Oliver Zeffman & Ozero Ensemble - Live at the Science Museum (2023)
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 71:03 minutes | 1,19 GB
Classical | Label: Ozero Records, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 71:03 minutes | 1,19 GB
Classical | Label: Ozero Records, Official Digital Download
Music and mathematics were taught together in Europe’s universities for centuries before science and the arts drifted apart. Conductor Oliver Zeffman shows how the two subjects intersect in this live album, part of his Music x Museums series. Its program, performed in the well-stocked space of London’s Science Museum, explored the diverse ways in which composers play with the nature of musical time. It was brought to life by Ozero Ensemble’s 16 players, almost within touching distance of objects in the museum’s Stephen Hawking at Work exhibition.
Bach’s intricate counterpoint, the musical equivalent of multivariable calculus, opens the show dressed in shimmering colors supplied by George Benjamin. His arrangement for nine players of a canon and fugue from The Art of Fugue intensifies the music’s twists and turns. Harrison Birtwistle’s Tragoedia (1965) employs often violent textural contrasts to create a work rooted in the world of ancient Greek drama. “It’s very aggressive in some places,” notes Zeffman. “And then there are reflective moments in the middle. It’s a monumental, ritualistic piece.”
The concert includes the world premiere of William Marsey’s instantly accessible, meditative Why Do You Grieve, constructed from “programmable” elements of sound that can be extracted, manipulated, and reconstituted in multiple combinations. “Will’s a good friend, but I’ve never had the chance to make something with him before,” recalls Oliver Zeffman. “He was excited by the idea of writing a piece that played with notions of time. And we end with Terry Riley’s In C from 1964, said to be the first minimalist composition, which plays with time by having the musicians repeat 53 phrases at different times as often as they wish.”
Tracklist:
01. Canon and Fugue from Bach “The Art of Fugue” I. Canon in Hypodiapason
02. Canon and Fugue from Bach “The Art of Fugue” II. Contrapunctus 7
03. Tragoedia Prologue
04. Tragoedia Parados
05. Tragoedia Episodion Strophe I - Anapest I
06. Tragoedia Antistrophe I
07. Tragoedia Stasimon
08. Tragoedia Strophe II - Anapest II
09. Tragoedia Antistrophe II
10. Tragoedia Exodos
11. Why Do You Grieve
12. In C
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2023-05-12 17:25:15
––––––––––––––––––––––––––––––––––––––––
Analyzed: Oliver Zeffman / Live at the Science Museum
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -1.50 dB -15.70 dB 2:42 01-Canon and Fugue from Bach “The Art of Fugue”: I. Canon in Hypodiapason
DR12 -7.71 dB -23.14 dB 4:15 02-Canon and Fugue from Bach “The Art of Fugue”: II. Contrapunctus 7
DR10 -4.13 dB -18.07 dB 1:09 03-Tragoedia: Prologue
DR11 -1.00 dB -15.55 dB 1:39 04-Tragoedia: Parados
DR10 -2.92 dB -19.31 dB 3:42 05-Tragoedia: Episodion: Strophe I - Anapest I
DR10 -1.42 dB -16.18 dB 1:11 06-Tragoedia: Antistrophe I
DR12 -12.63 dB -29.21 dB 3:32 07-Tragoedia: Stasimon
DR11 -1.46 dB -15.84 dB 3:17 08-Tragoedia: Strophe II - Anapest II
DR14 -5.14 dB -31.23 dB 2:08 09-Tragoedia: Antistrophe II
DR10 -1.00 dB -14.90 dB 2:12 10-Tragoedia: Exodos
DR14 -1.33 dB -22.07 dB 10:31 11-Why Do You Grieve
DR13 -2.00 dB -19.18 dB 34:43 12-In C
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 12
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2423 kbps
Codec: FLAC
================================================================================
log date: 2023-05-12 17:25:15
––––––––––––––––––––––––––––––––––––––––
Analyzed: Oliver Zeffman / Live at the Science Museum
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -1.50 dB -15.70 dB 2:42 01-Canon and Fugue from Bach “The Art of Fugue”: I. Canon in Hypodiapason
DR12 -7.71 dB -23.14 dB 4:15 02-Canon and Fugue from Bach “The Art of Fugue”: II. Contrapunctus 7
DR10 -4.13 dB -18.07 dB 1:09 03-Tragoedia: Prologue
DR11 -1.00 dB -15.55 dB 1:39 04-Tragoedia: Parados
DR10 -2.92 dB -19.31 dB 3:42 05-Tragoedia: Episodion: Strophe I - Anapest I
DR10 -1.42 dB -16.18 dB 1:11 06-Tragoedia: Antistrophe I
DR12 -12.63 dB -29.21 dB 3:32 07-Tragoedia: Stasimon
DR11 -1.46 dB -15.84 dB 3:17 08-Tragoedia: Strophe II - Anapest II
DR14 -5.14 dB -31.23 dB 2:08 09-Tragoedia: Antistrophe II
DR10 -1.00 dB -14.90 dB 2:12 10-Tragoedia: Exodos
DR14 -1.33 dB -22.07 dB 10:31 11-Why Do You Grieve
DR13 -2.00 dB -19.18 dB 34:43 12-In C
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 12
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2423 kbps
Codec: FLAC
================================================================================
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