranged 15 of Prokofiev's set of 20 very brief piano pieces, Visions fugitives, for string orchestra in 1962, and composer Roman Balashov arranged the remaining five for this recording, finally bringing completion to the set. The pieces work extremely well in arrangement and lose none of their charm and piquancy in the transfer from piano to strings. Here, too, the ensemble plays with complete assurance, and Bashmet's interpretation has just the sense of the delicate and the absurd that the pieces require. Onyx's sound is outstanding – realistic and clean, with a strong sense of presence.

Review by Stephen Eddins, Allmusic.com

These performances are outstanding. In Apollo, Yuri Bashmet and Co. manage to put more meat on the bones of this music than you might ever dream possible, without ever compromising its elegant, restrained, neoclassical aesthetic. The key to their success is a wide dynamic range and rich string sonority allied to the necessary rhythmic acuity. Listen to how they dig into the “big tune” at the climax of The Birth of Apollo, or notice the wonderfully fleet and punchy rhythms in the penultimate scene when Apollo dances with all of the muses. The final apotheosis is also just that: haunting but never dragging, and perfectly satisfying in its feeling of finality. This is the kind of performance that may win a few converts to the cause.

Remarkably, the same observations apply to the performance of the Concerto in D, one of Stravinsky’s most arid and cerebral creations. Again, it’s the treatment of rhythm that does the trick: the music in the outer movements trips along with an unusually purposeful and (yes) charming demeanor, and never comes to sound like empty note-spinning. It’s a performance that, incidentally, really does vindicate Stravinsky’s view that his music needs to be played strictly by the score. This doesn’t mean coldly or inexpressively, but the fact is that if the interpreters really apply themselves meticulously (as here) to realizing what he wrote before adding their own “ideas”, they will likely enjoy much greater success.

Rudolf Barshai arranged some 13 of Prokofiev’s Visions fugitives for string orchestra, and Bashmet supplements the previous effort with the remaining seven numbers in transcriptions by Roman Balashov. If I find these brief, quirky pieces more effective in their original keyboard guises, it’s not to disparage the excellence of the playing or the aptness of the conducting. The whole set of 20 makes a fine bonus, and of course juxtaposing Stravinsky and Prokofiev in this way is interesting in and of itself. The sonics are perfect: ideally warm and natural. You should find yourself returning to this exceptional disc often.

Review by David Hurwitz, ClassicsToday.com

Moscow Soloists, Yuri Bashmet - Igor Stravinsky: Apollo; Concerto in D; Sergei Prokofiev: 20 Visions fugitives (2007)



Tracklist:

IGOR STRAVINSKY(1882-1971)

Apollo (composed 1928 as Apollon musagète, rev. 1947)
Ballet en deux tableaux. Ballet in two scenes . Ballett in zwei Bildern
01. Apollo - Tableau 1: Naissance d'Apollon (04:35)
02. Tableau 2: Variation d'Apollon (02:22)
03. Tableau 2: Pas d'action (04:02)
04. Tableau 2: Variation de Calliope (01:41)
05. Tableau 2: Variation de Polymnie (01:08)
06. Tableau 2: Variation de Terpsichore (01:50)
07. Tableau 2: Variation d'Apollon (02:42)
08. Tableau 2: Pas de deux (03:08)
09. Coda: Apollon et les Muses (03:07)
10. Coda: Apothéose (03:59)

Concerto in D for Strings (1946)
ré majeur . D-Dur
11. I. Vivace (05:41)
12. II. Arioso (02:53)
13. III. Rondo (03:21)


SERGEI PROKOFIEV (1891-1953)

20 Visions fugitives op 22 (1915-17)
arranged for string orchestra by
Rudolf Barshai (I-VI, VIII-XVI) Roman Balashov (VII, XVII-XX)
14. I. Lentamente (01:37)
15. II. Andante (01:48)
16. III. Allegretto (01:07)
17. IV. Animato (01:00)
18. V. Molto giocoso (00:21)
19. VI. Con eleganza (00:37)
20. VII. Pittoresco (01:51)
21. VIII. Commodo (01:45)
22. IX. Allegretto tranquillo (01:15)
23. X. Ridicolosamente (01:01)
24. XI. Con vivacità (01:25)
25. XII. Assai moderato (01:25)
26. XIII. Allegretto (00:48)
27. XIV. Feroce (00:55)
28. XV. Inquieto (00:59)
29. XVI. Dolente (02:45)
30. XVII. Poetico, andantino (01:04)
31. XVIII. Con una dolce lentezza (00:45)
32. XIX. Presto agitatissimo e molto accentuato (00:42)
33. XX. Lento irrealmente (03:01)


Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 27. September 2016, 22:10

Moscow Soloists, Yuri Bashmet / Stravinsky - Apollo, Concerto in D & Prokofiev - 20 Visions fugitives

Used drive : PLEXTOR CD-R PREMIUM2 Adapter: 5 ID: 1

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Null samples used in CRC calculations : Yes
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Gap handling : Appended to previous track

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Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:35.65 | 0 | 20689
2 | 4:35.65 | 2:22.39 | 20690 | 31378
3 | 6:58.29 | 4:02.62 | 31379 | 49590
4 | 11:01.16 | 1:41.11 | 49591 | 57176
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6 | 13:50.54 | 1:50.65 | 62304 | 70618
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31 | 62:28.47 | 0:45.13 | 281147 | 284534
32 | 63:13.60 | 0:42.13 | 284535 | 287697
33 | 63:55.73 | 3:01.43 | 287698 | 301315


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Filename D:\EAC extraction\01 - Apollo - Tableau 1; Naissance d'Apollon.wav

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Track 2

Filename D:\EAC extraction\02 - Tableau 2; Variation d'Apollon.wav

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Track 3

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Track 4

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Track 5

Filename D:\EAC extraction\05 - Tableau 2; Variation de Polymnie.wav

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Track 6

Filename D:\EAC extraction\06 - Tableau 2; Variation de Terpsichore.wav

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Track 7

Filename D:\EAC extraction\07 - Tableau 2; Variation d'Apollon.wav

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Track 8

Filename D:\EAC extraction\08 - Tableau 2; Pas de deux.wav

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Track 9

Filename D:\EAC extraction\09 - Coda; Apollon et les Muses.wav

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Track 10

Filename D:\EAC extraction\10 - Coda; Apotheose.wav

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Track 11

Filename D:\EAC extraction\11 - Concerto in D for Strings - I. Vivace.wav

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Track 13

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Track 14

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Track 16

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Track 17

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Track 18

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==== Log checksum B0639D8281B15E2C988C5CD026600BE7CCEE509C5D2A440F9D8E1630A97E7ABF ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-10-06 14:33:15

––––––––––––––––––––––––––––––––––––––––
Analyzed: Moscow Soloists, Yuri Bashmet / Stravinsky - Apollo • Concerto in D & Prokofiev - 20 Visions fugitives
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -2.50 dB -21.71 dB 4:36 01-Apollo - Tableau 1: Naissance d'Apollon
DR12 -9.21 dB -27.55 dB 2:23 02-Tableau 2: Variation d'Apollon
DR13 -6.49 dB -24.45 dB 4:03 03-Tableau 2: Pas d'action
DR15 -2.18 dB -24.25 dB 1:41 04-Tableau 2: Variation de Calliope
DR12 -3.08 dB -20.56 dB 1:08 05-Tableau 2: Variation de Polymnie
DR12 -5.39 dB -23.05 dB 1:51 06-Tableau 2: Variation de Terpsichore
DR12 -1.65 dB -19.90 dB 2:43 07-Tableau 2: Variation d'Apollon
DR11 -8.62 dB -26.15 dB 3:08 08-Tableau 2: Pas de deux
DR13 -0.32 dB -17.77 dB 3:08 09-Coda: Apollon et les Muses
DR12 -3.81 dB -22.03 dB 4:00 10-Coda: Apothéose
DR13 -0.47 dB -18.85 dB 5:41 11-Concerto in D for Strings - I. Vivace
DR14 -3.35 dB -23.82 dB 2:53 12-II. Arioso
DR14 -0.22 dB -21.60 dB 3:22 13-III. Rondo
DR11 -18.22 dB -35.65 dB 1:38 14-20 Visions fugitives - I. Lentamente
DR12 -14.23 dB -32.49 dB 1:48 15-II. Andante
DR11 -8.17 dB -24.92 dB 1:08 16-III. Allegretto
DR14 -1.59 dB -22.10 dB 1:00 17-IV. Animato
DR12 -3.88 dB -21.38 dB 0:22 18-V. Molto giocoso
DR11 -14.71 dB -32.43 dB 0:38 19-VI. Con eleganza
DR14 -4.74 dB -28.90 dB 1:52 20-VII. Pittoresco
DR12 -6.17 dB -25.99 dB 1:46 21-VIII. Commodo
DR14 -1.16 dB -22.09 dB 1:15 22-IX. Allegretto tranquillo
DR12 -12.25 dB -30.56 dB 1:01 23-X. Ridicolosamente
DR13 -5.35 dB -24.00 dB 1:25 24-XI. Con vivacità
DR11 -11.81 dB -28.36 dB 1:25 25-XII. Assai moderato
DR10 -13.08 dB -27.22 dB 0:49 26-XIII. Allegretto
DR11 -0.22 dB -16.39 dB 0:56 27-XIV. Feroce
DR11 -0.22 dB -17.96 dB 1:00 28-XV. Inquieto
DR12 -6.31 dB -24.48 dB 2:46 29-XVI. Dolente
DR10 -22.51 dB -38.60 dB 1:05 30-XVII. Poetico, andantino
DR11 -13.24 dB -28.78 dB 0:45 31-XVIII. Con una dolce lentezza
DR11 -0.22 dB -16.28 dB 0:42 32-XIX. Presto agitatissimo e molto accentuato
DR13 -13.48 dB -32.83 dB 3:02 33-XX. Lento irrealmente
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 33
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 536 kbps
Codec: FLAC
================================================================================

Moscow Soloists, Yuri Bashmet - Igor Stravinsky: Apollo; Concerto in D; Sergei Prokofiev: 20 Visions fugitives (2007)

Moscow Soloists, Yuri Bashmet - Igor Stravinsky: Apollo; Concerto in D; Sergei Prokofiev: 20 Visions fugitives (2007)

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